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 "The glimmering landscape" :
"The glimmering landscape"
1980
 "The God of our idolatry" :
"The God of our idolatry"
2012
Iselin, Josephine Lea, author. "The great George" :
Iselin, Josephine Lea
"The great George"
2021
Mayhew, Augustus, 1826-1875. "The greatest plague of life", or, The adventures of a lady in search of a good servant /
Mayhew, Augustus, 1826–1875
"The greatest plague of life", or, The adventures of a lady in search of a good servant
[1847]
Henry Heath "The Impudent Challenge" / The following Anecdote was told with great glee by his late Majesty William IV, at a Dinner given by George IV, at the Cottage, Windsor Park...
Henry Heath, active 1824–1835
"The Impudent Challenge" / The following Anecdote was told with great glee by his late Majesty William IV, at a Dinner given by George IV, at the Cottage, Windsor Park..
undated
Robert Dodd "The Indian Emperor" or "The Conquest of Mexico"
Robert Dodd, 1748–1816
"The Indian Emperor" or "The Conquest of Mexico"
1792
 "The ingenious Mr. Seymour" :
"The ingenious Mr. Seymour"
1986
Covent Garden Gallery. "The ingenious Mr. Seymour": James Seymour, 1702-1752 :
Covent Garden Gallery
"The ingenious Mr. Seymour": James Seymour, 1702-1752
1978
 "The Inspection of the Curious" :
"The Inspection of the Curious"
[2016]
Robert Dighton "The King and Noblemen Before the Stag is Turn'd Out"
Robert Dighton, 1752–1814
"The King and Noblemen Before the Stag is Turn'd Out"
undated
John Atkinson Grimshaw "The Lady of Shalott"
John Atkinson Grimshaw, 1836–1893
"The Lady of Shalott"
ca. 1875
Not on view
John Vanderbank "The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
Riding, Jacqueline. "The mere relation of the sufferings of others":
Riding, Jacqueline
"The mere relation of the sufferings of others"
Thomas Bewick "The Mute Swan" or "Tame Swan"
Print made by Thomas Bewick, 1753–1828
"The Mute Swan" or "Tame Swan"
undated
Henry Thomas Alken "The National Sports of Great Britain" 1821: Badger Catching
Henry Thomas Alken, 1785–1851
"The National Sports of Great Britain" 1821: Badger Catching
1821
Henry Thomas Alken "The National Sports of Great Britain," 1821: Owling
Henry Thomas Alken, 1785–1851
"The National Sports of Great Britain," 1821: Owling
1821
 "The painter was a lady" :
"The painter was a lady"
1986]
 "The paintings of Sir James Peile, 1833-1906" :
"The paintings of Sir James Peile, 1833-1906"
1975
John Vanderbank "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
Folger Shakespeare Library. "The pen's excellencie" :
Folger Shakespeare Library
"The pen's excellencie"
2002
C. Blake "The Poacher's Progress:" 'Poachers Snaring Pheasants'
C. Blake, active 1825–1826
"The Poacher's Progress:" 'Poachers Snaring Pheasants'
undated
C. Blake "The Poacher's Progress:" 'Poachers Stalking for Partridges'
C. Blake, active 1825–1826
"The Poacher's Progress:" 'Poachers Stalking for Partridges'
undated
C. Blake "The Poacher's Progress:" Poachers Before the Magistrates
C. Blake, active 1825–1826
"The Poacher's Progress:" Poachers Before the Magistrates
undated
C. Blake "The Poacher's Progress:" Poachers in Prison (The Pardon)
C. Blake, active 1825–1826
"The Poacher's Progress:" Poachers in Prison (The Pardon)
undated
C. Blake "The Poacher's Progress:" Poachers Scuffling with the Constables in the Skittle Ground
C. Blake, active 1825–1826
"The Poacher's Progress:" Poachers Scuffling with the Constables in the Skittle Ground
undated
Paul Mellon Centre for Studies in British Art.  "The price of war" :
Paul Mellon Centre for Studies in British Art
"The price of war"
2017
unknown artist "The Prince Albert in a Dangerous Position" / "Advance and Rescue Drifting"
unknown artist
"The Prince Albert in a Dangerous Position" / "Advance and Rescue Drifting"
undated
Leslie Matthew 'Spy' Ward "The Queen's Memorial". Thomas Brock 21 September 1905 (with biography). Vanity Fair.
Leslie Matthew 'Spy' Ward, 1851–1922
"The Queen's Memorial". Thomas Brock 21 September 1905 (with biography). Vanity Fair
1905
Roworth, Wendy Wassyng. "The residence of the arts" :
Roworth, Wendy Wassyng
"The residence of the arts"
 "The stage's glory" :
"The stage's glory"
c2011
Stevens, Thomas, 1828-1888. "The struggle."
Stevens, Thomas, 1828–1888
"The struggle."
[1879]
Blunt, Anthony, 1907-1983. "The triumph of Caesar" [by] Andrea Mantegna [at] Hampton Court Palace :
Blunt, Anthony, 1907–1983
"The triumph of Caesar" [by] Andrea Mantegna [at] Hampton Court Palace
1975
James Heath "Then go, bid the huntsmen wake them with their horns"
James Heath, 1757–1834
"Then go, bid the huntsmen wake them with their horns"
1802
William Blake "There is No Natural Religion", London, by William Blake
William Blake, 1757–1827
"There is No Natural Religion", London, by William Blake
ca. 1788
Maas, Jeremy. "This brilliant year" :
Maas, Jeremy
"This brilliant year"
1977
James Heath "This is fairy gold, boy, and will prove so"
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804
Hughes, Eleanor, 1971- "This ship to all the rest did I prefer"
Hughes, Eleanor, 1971–
"This ship to all the rest did I prefer"
2009
Sir Alfred J. Munnings "Thorpe Station": Study of a Carriage Horse, Facing Right with a Study of a Hoof at Right
Sir Alfred J. Munnings, 1878–1959
"Thorpe Station": Study of a Carriage Horse, Facing Right with a Study of a Hoof at Right
undated
 "Titanic Memorial" :
"Titanic Memorial"
[approximately 1914]
Lee, Eric McCauley. "Titianus Redivivus" :
Lee, Eric McCauley
"Titianus Redivivus"
2003, c1997
Miller, John. "To speak of great spaces in a whisper" :
Miller, John
"To speak of great spaces in a whisper"
[1985]
Sheddon, Diana Maud Nina (FitzRey), 1898- Lady. "To whom the goddess.." :
Sheddon, Diana Maud Nina (FitzRey), 1898– Lady
"To whom the goddess.."
[1932]
 "Tom will be a genius" :
"Tom will be a genius"
c2009
Henry Thomas Alken "Topping a Park fence and doing the thing easy"
Henry Thomas Alken, 1785–1851
"Topping a Park fence and doing the thing easy"
1827
 "Traffic signs and signals" by Gaul.
"Traffic signs and signals" by Gaul
[1966]
Marshall, Nancy Rose. "Transcripts of modern life"
Marshall, Nancy Rose
"Transcripts of modern life"
1997
Mary Nimmo Moran "Tween the Gloamin' and the Mirk, When the Kye Come Hame"
Mary Nimmo Moran, 1842–1899
"Tween the Gloamin' and the Mirk, When the Kye Come Hame"
1883
Mary Nimmo Moran "Tween the Gloamin' and the Mirk, When the Kye Come Hame"
Mary Nimmo Moran, 1842–1899
"Tween the Gloamin' and the Mirk, When the Kye Come Hame"
1883
James Gillray "Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
James Gillray, 1756–1815
"Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
1798
Ruskin, John, 1819-1900. "Unto this last" :
Ruskin, John, 1819–1900
"Unto this last"
1862
 "Up hill and down dale" :
"Up hill and down dale"
1976
William Blake "Visions of the Daughters of Albion", London, by William Blake
William Blake, 1757–1827
"Visions of the Daughters of Albion", London, by William Blake
1793
 "Wales and the border counties" :
"Wales and the border counties"
1976
Brougham and Vaux, Henry Brougham, Baron, 1778-1868. "We can't afford it!" :
Brougham and Vaux, Henry Brougham, Baron, 1778–1868
"We can't afford it!"
1835
James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
Adelaide Claxton "We Met"
Adelaide Claxton, 1858–1905
"We Met"
undated
Casteras, Susan P. "Weary stitches" :
Casteras, Susan P
"Weary stitches"
Isaac Cruikshank "Westminster Races:" - ( A Political Heat, Run In Convent Garden, Between Old Veteran A Famous Horse The Property Of His M-----y, Dutchess A Filly, The Property Of The Duke Of D-----e, And Judas An Obstinate Ass, Who Was Clearly Distanced )
Isaac Cruikshank, 1764–1811
"Westminster Races:" - ( A Political Heat, Run In Convent Garden, Between Old Veteran A Famous Horse The Property Of His M-----y, Dutchess A Filly, The Property Of The Duke Of D-----e, And Judas An Obstinate Ass, Who Was Clearly Distanced )
1784
Byron, George Gordon Byron, Baron, 1788-1824. "What comes uppermost" :
Byron, George Gordon Byron, Baron, 1788–1824
"What comes uppermost"
1994
Merwe, Pieter van der. "What lies beneath" :
Merwe, Pieter van der
"What lies beneath"
2005
John Smith "When Love Doth Make His Arrow Sharp"
Print made by John Smith, 1652–1743
"When Love Doth Make His Arrow Sharp"
undated
John Kay "Why, Sir John, my face does you no harm..."
John Kay, 1742–1826
"Why, Sir John, my face does you no harm..."
1789
 "Wild Goose" :
"Wild Goose"
1951
John Raphael Smith "William and Margaret"
John Raphael Smith, 1752–1812
"William and Margaret"
1802
Whitecroft Pin Manufacturing Co. "Witch" stay put invisible hair pins.
Whitecroft Pin Manufacturing Co
"Witch" stay put invisible hair pins
early or mid-20th century?
Virch, Claus, 1927- "Ye mists and exhalations that now rise" /
Virch, Claus, 1927–
"Ye mists and exhalations that now rise"
Hablot Knight Browne "You're Not Going to Follow, Belle, Are You?"
Hablot Knight Browne, 1815–1882
"You're Not Going to Follow, Belle, Are You?"
undated
Halsby, Julian. 'A bit of trompe' :
Halsby, Julian
'A bit of trompe'
c1998
 'A great and noble design' :
'A great and noble design'
[2016]
unknown artist 'A Mapp of Lime Street Ward'
unknown artist
'A Mapp of Lime Street Ward'
unknown artist 'A Mapp of St. Andrews Holborn Parish...'
unknown artist
'A Mapp of St. Andrews Holborn Parish...'
undated
unknown artist 'A Mapp of the Parish of St. Anns'
unknown artist
'A Mapp of the Parish of St. Anns'
undated
unknown artist 'A Mapp of the Parish of St. Saviours, Southwark, and St. Georges'
unknown artist
'A Mapp of the Parish of St. Saviours, Southwark, and St. Georges'
Sloan, Kim. 'A noble art' :
Sloan, Kim
'A noble art'
c2000
Henry Herbert La Thangue 'A Study' from 'Representative Art of Our Time' (a portfolio of eight prints)
Henry Herbert La Thangue, 1859–1929
'A Study' from 'Representative Art of Our Time' (a portfolio of eight prints)
undated
George Moutard Woodward 'A Whistler!'
George Moutard Woodward, ca. 1760–1809
'A Whistler!'
undated
Alexander, David (David S.)  'After-images' :
Alexander, David (David S.)
'After-images'
1983
 'All the world's a stage' :
'All the world's a stage'
George Townly Stubbs 'Anvil'
George Townly Stubbs, 1748–1815
'Anvil'
1794
O'Neill, Morna. 'Art and labour's cause is one' :
O'Neill, Morna
'Art and labour's cause is one'
c2008
George Vertue 'At the High Court of Justice for the trying and inditing of Charles Steuart King of England January Anno Dom. 1648'
George Vertue, 1684–1756
'At the High Court of Justice for the trying and inditing of Charles Steuart King of England January Anno Dom. 1648'
1750
Long, D. A. (Derek Albert) 'At the sign of Atlas' :
Long, D. A. (Derek Albert)
'At the sign of Atlas'
2013
George Townly Stubbs 'Baronet'
George Townly Stubbs, 1748–1815
'Baronet'
1794
George Townly Stubbs 'Baronet'
George Townly Stubbs, 1748–1815
'Baronet'
1794
Rowan, Alistair John. 'Bob the Roman' :
Rowan, Alistair John
'Bob the Roman'
c2003
Aubrey, John, 1626-1697, author. 'Brief lives', chiefly of contemporaries, :
Aubrey, John, 1626–1697
'Brief lives', chiefly of contemporaries,
1898
Fairclough, Oliver. 'Cambria's curse' :
Fairclough, Oliver
'Cambria's curse'
[2001?]
Hargraves, Matthew, 1978- 'Candidates for fame' :
Hargraves, Matthew, 1978–
'Candidates for fame'
c2005
unknown artist 'Creplegate Ward with its Divisions into Parishes....'
unknown artist
'Creplegate Ward with its Divisions into Parishes....'
Stewart, F. A. (Frank Algernon), 1877- 'Cross country with hounds /
Stewart, F. A. (Frank Algernon), 1877–
'Cross country with hounds
c1936
Harry Hall 'Crucifix' with John Day Up
Harry Hall, 1838–1886
'Crucifix' with John Day Up
1840 to 1841
Not on view
Duncan Grant 'Diana and Acteon', after Titian, done for the National Gallery appeal in London
Duncan Grant, 1885–1978
'Diana and Acteon', after Titian, done for the National Gallery appeal in London
ca. 1970
unknown artist 'Dog and Duck', St. George's Fields
unknown artist
'Dog and Duck', St. George's Fields
1825
unknown artist 'Dramatic Action Illustrated, or Hamlet's advice to Players, suit the Action to the Word, and the Word to the Action'
unknown artist
'Dramatic Action Illustrated, or Hamlet's advice to Players, suit the Action to the Word, and the Word to the Action'
George Townly Stubbs 'Dungannon'
George Townly Stubbs, 1748–1815
'Dungannon'
1794
Charles Hunt 'Eclipse' / 'He was bred in 1764, by H.R.H. Wm. Cuke of Cumberland, got by Marsk, son of squirt, a son of Gartletts Childers, own brother to Flying Childers...
Charles Hunt, 1803–1877
'Eclipse' / 'He was bred in 1764, by H.R.H. Wm. Cuke of Cumberland, got by Marsk, son of squirt, a son of Gartletts Childers, own brother to Flying Childers..
1839
Abraham Cooper 'Elis' at Doncaster, Ridden by John Day, with his Van in the Background
Abraham Cooper, 1787–1868
'Elis' at Doncaster, Ridden by John Day, with his Van in the Background
between 1836 and 1837
Not on view
Friedman, Joan. 'Every lady her own drawing master' /
Friedman, Joan
'Every lady her own drawing master'
 'For the love of the binding' :
'For the love of the binding'
2000
Cannon-Brookes, P. 'Frameworks" in London /
Cannon-Brookes, P
'Frameworks" in London