Materials & Techniques: oil paint / On-site Access: Accessible by appointment in the Study Room / Image Use: Free to Use

1. Corpo di Cava, 28 June 1838

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Oil and gouache on moderately thick, moderately textured, green-gray wove paper
Dimensions:: Sheet: 14 1/8 x 9 13/16 inches (35.9 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

2. La Cava

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Oil and watercolor on moderately thick, slightly textured, beige-brown wove paper
Dimensions:: Sheet: 4 13/16 x 9 13/16 inches (12.2 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

3. A Study of Ferns, Civitella

Creator:: Edward Lear, 1812–1888
Date:: 1842
Materials & Techniques:: Oil on moderately thick, moderately textured, green wove paper
Dimensions:: Sheet: 6 3/16 x 7 9/16 inches (15.7 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Europe. A Prophecy, Plate 1, Frontispiece

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Europe. A Prophecy, Plate 3, "Preludium"

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Europe. A Prophecy, Plate 8 (Bentley 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Europe. A Prophecy, Plate 2, Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Europe. A Prophecy, Plate 13 (Bentley 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Estuary Evening

Creator:: Louis Munro Grier, 1864–1920
Date:: ca. 1900
Materials & Techniques:: Oil on canvas
Dimensions:: Overall: 25 × 59 inches (63.5 × 149.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Lois Severini and Enrique Foster Gittes, Yale BA 1961

22. Portrait of a Gentleman

Creator:: John Cox Dillman Engleheart, 1783–1862
Date:: undated
Materials & Techniques:: Oil on wood panel
Dimensions:: Image: 5 7/8 x 5 inches (14.9 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Portrait of a Gentleman

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Oil on card mounted on wood
Dimensions:: Frame: 4 1/4 x 3 3/4 x 3/4 inches (10.8 x 9.5 x 1.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Thomas Quincey

Creator:: Horace Hone, 1756–1825
Date:: 1793
Materials & Techniques:: Oil on ivory
Dimensions:: Frame: 3 x 2 1/4 x 3/8 inches (7.6 x 5.7 x 1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Man Seated on a Rock

Creator:: Mather Brown, 1761–1831
Date:: undated
Materials & Techniques:: Pen and black ink, graphite and oil paint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 3/4 × 6 5/8 inches (22.2 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Falstaff in the Boar's Head

Creator:: Robert Smirke, 1752–1845
Date:: 1807
Materials & Techniques:: Oil with brown ink and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 3/4 x 9 3/4 inches (19.7 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Falstaff at Herne's Oak

Creator:: Robert Smirke, 1752–1845
Date:: 1807
Materials & Techniques:: Brown ink, oil, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 1/8 x 9 5/8 inches (15.6 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Garden of the Villa Borghese

Creator:: Thomas Jones, 1742–1803
Date:: ca. 1776
Materials & Techniques:: Watercolor and oil paint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 x 16 inches (27.9 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Three Sheep at Rest

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Oil with varnish on medium, smooth, beige wove paper
Dimensions:: Sheet: 2 3/4 x 6 3/4 inches (7 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, The James W. (B.A. 1933, M.A. 1935) and Mary C. Fosburgh Collection

30. Charity

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Graphite and oil on medium, moderately textured, wove paper mounted to card
Dimensions:: Sheet: 2 1/8 × 5 1/8 inches (5.4 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

31. Abraham and Isaac (Abraham grasping Isaac's arm)

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Oil and brown ink on moderately textured, beige laid paper
Dimensions:: Sheet: 4 1/2 x 3 1/2in. (11.4 x 8.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. She Never Told Her Love, But Sat Like Patience on a Monument

Creator:: Robert Smirke, 1752–1845
Date:: 1827
Materials & Techniques:: Brown ink with brown wash and gouache and oil on medium, smooth, beige wove paper
Dimensions:: Sheet: 5 1/8 x 3 7/8 inches (13 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Studies of Geese

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Watercolor, oil, and graphite with scratching out on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 x 17 7/8 inches (27.3 x 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Illustration for Don Quixote (with figures on a donkey)

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Oil on moderately textured, brown laid paper
Dimensions:: Sheet: 5 x 4in. (12.7 x 10.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Abraham and Isaac

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Oil on wove paper mounted on board
Dimensions:: Sheet: 4 × 3 1/4 inches (10.2 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Malvolio Dancing

Creator:: Robert Smirke, 1752–1845
Date:: 1827
Materials & Techniques:: Black ink with brown wash and oil on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/8 x 3 7/8 inches (13 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Illustration for Don Quixote, Two Figures at a Table

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Oil on wove paper mounted on board
Dimensions:: Sheet: 3 x 3 1/2in. (7.6 x 8.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Scenes from an Eastern Romance [Arabian Nights]

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Oil and graphite on medium, moderately textured, cream wove paper mounted to medium, moderately textured, gray wove paper
Dimensions:: Sheet: 4 1/8 × 3 inches (10.5 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Illustration for an Eastern Romance, possibly 'The Arabian Nights' (with female figure reclining at left)

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Oil and black ink on medium, slightly textured, brown wove paper mounted to medium, slightly textured, gray wove paper
Dimensions:: Sheet: 4 1/2 × 3 3/8 inches (11.4 × 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Oil and graphite on wove paper mounted on board
Dimensions:: Sheet: 4 1/2 × 3 1/2 inches (11.4 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Two Kingfishers beside a Lake

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Oil on canvas
Dimensions:: Sheet: 7 1/2 × 8 5/8 inches (19.1 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Two Kingfishers beside a Lake

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Oil on canvas
Dimensions:: Sheet: 10 1/2 × 7 3/4 inches (26.7 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Study for Burying the Royal Children

Creator:: James Northcote, 1746–1831
Date:: ca. 1790
Materials & Techniques:: Oil on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 17 x 11 1/4 inches (43.2 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

44. Villa Medici, Rome

Creator:: Thomas Jones, 1742–1803
Date:: ca. 1776
Materials & Techniques:: Oil over graphite on moderately thick, rough, blue wove paper
Dimensions:: Sheet: 13 x 21 1/8 inches (33 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Unidentified Sitter

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gouache and oil paint on vellum
Dimensions:: Sheet: 9 3/8 × 7 7/8 inches (23.8 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

46. Lady Jane Grey

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Gouache, oil, and pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 × 9 inches (30.5 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Diana and Actaeon

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Oil, varnish, gouache, and pen and black ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/8 × 6 3/4 inches (15.6 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Figure Study of a Nude Woman in a Wooded Landscape

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Oil and varnish on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 3 15/16 × 5 7/16 inches (10 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire

Creator:: John Ferneley, 1782–1860
Date:: undated
Materials & Techniques:: Oil, watercolor, gouache, and graphite on medium, slightly textured, brown wove paper mounted on wood
Dimensions:: Sheet: 10 3/4 × 15 3/4 inches (27.3 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Sir Christopher Wren

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Oil on metal
Dimensions:: Image: 1 5/8 x 1 inches (4.1 x 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Two Shetland Ponies With a Groom

Creator:: Charles Hancock, 1802–1877
Date:: 1834
Materials & Techniques:: Oil, watercolor, gouache, and pen and brown ink on moderately thick, rough, beige wove paper
Dimensions:: Mount: 9 5/16 × 10 3/16 inches (23.7 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Portrait of a Young Woman

Creator:: Arthur Devis, 1712–1787
Date:: 1748
Materials & Techniques:: Oil and watercolor on ivory
Dimensions:: Frame: 2 3/8 x 2 1/8 x 3/8 inches (6 x 5.4 x 1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

53. Woman Sleeping in the Nude in a Wooded Landscape

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Gouache, oil, and pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 4 × 5 7/16 inches (10.2 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Christopher Sly and the Page, as His Wife

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, beige wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/16 x 4 7/16 inches (16.3 x 11.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Falstaff with Mistress Quickly and Bardolph

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 4 3/8 inches (15.3 x 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Launce with his Dog Crab

Creator:: Robert Smirke, 1752–1845
Date:: ca. 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream laid paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 6 1/2in. (20.6 x 16.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Claudio and Isabella

Creator:: Robert Smirke, 1752–1845
Date:: 1823
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 4 inches (13 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Stephano and Trinculo with Caliban

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Brown wash with gouache and oil over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 x 4 1/4 inches (15.2 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Prospero Conjuring a Masque for Ferdinand and Miranda

Creator:: Robert Smirke, 1752–1845
Date:: ca. 1810
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 15/16 x 6 9/16 inches (12.6 x 16.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Viola and Olivia

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 x 4 3/8 inches (16.7 x 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Capulet Railing at his Daughter, Juliet

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/16 x 4 1/2 inches (16.1 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Juliet About to Take her Sleeping Draught

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 4 1/2 inches (16.5 x 11.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Malvolio abusing Maria, Fabian and Sir Toby

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil, partly varnished on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 4 5/16 inches (15.5 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Feste, as Sir Topas, addressing Malvolio

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil, partly varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 x 4 5/16 inches (16.7 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Lady Mortimer's Welsh Song

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 x 4 5/16 inches (17.7 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Oberon and Puck

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil, partially varnished on moderately thick, slightly textured, cream laid paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 6 7/16 inches (19.1 x 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Death of Ophelia

Creator:: Robert Smirke, 1752–1845
Date:: ca. 1810
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 13/16 x 5 7/8 inches (12.2 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Katherina and Grumio

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache, oil, and graphite on moderately thick, slightly textured, cream beige paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 x 4 3/8in. (16.2 x 11.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Ford in a Rage After Seeing Falstaff

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 15/16 x 4 1/2 inches (15.1 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Master William Page and Sir Hugh Evans

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/16 x 4 1/2 inches (18.5 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Hotspur and the Plotters at Bangor

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Graphite, pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 5 inches (16.8 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Falstaff at Herne's Oak

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/16 x 4 1/2 inches (18.6 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Isabella and Mariana Kneeling Before the Duke

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 4 inches (13 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Landscape: Man Carrying Faggots

Creator:: Gainsborough Dupont, 1754–1797
Date:: undated
Materials & Techniques:: Oil and graphite on moderately textured, beige laid paper
Dimensions:: Sheet: 11 1/4 x 14 13/16in. (28.6 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Oil and pen and brown ink on wove paper mounted on board
Dimensions:: Sheet: 2 1/2 x 3 3/4 inches (6.4 x 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Olivia and Maria

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Brown ink with brown wash, gouache and oil on medium, smooth, beige wove paper
Dimensions:: Sheet: 4 3/16 x 3 3/8 inches (10.7 x 8.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Oil, pen and brown ink, and graphite on medium, lightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 x 3in. (11.4 x 7.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Saddled Gray Horse Walking

Creator:: Jacques-Laurent Agasse, 1767–1849
Date:: undated
Materials & Techniques:: Oil on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 5 5/16 × 7 9/16 inches (13.5 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Horses and cows in a hilly landscape

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Oil on linen on Linen
Dimensions:: Sheet: 10 5/8 x 14 7/8in. (27 x 37.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Landscape: Cow in left foreground

Creator:: Gainsborough Dupont, 1754–1797
Date:: undated
Materials & Techniques:: Oil on moderately textured, laid paper
Dimensions:: Sheet: 11 5/8 x 15 5/8in. (29.5 x 39.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Landscape: Figure riding a donkey

Creator:: Gainsborough Dupont, 1754–1797
Date:: undated
Materials & Techniques:: Oil and graphite on moderately textured, beige laid paper
Dimensions:: Sheet: 11 3/8 x 13 3/4in. (28.9 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Landscape: Three cows in center foreground

Creator:: Gainsborough Dupont, 1754–1797
Date:: undated
Materials & Techniques:: Oil and graphite on moderately textured, beige laid paper
Dimensions:: Sheet: 11 5/8 x 15 1/2in. (29.5 x 39.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Clouds at Sunset

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Oil on thick, rough, brown wove paper
Dimensions:: Sheet: 3 7/8 x 7 7/8 inches (9.8 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Mrs. Justinian Casamajor and Eight of her Children

Creator:: Daniel Gardner, 1750–1805
Date:: 1779
Materials & Techniques:: Gouache, pastel and oil on moderately thick, slightly textured, brown laid paper mounted to linen
Dimensions:: Sheet: 31 1/2 × 38 inches (80 × 96.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Close of the Day: Sunset on the Coast

Creator:: Alexander Cozens, 1717–1786
Date:: between 1768 and 1775
Materials & Techniques:: Oil and graphite on thick, moderately textured, laid paper
Dimensions:: Sheet: 9 5/8 x 12 1/4 inches (24.4 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. A Woodland Pool with Rocks and Plants

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1765 and 1770
Materials & Techniques:: Watercolor, black and white chalk, and oil paint, with gum on medium, slightly textured, cream laid paper, backed with laid paper
Dimensions:: Sheet: 9 x 11 3/8 inches (22.9 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Ariadne Watching the Struggle of Theseus with the Minotaur

Creator:: Henry Fuseli, 1741–1825
Date:: 1815 to 1820
Materials & Techniques:: Brown wash, oil, white gouache, white chalk, gum and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 24 3/8 × 19 3/4 inches (61.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Two Birds in a Landscape

Creator:: James Sowerby, 1756–1822
Date:: undated
Materials & Techniques:: Oil on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 6 1/4 inches (20.6 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. A Family Group at a Cottage Door

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Oil and black ink on moderately textured, laid paper
Dimensions:: Sheet: 10 3/4 x 8 1/2in. (27.3 x 21.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Battle Scene (probably intended for Hume's "History of England")

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Oil on medium, moderately textured, laid paper
Dimensions:: Sheet: 6 1/4 x 5 1/4in. (15.9 x 13.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Battle Scene (probably intended for Hume's "History of England")

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Oil on medium, moderately textured, laid paper
Dimensions:: Sheet: 6 1/4 x 5 1/4in. (15.9 x 13.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. Corpo di Cava, 28 June 1838

2. La Cava

3. A Study of Ferns, Civitella

4. Europe. A Prophecy, Plate 1, Frontispiece

5. Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)

6. Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)

7. Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

8. Europe. A Prophecy, Plate 3, "Preludium"

9. Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

10. Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)

11. Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)

12. Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

13. Europe. A Prophecy, Plate 8 (Bentley 9)

14. Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

15. Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)

16. Europe. A Prophecy, Plate 2, Title Page

17. Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)

18. Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)

19. Europe. A Prophecy, Plate 13 (Bentley 10)

20. Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)

21. Estuary Evening

22. Portrait of a Gentleman

23. Portrait of a Gentleman

24. Thomas Quincey

25. Man Seated on a Rock

26. Falstaff in the Boar's Head

27. Falstaff at Herne's Oak

28. The Garden of the Villa Borghese

29. Three Sheep at Rest

30. Charity

31. Abraham and Isaac (Abraham grasping Isaac's arm)

32. She Never Told Her Love, But Sat Like Patience on a Monument

33. Studies of Geese

34. Illustration for Don Quixote (with figures on a donkey)

35. Abraham and Isaac

36. Malvolio Dancing

37. Illustration for Don Quixote, Two Figures at a Table

38. Scenes from an Eastern Romance [Arabian Nights]

39. Illustration for an Eastern Romance, possibly 'The Arabian Nights' (with female figure reclining at left)

40. Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing

41. Two Kingfishers beside a Lake

42. Two Kingfishers beside a Lake

43. Study for Burying the Royal Children

44. Villa Medici, Rome

45. Unidentified Sitter

46. Lady Jane Grey

47. Diana and Actaeon

48. Figure Study of a Nude Woman in a Wooded Landscape

49. A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire

50. Sir Christopher Wren

51. Two Shetland Ponies With a Groom

52. Portrait of a Young Woman

53. Woman Sleeping in the Nude in a Wooded Landscape

54. Christopher Sly and the Page, as His Wife

55. Falstaff with Mistress Quickly and Bardolph

56. Launce with his Dog Crab

57. Claudio and Isabella

58. Stephano and Trinculo with Caliban

59. Prospero Conjuring a Masque for Ferdinand and Miranda

60. Viola and Olivia

61. Capulet Railing at his Daughter, Juliet

62. Juliet About to Take her Sleeping Draught

63. Malvolio abusing Maria, Fabian and Sir Toby

64. Feste, as Sir Topas, addressing Malvolio

65. Lady Mortimer's Welsh Song

66. Oberon and Puck

67. The Death of Ophelia

68. Katherina and Grumio

69. Ford in a Rage After Seeing Falstaff

70. Master William Page and Sir Hugh Evans

71. Hotspur and the Plotters at Bangor

72. Falstaff at Herne's Oak

73. Isabella and Mariana Kneeling Before the Duke