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Edward Penny The Virtuous Comforted by Sympathy
Edward Penny, 1714–1791
The Virtuous Comforted by Sympathy
1774
Not on view
Edward Penny The Profligate Punished by Neglect
Edward Penny, 1714–1791
The Profligate Punished by Neglect
1774
Not on view
Charles Philips Tea Party at Lord Harrington's House, St. James's
Charles Philips, 1708–1747
Tea Party at Lord Harrington's House, St. James's
1730
Not on view
James Pollard North Country Mails at the Peacock, Islington
James Pollard, 1792–1867
North Country Mails at the Peacock, Islington
1821
Not on view
unknown artist A Family Being Served with Tea, possibly the Carter family
unknown artist
A Family Being Served with Tea, possibly the Carter family
ca. 1745
Not on view
unknown artist The Paper Buildings, Inner Temple, London
unknown artist
The Paper Buildings, Inner Temple, London
ca. 1725
Not on view
William Hamilton The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
William Hamilton, 1751–1801
The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
ca. 1790
Not on view
John Laguerre Hob Continues Dancing in Spite of his Father
John Laguerre, 1688–1746
Hob Continues Dancing in Spite of his Father
ca. 1725
Not on view
John Frederick Lewis On the Banks of the Nile, Upper Egypt
John Frederick Lewis, 1804–1876
On the Banks of the Nile, Upper Egypt
1876
Not on view
Thomas Beach Four Servants of Ston Easton Estate
Thomas Beach, 1738–1806
Four Servants of Ston Easton Estate
1776
Not on view
Charles Philips The Watson-Wentworth and Finch Families
Charles Philips, 1708–1747
The Watson-Wentworth and Finch Families
ca. 1732
Not on view
unknown artist The Bell Tower of Evesham
unknown artist
The Bell Tower of Evesham
ca. 1795
Not on view
John Feary One Tree Hill, Greenwich, with London in the Distance
John Feary, ca. 1745–1788
One Tree Hill, Greenwich, with London in the Distance
1779
Not on view
Thomas Gainsborough Mountain Valley with Figures and Distant Village
Thomas Gainsborough, 1727–1788
Mountain Valley with Figures and Distant Village
between 1773 and 1777
Not on view
Thomas Gainsborough Wooded Landscape with a Man Talking to Two Seated Women
Thomas Gainsborough, 1727–1788
Wooded Landscape with a Man Talking to Two Seated Women
ca. 1745
Not on view
Edward Pritchett The Piazzetta, Venice
Edward Pritchett, active ca. 1828–1864
The Piazzetta, Venice
mid-19th century
Not on view
John Laguerre Hob's Defence
John Laguerre, 1688–1746
Hob's Defence
ca. 1725
Not on view
Marcellus Laroon the Younger Scene in a park, with figures from the Commedia dell'Arte
Marcellus Laroon the Younger, 1679–1772
Scene in a park, with figures from the Commedia dell'Arte
ca. 1735
Not on view
John Frederick Lewis A Lady Receiving Visitors (The Reception)
John Frederick Lewis, 1804–1876
A Lady Receiving Visitors (The Reception)
1873
Not on view
Julius Caesar Ibbetson Langdale Pikes from Lowood
Julius Caesar Ibbetson, 1759–1817
Langdale Pikes from Lowood
between 1800 and 1806
Not on view
Thomas Jones The Death of Orpheus
Landscape by Thomas Jones, 1742–1803
The Death of Orpheus
ca. 1770
Not on view
Michael Chuke The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
Attributed to Michael Chuke, 1679–1742
The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus
ca. 1715
Not on view
Michael Chuke The Stowe Reliefs: Allegorical scene, possibly Truth revealing herself to the Liberal Arts
Attributed to Michael Chuke, 1679–1742
The Stowe Reliefs: Allegorical scene, possibly Truth revealing herself to the Liberal Arts
ca. 1715
Not on view
Robert Polhill Bevan A Morning at Tattersalls (with further sketches in left margin folded over)
Robert Polhill Bevan, 1865–1925
A Morning at Tattersalls (with further sketches in left margin folded over)
undated
Robert Polhill Bevan Figures at Mass, Poland
Robert Polhill Bevan, 1865–1925
Figures at Mass, Poland
ca. 1904
Robert Polhill Bevan A London Church
Print made by Robert Polhill Bevan, 1865–1925
A London Church
1924
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
William Hogarth Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
William Hogarth, 1697–1764
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
undated
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
Joseph Mallord William Turner Dartmoor: The Source of the Tamar and the Torridge
Joseph Mallord William Turner, 1775–1851
Dartmoor: The Source of the Tamar and the Torridge
ca. 1813
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner The Drawing of the Clyde
Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
Joseph Mallord William Turner The Woman and Tambourine
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
Edward Lear Howatke
Edward Lear, 1812–1888
Howatke
1867
Edward Lear Opposite Beni Hassan
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
Edward Lear Val di Roppa, Corfu, 22 May 1868
Edward Lear, 1812–1888
Val di Roppa, Corfu, 22 May 1868
1868
George Romney Mythological Group of Women and Children
George Romney, 1734–1802
Mythological Group of Women and Children
undated
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
George Romney Seated Woman Feeding an Animal
George Romney, 1734–1802
Seated Woman Feeding an Animal
undated
George Romney David Playing the Harp
George Romney, 1734–1802
David Playing the Harp
undated
George Romney Three Young Witches
George Romney, 1734–1802
Three Young Witches
undated
George Romney The Accusation of Susanna by the Elders
George Romney, 1734–1802
The Accusation of Susanna by the Elders
undated
George Romney Men Going out to Fight, with a Crowd of Cowering Women Behind
George Romney, 1734–1802
Men Going out to Fight, with a Crowd of Cowering Women Behind
undated
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney Group of Figures, Possibly Women and Children Playing
George Romney, 1734–1802
Group of Figures, Possibly Women and Children Playing
undated
George Romney The Banquet Scene
George Romney, 1734–1802
The Banquet Scene
ca. 1792
George Romney The Witches' Cavern
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
George Romney Bacchanalian Scene (Possibly Antediluvian)
George Romney, 1734–1802
Bacchanalian Scene (Possibly Antediluvian)
undated
George Romney David before Saul
George Romney, 1734–1802
David before Saul
undated
George Romney Study of Three Women
George Romney, 1734–1802
Study of Three Women
undated
George Romney Women and Children
George Romney, 1734–1802
Women and Children
undated
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
undated
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney Witches' Cavern: MacBeth's Second Visit
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
George Romney The Accusation of Susanna
George Romney, 1734–1802
The Accusation of Susanna
ca. 1773
George Romney Sketches for "The Accusation of Susanna"
George Romney, 1734–1802
Sketches for "The Accusation of Susanna"
undated
George Romney Seated Woman: Three Studies
George Romney, 1734–1802
Seated Woman: Three Studies
undated
George Romney Women Dancing
George Romney, 1734–1802
Women Dancing
undated
George Romney Three Lamenting Women
George Romney, 1734–1802
Three Lamenting Women
undated
George Romney Sketches of a Prostrate Woman
George Romney, 1734–1802
Sketches of a Prostrate Woman
undated
George Romney Figures Mourning at the Bier of a Woman
George Romney, 1734–1802
Figures Mourning at the Bier of a Woman
undated
George Romney Group of Four Women Embracing
George Romney, 1734–1802
Group of Four Women Embracing
between 1789 and 1790
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney Two Sisters
George Romney, 1734–1802
Two Sisters
undated
George Romney Three Studies of a Standing Woman, Possibly Lady MacBeth
George Romney, 1734–1802
Three Studies of a Standing Woman, Possibly Lady MacBeth
undated
George Romney Ladies in Waiting
George Romney, 1734–1802
Ladies in Waiting
undated
William Blake The Book of Thel, Plate 2, Title Page
Print made by William Blake, 1757–1827
The Book of Thel, Plate 2, Title Page
1789
William Blake The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
William Blake Young's Night Thoughts, Page 27, "O treacherous conscience!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
William Blake Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
ca. 1797
William Blake Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
ca. 1797
William Blake Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
ca. 1797
William Blake The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
1794
William Blake The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
William Blake The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
William Blake Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
William Blake Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
ca. 1797
William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
ca. 1797
William Blake Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
ca. 1797
William Blake Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
ca. 1797
William Blake Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
ca. 1797
William Blake The First Book of Urizen, Plate 18 (Bentley 21)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 18 (Bentley 21)
1794
William Blake The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)
1794
William Blake Fear & Hope Are -- Vision; Plate 15
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision; Plate 15
1793