Exhibition History: Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11) / Image Available: Available

1. Design for a Temporary Arch Ornamented with Putti and Allegorical Figures of Music and War

Creator:: Inigo Jones, 1573–1652
Date:: ca. 1622
Materials & Techniques:: Pen and brown ink and brown wash; verso: graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 x 6 3/4 inches (24.1 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Antonius Van Dyck Eques and Peter Paul Rubens Eques

Creator:: Print made by Paulus Pontius, 1603–1658
Date:: between 1618 and 1658
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 17 5/8 inches (32.7 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Five Classical Heads

Creator:: Inigo Jones, 1573–1652
Date:: between 1630 and 1639
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/4 x 7 7/8 inches (8.3 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Petrus Paulus Rubbens

Creator:: Print made by Paulus Pontius, 1603–1658
Date:: ca. 1635
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 14 1/4 × 11 1/16 inches (36.2 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Inigo Iones

Creator:: Print made by Robert van Voerst, 1597–1636
Date:: ca. 1635
Materials & Techniques:: Line engraving, stipple engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 1/2 × 10 3/16 inches (39.4 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Peace Embracing Plenty

Creator:: Sir Peter Paul Rubens, 1577–1640
Date:: between 1633 and 1634
Materials & Techniques:: Oil on panel
Dimensions:: 24 3/4 × 18 1/2 inches (62.9 × 47 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

7. A Plumed Saddle-Horse

Creator:: Attributed to Inigo Jones, 1573–1652
Date:: ca. 1640
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 x 5 inches (14.3 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Katherine Stanhope (née Wotton), later Countess of Chesterfield, and Lucy Hastings (née Davies), Countess of Huntingdon

Creator:: Sir Anthony Van Dyck, 1599–1641
Date:: 1636 to 1640
Materials & Techniques:: Oil on canvas
Dimensions:: 51 1/4 x 59 1/4 inches (130.2 x 150.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Palatium Regis Prope Londinum, Vulgo Whitehall

Creator:: Wenceslaus Hollar, 1607–1677
Date:: ca. 1647
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 x 13 1/8 inches (15.2 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Charles I

Creator:: Print made by William Faithorne, ca. 1620–1691
Date:: 1658
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 6 3/4 inches (26.7 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward B. Greene, transfer from the Yale University Art Gallery

11. Cupid and Psyche

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: between 1690 and 1699
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 13 inches (24.1 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

12. A Design for a Ceiling

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 16 x 8 1/8 inches (40.6 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Banqueting House, Whitehall: Front Elevation

Creator:: Thomas Forster, ca. 1677–after 1712
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink, and gray wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/8 x 14 inches (26.4 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Rape of Proserpine, design for the staircase of Devonshire House, London

Creator:: Louis Laguerre, 1663–1721
Date:: ca. 1704
Materials & Techniques:: Oil on canvas
Dimensions:: 42 1/8 x 30 inches (107 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. St. Paul before Agrippa

Creator:: Sir James Thornhill, 1675–1734
Date:: ca. 1710
Materials & Techniques:: Oil on canvas
Dimensions:: 32 1/4 x 29 1/4 inches (81.9 x 74.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Design for Ceiling Walls and Staircase

Creator:: Sir James Thornhill, 1675–1734
Date:: between 1712 and 1713
Materials & Techniques:: Pen and brown ink, gray wash, brown wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 x 19 5/8 inches (38.7 x 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Study of a Female Nude

Creator:: William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Graphite, black chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:: Sheet: 10 1/4 × 17 1/8 inches (26 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

Creator:: Simon Gribelin, 1662–1733
Date:: ca. 1720
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 37 3/4 × 18 1/2 inches (95.9 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Sketch for 'The Last Supper,' St. Mary's, Weymouth

Creator:: Sir James Thornhill, 1675–1734
Date:: between 1719 and 1720
Materials & Techniques:: Oil on canvas
Dimensions:: 17 1/4 x 23 3/8 inches (43.8 x 59.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. Victorious Hero Takes Occasion to Conclude Peace

Creator:: Bernard Lens III, 1682–1740
Date:: 1720
Materials & Techniques:: Watercolor and gouache heightened with gold on vellum
Dimensions:: Frame: 17 1/4 x 20 1/2 x 1 1/2 inches (43.8 x 52.1 x 3.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

21. A Grey Spotted Hound

Creator:: John Wootton, 1682–1764
Date:: 1738
Materials & Techniques:: Oil on canvas
Dimensions:: 40 x 50 inches (101.6 x 127 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. Portrait of a Lady at a Drawing Table

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Graphite and brown wash on medium, slightly textured,cream laid paper
Dimensions:: Sheet: 8 1/4 x 6 1/2 inches (21 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Portrait of a Woman

Creator:: Thomas Gainsborough, 1727–1788
Date:: ca. 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 29 7/8 x 26 1/4 inches (75.9 x 66.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

24. Portrait of a Young Man with Powdered Hair

Creator:: Thomas Gainsborough, 1727–1788
Date:: ca. 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 3 1/8 x 2 3/4 inches (7.9 x 7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

25. Hackwood Park, Hampshire

Creator:: Paul Sandby, 1731–1809
Date:: undated, exhibited 1764
Materials & Techniques:: Oil on canvas
Dimensions:: 40 3/16 x 50 1/4 inches (102.1 x 127.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

26. Two Men, One Holding a Whip

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1754
Materials & Techniques:: Red chalk and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 x 5 1/2 inches (19.4 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

28. The Fourth Stage of Cruelty: The Reward of Cruelty

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

29. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

30. The First Stage of Cruelty: Children Torturing Animals

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

31. The Good Samaritan

Creator:: Francis Hayman, 1707/8–1776
Date:: between 1751 and 1752
Materials & Techniques:: Oil on canvas
Dimensions:: 78 1/2 × 48 1/2 inches (199.4 × 123.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

32. Lady Maynard

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1757
Materials & Techniques:: Black and red chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 x 4 1/16 inches (17.1 x 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 5 7/8 inches (19.7 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor, pen and gray ink , black chalk and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 6 3/8 inches (19.7 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. London Cries: A Muffin Man

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 5 3/8 inches (19.7 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Two Women holding a Basket

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor, pen and brown ink and gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 5/8 x 4 7/8 inches (16.8 x 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Whitehall Showing Holbein's Gate and Banqueting Hall

Creator:: Thomas Sandby, 1721–1798
Date:: ca. 1760
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 23 1/2 inches (39.4 x 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Study of a Back of a Female Nude, Standing

Creator:: attributed to Henry Fuseli, 1741–1825
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink and white chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 3 5/8 inches (16.5 x 9.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Miss Susanna Gardiner (1752-1818)

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1758 and 1759
Materials & Techniques:: Oil on canvas
Dimensions:: 24 3/8 × 20 1/8 inches (61.9 × 51.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

40. The Magicians Marching off After the Success of their Incantations

Creator:: Edward Rooker, 1724–1774
Date:: ca. 1763
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 7/8 x 20 3/8 inches (45.4 x 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

Creator:: Edward Rooker, 1724–1774
Date:: ca. 1763
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 x 20 1/2 inches (45.1 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Lady in a Bonnet

Creator:: Paul Sandby, 1731–1809
Date:: between 1760 and 1765
Materials & Techniques:: Red chalk and black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Horse Frightened by a Lion

Creator:: George Stubbs, 1724–1806
Date:: between 1762 and 1768
Materials & Techniques:: Oil on canvas
Dimensions:: 27 3/4 × 41 inches (70.5 × 104.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

44. Hogarth Painting the Comic Muse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1764
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 x 14 inches (40.6 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Wooded Landscape with Herdsmen and Cattle, Buildings on a Hill, and Rustic Lovers

Creator:: Thomas Gainsborough, 1727–1788
Date:: ca. 1770
Materials & Techniques:: Black chalk, white chalk, gray wash and stumping on thin, slightly textured, light blue laid paper
Dimensions:: Sheet: 10 1/2 x 13 inches (26.7 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund and Iola S. Haverstick Fund

46. The Queen Elizabeth Gate

Creator:: Paul Sandby, 1731–1809
Date:: 1767
Materials & Techniques:: Gouache and watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/8 x 18 1/2 inches (36.5 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Horse Attacked by a Lion (Episode C)

Creator:: George Stubbs, 1724–1806
Date:: between 1768 and 1769
Materials & Techniques:: beeswax and oil on panel
Dimensions:: 10 1/8 × 11 5/8 inches (25.7 × 29.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

48. Landscape with Cattle

Creator:: Thomas Gainsborough, 1727–1788
Date:: ca. 1773
Materials & Techniques:: Oil on canvas
Dimensions:: 47 1/4 x 57 1/4 inches (120 x 145.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

49. An Academy

Creator:: John Hamilton Mortimer, 1740–1779
Date:: ca. 1773
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 19 3/8 inches (31.4 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

50. Lion and Lioness

Creator:: George Stubbs, 1724–1806
Date:: 1770
Materials & Techniques:: Enamel on copper
Dimensions:: 9 1/2 × 11 inches (24.1 × 27.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

51. An Imaginary Wooded Village with Drovers and Cattle

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1771 and 1772
Materials & Techniques:: Oil and mixed media on paper on canvas
Dimensions:: 24 1/2 x 29 3/8 inches (62.2 x 74.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

52. Landscape with cottage and church

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1771 and 1772
Materials & Techniques:: Oil on canvas with some black chalk
Dimensions:: 16 1/4 x 19 7/16 inches (41.3 x 49.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

53. The Pool of Bethesda

Creator:: Simon François Ravenet, 1706–1774
Date:: 1772
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/8 x 22 5/8 inches (49.2 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Good Samaritan

Creator:: Simon François Ravenet, 1706–1774
Date:: 1772
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/4 × 22 1/2 inches (48.9 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. A Tigress

Creator:: John Dixon, ca. 1740–1811
Date:: 1773
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 × 23 inches (48.3 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Life School at the Royal Academy

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1773
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/8 x 28 1/2 inches (51.1 x 72.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. A Moonlit Landscape with Cattle by a Pool

Creator:: Thomas Gainsborough, 1727–1788
Date:: ca. 1780
Materials & Techniques:: Soft-ground etching, aquatint, black chalk, white chalk, and gouache on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/16 × 12 3/4 inches (25.5 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

58. Sleeping Leopard

Creator:: George Stubbs, 1724–1806
Date:: 1777
Materials & Techniques:: Enamel on Wedgwood biscuit earthenware
Dimensions:: 4 1/4 x 6 5/8 inches (10.8 x 16.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

59. Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle

Creator:: Print made by Thomas Gainsborough, 1727–1788
Date:: between 1779 and 1780
Materials & Techniques:: Etching and soft-ground etching on medium, slightly textured, blue laid paper
Dimensions:: Sheet: 12 × 15 3/8 inches (30.5 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. An Unfinished View of the West Gate, Canterbury

Creator:: Paul Sandby, 1731–1809
Date:: between 1780 and 1785
Materials & Techniques:: Pen and brown ink and oil on paper laid down on panel
Dimensions:: 17 7/8 x 25 inches (45.4 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

61. Horse Frightened by a Lion (Episode A)

Creator:: Josiah Wedgwood, 1730–1795
Date:: modeled 1780
Materials & Techniques:: Solid blue jasper with white relief, shallow oval
Dimensions:: Image: 10 × 16 inches (25.4 × 40.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

62. Labourers

Creator:: George Stubbs, 1724–1806
Date:: 1781
Materials & Techniques:: Enamel on Wedgwood biscuit earthenware
Dimensions:: 27 1/2 × 36 inches (69.9 × 91.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

63. Edward Augustus, Duke of Kent

Creator:: Thomas Gainsborough, 1727–1788
Date:: ca. 1787
Materials & Techniques:: Oil on canvas
Dimensions:: 36 x 28 inches (91.4 x 71.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

64. The Procession of the Knights of the Most Noble Order of the Garter

Creator:: Richard Cooper the Younger, 1740–1814
Date:: 1782
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/4 x 54 1/4 inches (50.2 x 137.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Coastal Landscape with a Shepherd and His Flock

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1783 and 1784
Materials & Techniques:: Oil on canvas
Dimensions:: 25 x 30 inches (63.5 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

66. Wooded Landscape with Country Cart and Figures

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1785 and 1788
Materials & Techniques:: Black and white chalk, gray wash and black wash on medium, slightly textured, antique buff wove paper prepared with gray
Dimensions:: Sheet: 9 3/4 x 13 inches (24.8 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Open Landscape with Figures, Cows and Cottage

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1785 and 1788
Materials & Techniques:: Brown chalk, white chalk with gray wash on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 10 1/4 x 12 3/8 inches (26 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Mountain Landscape with Figures, Sheep and Fountain

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1785 and 1788
Materials & Techniques:: Gray wash, black wash, white wash and black chalk with varnish on medium, slightly textured, cream laid paper, laid onto wove paper
Dimensions:: Sheet: 8 1/2 x 11 7/8 inches (21.6 x 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. A Tiger and a Sleeping Leopard

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1788
Materials & Techniques:: Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 12 1/2 inches (24.8 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Gunpowder Magazine, Hyde Park

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1793
Materials & Techniques:: Watercolor, pen and gray ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 14 5/8 x 19 3/8 inches (37.1 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Labourers

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1789
Materials & Techniques:: Etching, stipple engraving, roulette and rocker on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 28 inches (54 x 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Labourers

Creator:: Richard Earlom, 1743–1822
Date:: 1790
Materials & Techniques:: Mezzotint, printed in color on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/8 x 26 inches (43.5 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. A Sleeping Leopard

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1791
Materials & Techniques:: Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 13 3/4 inches (25.4 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. A Horse Frightened by a Snake

Creator:: Sawrey Gilpin, 1733–1807
Date:: 1792
Materials & Techniques:: Oil on canvas
Dimensions:: 11 3/8 × 14 1/8 inches (28.9 × 35.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

75. Key to Life School at the Royal Academy

Creator:: Print made by unknown artist
Date:: 1794
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 14 1/8 inches (25.7 x 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Tiger Skeleton, Lateral View (Finished Study for Table IV)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper lined with Japanese paper
Dimensions:: Sheet: 15 3/4 x 21 1/4 inches (40 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Fowl Skeleton, Lateral View (Finished Study for Table V)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/2 x 16 inches (54.6 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Fowl, Lateral View with Most Feathers Removed (Finished Study for Table X)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper, with a strip of same wove paper joined to bottom edge
Dimensions:: Sheet: 22 1/4 x 16 inches (56.5 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 x 21 1/4 inches (40.6 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Fowl, Lateral View, with Skin and Underlying Fascial Layers Removed (Finished Study for Table XV)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)

Creator:: George Stubbs, 1724–1806
Date:: Between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/2 x 16 inches (54.6 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 x 21 inches (40.6 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Human Figure, Lateral View, Undissected (Finished Study for Table VIII)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite; verso: graphite with pen and red-brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 19 1/4 x 15 1/4 inches (48.9 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite and red chalk; verso: graphite and red and black chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 20 1/2 inches (39.4 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper with traces of well-defined platemarks along margins
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Tigers

Creator:: Charles Towne, 1763–1840
Date:: ca. 1800
Materials & Techniques:: Oil on panel
Dimensions:: 7 5/16 × 8 1/4 inches (18.6 × 21 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

89. A Prowling Tiger

Creator:: Elizabeth Pringle, active ca. 1800
Date:: ca. 1800
Materials & Techniques:: Graphite, brushed black ink and white gouache on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 18 7/8 x 23 7/8 inches (47.9 x 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Bridgenorth, Shropshire

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1801
Materials & Techniques:: Gouache, watercolor, white chalk, black chalk and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 25 7/8 x 35 1/2 inches (65.7 x 90.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

91. A Tiger Lying in the Entrance of a Cave

Creator:: Elizabeth Pringle, active ca. 1800
Date:: 1796
Materials & Techniques:: Graphite and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/4 x 24 inches (48.9 x 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Wooded Landscape with Herdsman and Cows

Creator:: Print made by Thomas Gainsborough, 1727–1788
Date:: 1797
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 13 3/4 inches (27.9 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Landscape with a Castle

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1808
Materials & Techniques:: Oil on canvas
Dimensions:: 10 5/8 x 13 3/8 inches (27 x 34 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

94. An Angel with a Trumpet

Creator:: William Blake, 1757–1827
Date:: between 1805 and 1808
Materials & Techniques:: Graphite, watercolor, and pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 4 1/8 inches (19.7 x 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Male Nude

Creator:: John Constable, 1776–1837
Date:: 1808
Materials & Techniques:: Graphite and white gouache on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 21 3/4 x 17 1/2 inches (55.2 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

96. Landscape with a Lake

Creator:: Paul Sandby, 1731–1809
Date:: 1808
Materials & Techniques:: Oil on canvas
Dimensions:: 10 1/2 x 13 3/8 inches (26.7 x 34 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

97. Portraits of Two Extraordinary Oxen, the Property of the Earl of Powis

Creator:: James Ward, 1769–1859
Date:: 1814
Materials & Techniques:: Oil on panel
Dimensions:: 35 1/2 × 53 1/4 inches (90.2 × 135.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

98. Man in Egyptian Dress

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, white gouache, black chalk, red chalk, and graphite with scratching out on medium, slightly textured, cream wove paper mounted on card
Dimensions:: Sheet: 17 x 11 1/2 inches (43.2 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Brambles

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 x 8 7/8 inches (17.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Foxgloves

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, white laid paper
Dimensions:: Sheet: 6 3/4 x 8 3/4 inches (17.1 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Exhibition History Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)

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1. Design for a Temporary Arch Ornamented with Putti and Allegorical Figures of Music and War

2. Antonius Van Dyck Eques and Peter Paul Rubens Eques

3. Five Classical Heads

4. Petrus Paulus Rubbens

5. Inigo Iones

6. Peace Embracing Plenty

7. A Plumed Saddle-Horse

8. Katherine Stanhope (née Wotton), later Countess of Chesterfield, and Lucy Hastings (née Davies), Countess of Huntingdon

9. Palatium Regis Prope Londinum, Vulgo Whitehall

10. Charles I

11. Cupid and Psyche

12. A Design for a Ceiling

13. Banqueting House, Whitehall: Front Elevation

14. The Rape of Proserpine, design for the staircase of Devonshire House, London

15. St. Paul before Agrippa

16. Design for Ceiling Walls and Staircase

17. Study of a Female Nude

18. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

19. Sketch for 'The Last Supper,' St. Mary's, Weymouth

20. Victorious Hero Takes Occasion to Conclude Peace

21. A Grey Spotted Hound

22. Portrait of a Lady at a Drawing Table

23. Portrait of a Woman

24. Portrait of a Young Man with Powdered Hair

25. Hackwood Park, Hampshire

26. Two Men, One Holding a Whip

27. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

28. The Fourth Stage of Cruelty: The Reward of Cruelty

29. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

30. The First Stage of Cruelty: Children Torturing Animals

31. The Good Samaritan

32. Lady Maynard

33. London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")

34. My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes

35. London Cries: A Muffin Man

36. Two Women holding a Basket

37. Whitehall Showing Holbein's Gate and Banqueting Hall

38. Study of a Back of a Female Nude, Standing

39. Miss Susanna Gardiner (1752-1818)

40. The Magicians Marching off After the Success of their Incantations

41. A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

42. Lady in a Bonnet

43. Horse Frightened by a Lion

44. Hogarth Painting the Comic Muse

45. Wooded Landscape with Herdsmen and Cattle, Buildings on a Hill, and Rustic Lovers

46. The Queen Elizabeth Gate

47. Horse Attacked by a Lion (Episode C)

48. Landscape with Cattle

49. An Academy

50. Lion and Lioness

51. An Imaginary Wooded Village with Drovers and Cattle

52. Landscape with cottage and church

53. The Pool of Bethesda

54. The Good Samaritan

55. A Tigress

56. Life School at the Royal Academy

57. A Moonlit Landscape with Cattle by a Pool

58. Sleeping Leopard

59. Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle

60. An Unfinished View of the West Gate, Canterbury

61. Horse Frightened by a Lion (Episode A)

62. Labourers

63. Edward Augustus, Duke of Kent

64. The Procession of the Knights of the Most Noble Order of the Garter

65. Coastal Landscape with a Shepherd and His Flock

66. Wooded Landscape with Country Cart and Figures

67. Open Landscape with Figures, Cows and Cottage

68. Mountain Landscape with Figures, Sheep and Fountain

69. A Tiger and a Sleeping Leopard

70. The Gunpowder Magazine, Hyde Park

71. Labourers

72. Labourers

73. A Sleeping Leopard

74. A Horse Frightened by a Snake