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401
- Reggio
- 1847
402
- Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)
- 1849
403
- Thebes
- 1854
404
- On the Road, Two Hours from Tepelene, 19 April 1857
- 1857
405
- Toara, 11:15 a.m., January 1, 1867 (9)
- 1867
406
- Tabeen Berlin, 4:00 p.m., January 1, 1867 (16)
- 1867
407
- Near Mesghouneh
- 1867
408
- Leonessa, 3 October 1844
- 1844
409
- Sketches of Athens
- 1848
410
- Wied Zurrik (Malta)
- 1848
411
- Bavella, Corsica
- ca. 1868
412
- The Pontine Marshes above Terracina
- ca. 1880
413
- Indian River Landscape
- 1874
414
- Plans for the House to be Built at Hampstead
- 1794
415
- Back View of a Standing Classical Male Figure
- undated
416
- River God
- undated
417
- Prospero and Miranda
- ca. 1787
418
- The Accusation of Susanna by the Elders
- undated
419
- Borghese Gladiator
- undated
420
- The Bath of Bath-sheba
- undated
421
- Seated Woman Feeding an Animal
- undated
422
- Mythological Group of Women and Children
- undated
423
- Howard Visiting a Prison
- undated
424
- Prison Scene
- undated
425
- Howard Visiting a Prison
- undated
426
- Classical Male Nude with a Rearing Horse
- undated
427
- Two studies for a male portrait
- undated
428
- Howard Visiting a Prison
- undated
429
- Captive or Dejected Woman: Possibly Andromache
- undated
430
- Sketches for "The Accusation of Susanna"
- undated
431
- John Henderson as Falstaff
- 1780
432
- Shepherdess Cutting an Inscription on a Tree
- undated
433
- The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
- between 1797 and 1798
434
- The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
435
- Christ Giving Sight to Bartimaeus
- 1799 to 1800
436
- The Entrance Front of Hayley's House at Eartham
- 1801
437
- Joseph and Potiphar's Wife
- 1803 to 1805
438
- Pity
- ca. 1795
439
- Abraham and Isaac
- 1799 to 1800
440
- Moses Receiving the Law
- ca. 1780
441
- The Parable of the Wise and Foolish Virgins
- ca. 1825
442
- Little Dot Hetherington at the Old Bedford, Camden Town, Singing "The Boy I Love Is Up in the Gallery"
- ca. 1888
443
- Castle with Figures in a Classical Landscape
- undated
444
- A Soiree
- undated
445
- Design for a tapestry hanging
- undated
446
- Erlestoke House and Park
- ca. 1825
447
- Erlestoke House and Park
- ca. 1825
448
- Devoted Wife
- undated
449
- Color Guide, Based on Varley's List of Colors
- between 1814 and 1838
450
- Hints for Composition by Varley - 1805
- 1805
451
- The Iron Bridge, Coalbrookdale
- undated
452
- Design for the Title Page of Punch
- undated
453
- View of the Falls of Niagara
- between 1795 and 1797
454
- Dunloh Castle, Killarney, Ireland
- ca. 1807
455
- On the Tiber/ Castle of St. Angelo
- 1818
456
- Campagna/ Rome
- 1818
457
- Rome, Porta Pia
- 1818
458
- Roma/ Palace of Caesars
- 1818
459
- Sorrento Gate
- 1818
460
- Pffeffen Bad/ Switzerland
- ca. 1817
461
- A Balloon Ascent near Greenwich Hospital
- ca. 1800
462
- Haymaking
- 1792
463
- British Troops Disembarking
- 1799
464
- Position pour la Garde en Quarte
- 1763
465
- Seconde Position du Salut
- 1763
466
- Quatrieme Position du Salut
- 1763
467
- De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
- 1763
468
- De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
- 1763
469
- De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
- 1763
470
- De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
- 1763
471
- De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
- 1763
472
- De la Risposte de Quarte apres la Parade de Quarte
- 1763
473
- Du Coupé sur Pointe de Quarte en Quarte sur les Armes
- 1763
474
- Position Aprés Avoir Désarmé sur le Coup de Tierce
- 1763
475
- Du Desarmement Aprés la Parade au Dehors des Armes
- 1763
476
- Du Desarmement sur le Coup de Tierce
- 1763
477
- L'Epée & Lanterne Combattüe par L'Epée et Manteau
- 1763
478
- De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
- 1763
479
- Single Hermaphrodite Brig, Bow Forward
- undated
480
- Decorative Stern
- undated
481
- Ceres: Side View of Frigate Class Ship
- undated
482
- Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier
- undated
483
- Two Frigates
- undated
484
- Le Port Vieux de Toulon: Dessiné du Point C Marqué sur le Plan
- undated
485
- Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan
- undated
486
- Thornbury Castle, Gloucestershire
- undated
487
- Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade
- undated
488
- Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan
- undated
489
- L'Orient 1776: Map of the Port of Orient
- 1776
490
- Le Port de Rochefort: Vu Du Point A Marque sur le Plan
- undated
491
- Four Figures on a Sheet
- undated
492
- Cortona
- undated
493
- Cat Like Courtship
- undated
494
- The Return of the Fleet to Great Yarmouth in 1797
- 1797
495
- The Arrival of Ferries at London Bridge (?)
- undated
496
- The Guards on the March for the Duke of York's Campaign in France
- undated
497
- Westminster Bridge from Lambeth Walk
- undated
498
- The Monument and the Pool of London from Southwark
- undated
499
- The Village of Kirkstall, Yorkshire
- 1801
500
- The Tower of London
- 1801