etching begun ca. 1880; impression printed in 1924
2
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
3
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
4
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
5
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
6
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
7
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
8
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
9
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
10
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
11
Print made by Samuel Palmer, 1805–1881
The Sepulchre
between 1880 and 1883
12
Print made by Samuel Palmer, 1805–1881
The Vine
1852
13
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
1880-1883
14
George Stubbs, 1724–1806
The Farmer's Wife and the Raven
1788
15
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
16
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
17
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
18
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
19
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
20
Print made by Henry Thomas Alken, 1785–1851
The School-Boy
1824
21
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
22
Print made by William Woollett, 1735–1785
Celadon and Amelia
1766
23
Richard Earlom, 1743–1822
Thomas King and Sophia Baddely in "The Clandestine Marriage"
1772
24
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
25
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
26
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
27
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
28
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'