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Wilson Fable XL. The Two Monkeys
Print made by Wilson, active 1793
Fable XL. The Two Monkeys
1793
William Skelton Fable XXXVIII. The Turkey and the Ant
Print made by William Skelton, 1763–1848
Fable XXXVIII. The Turkey and the Ant
1793
Philip Audinet Fable XLII. The Jugglers
Print made by Philip Audinet, 1766–1837
Fable XLII. The Jugglers
1793
Thomas Cook Fable XLV. The Poet and the Rose
Print made by Thomas Cook, 1744–1818
Fable XLV. The Poet and the Rose
1793
W. Grainger Fable XLIII. The Council of Horses
Print made by W. Grainger, active 1793
Fable XLIII. The Council of Horses
1793
Peter Mazell Fable XLVII. The Court of Death
Print made by Peter Mazell, active 1761–1797
Fable XLVII. The Court of Death
1793
Peter Mazell Fable XLIV. The Hound and the Huntsman
Print made by Peter Mazell, active 1761–1797
Fable XLIV. The Hound and the Huntsman
1793
W. Grainger Fable L. The Hare and Many Friends
Print made by W. Grainger, active 1793
Fable L. The Hare and Many Friends
1793
Lovegrove Fable XXXIX. The Man and the Flea
Print made by Lovegrove, active 1793
Fable XXXIX. The Man and the Flea
1793
John Hall Title Page, Vignette Portrait of John Gay
Print made by John Hall, 1739–1797
Title Page, Vignette Portrait of John Gay
1793
William C. Wilson Fable V. The Bear in a Boat
Print made by William C. Wilson, active 1798–1836
Fable V. The Bear in a Boat
1793
W. Grainger Fable III. The Baboon and the Poultry
Print made by W. Grainger, active 1793
Fable III. The Baboon and the Poultry
1793
Lovegrove Fable VII. The Countryman and Jupiter
Print made by Lovegrove, active 1793
Fable VII. The Countryman and Jupiter
1793
Edward Burne-Jones The Briar Wood
After Edward Burne-Jones, 1833–1898
The Briar Wood
1892
Edward Burne-Jones The Council Chamber
After Edward Burne-Jones, 1833–1898
The Council Chamber
1892
Sawrey Gilpin Study for the Figure of Gulliver
Sawrey Gilpin, 1733–1807
Study for the Figure of Gulliver
ca. 1769
Richard Hamilton How a Great Daily Organ is Turned Out
Print made by Richard Hamilton, 1922–2011
How a Great Daily Organ is Turned Out
1990
Richard Hamilton Leopold Bloom
Print made by Richard Hamilton, 1922–2011
Leopold Bloom
1983
Richard Hamilton The Heaventree of Stars
Print made by Richard Hamilton, 1922–2011
The Heaventree of Stars
1998
Richard Hamilton He Foresaw his Pale Body
Print made by Richard Hamilton, 1922–2011
He Foresaw his Pale Body
1990
Marie Harnett Costume Party
Marie Harnett, born 1983
Costume Party
2015
Lewis Morley Front of House, Hadrian the Seventh
Lewis Morley, 1925–2013
Front of House, Hadrian the Seventh
1960s
Lewis Morley Gordon Jackson and Alec Guinness in 'Wild Child'
Lewis Morley, 1925–2013
Gordon Jackson and Alec Guinness in 'Wild Child'
1967
Lewis Morley Athol Fugard, Zakes Mokae, John Berry, and Ian Bannen in Rehearsals for 'The Blood Knot', New Arts Theatre, London
Lewis Morley, 1925–2013
Athol Fugard, Zakes Mokae, John Berry, and Ian Bannen in Rehearsals for 'The Blood Knot', New Arts Theatre, London
1960s
Lewis Morley Front of House, Saint Joan of the Stockyards
Lewis Morley, 1925–2013
Front of House, Saint Joan of the Stockyards
1960s
John Downman John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
John Downman, 1750–1824
John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
1787
Joseph Slater Robin Hood and Clarinda Hunting Deer
Joseph Slater, c. 1750– died after 1789
Robin Hood and Clarinda Hunting Deer
undated
unknown artist When Swift They Saw John Gilpin Ride, Bare-Headed as Before
unknown artist
When Swift They Saw John Gilpin Ride, Bare-Headed as Before
undated
Caroline Watson Judith, or Cowper's Oak
Print made by Caroline Watson, 1760–1814
Judith, or Cowper's Oak
1803-1804
Abraham van Diepenbeeck Doctor Ass (A Satire on the Law)
Abraham van Diepenbeeck, 1596–1675
Doctor Ass (A Satire on the Law)
undated
Edward Burne-Jones The Rose Bower
After Edward Burne-Jones, 1833–1898
The Rose Bower
1892
Edward Burne-Jones The Garden Court
After Edward Burne-Jones, 1833–1898
The Garden Court
1892
Charles Lutwidge Dodgson [pseud. Lewis Carroll] Marion "Polly" Terry as Dora
Charles Lutwidge Dodgson [pseud. Lewis Carroll], 1832–1898
Marion "Polly" Terry as Dora
1875, printed ca.1980
Lovegrove Fable I. The Lion, the Tiger, and the Traveller
Print made by Lovegrove, active 1793
Fable I. The Lion, the Tiger, and the Traveller
1793
Wilson Fable III. The Mother, the Nurse, and the Fairy
Print made by Wilson, active 1793
Fable III. The Mother, the Nurse, and the Fairy
1793
W. Grainger Fable IV. The Eagle and the Assembly of Animals
Print made by W. Grainger, active 1793
Fable IV. The Eagle and the Assembly of Animals
1793
William Skelton Fable V. The Wild Boar and the Ram
Print made by William Skelton, 1763–1848
Fable V. The Wild Boar and the Ram
1793
Lovegrove Fable VIII. The Lady and the Wasp
Print made by Lovegrove, active 1793
Fable VIII. The Lady and the Wasp
1793
Wilson Fable X. The Elephant and the Bookseller
Print made by Wilson, active 1793
Fable X. The Elephant and the Bookseller
1793
W. Grainger Fable IX. The Bull and the Mastiff
Print made by W. Grainger, active 1793
Fable IX. The Bull and the Mastiff
1793
W. Grainger Fable XI. The Peacock, the Turkey, and the Goose
Print made by W. Grainger, active 1793
Fable XI. The Peacock, the Turkey, and the Goose
1793
Lovegrove Fable XIV. The Monkey Who Had Seen the World
Print made by Lovegrove, active 1793
Fable XIV. The Monkey Who Had Seen the World
1793
William Skelton Fable XVII. The Shepherd's Dog and the Wolf
Print made by William Skelton, 1763–1848
Fable XVII. The Shepherd's Dog and the Wolf
1793
Wilson Fable XVIII. The Painter Who Pleased No Body and Every Body
Print made by Wilson, active 1793
Fable XVIII. The Painter Who Pleased No Body and Every Body
1793
Wilson Fable XXI. The Rat-catcher and Cats
Print made by Wilson, active 1793
Fable XXI. The Rat-catcher and Cats
1793
William Skelton Fable XXVII. The Sick Man and the Angel
Print made by William Skelton, 1763–1848
Fable XXVII. The Sick Man and the Angel
1793
W. Grainger Fable XXIX. The Fox at the Point of Death
Print made by W. Grainger, active 1793
Fable XXIX. The Fox at the Point of Death
1793
W. Grainger Fable XIX. The Lion and the Cub
Print made by W. Grainger, active 1793
Fable XIX. The Lion and the Cub
1793
Philip Audinet Fable XXXI. The Universal Apparition
Print made by Philip Audinet, 1766–1837
Fable XXXI. The Universal Apparition
1793
William Skelton Fable XXXII. The Two Owls and the Sparrow
Print made by William Skelton, 1763–1848
Fable XXXII. The Two Owls and the Sparrow
1793
Peter Mazell Fable XXXVI. Pythagoras and the Countryman
Print made by Peter Mazell, active 1761–1797
Fable XXXVI. Pythagoras and the Countryman
1793
Thomas Cook Fable XXXIV. The Mastiffs
Print made by Thomas Cook, 1744–1818
Fable XXXIV. The Mastiffs
1793
Wilson Fable XXXIII. The Courtier and Proteus
Print made by Wilson, active 1793
Fable XXXIII. The Courtier and Proteus
1793
Wilson Fable XXXIX. The Father and Jupiter
Print made by Wilson, active 1793
Fable XXXIX. The Father and Jupiter
1793
Peter Mazell Fable XXXVII. The Farmer's Wife and the Raven
Print made by Peter Mazell, active 1761–1797
Fable XXXVII. The Farmer's Wife and the Raven
1793
Wilson Fable XLVI. The Cur, the Horse, and the Shepherd's Dog
Print made by Wilson, active 1793
Fable XLVI. The Cur, the Horse, and the Shepherd's Dog
1793
William Skelton Fable XLVIII. The Gardener and the Hog
Print made by William Skelton, 1763–1848
Fable XLVIII. The Gardener and the Hog
1793
Richard Cosway Timon of Athens Before His Cave
Richard Cosway, 1742–1821
Timon of Athens Before His Cave
ca. 1805
Richard Cosway Othello and Desdemona, 'Othello', Act V, Scene II
attributed to Richard Cosway, 1742–1821
Othello and Desdemona, 'Othello', Act V, Scene II
ca. 1805
William Marshall Craig Hamlet and the Ghost
William Marshall Craig, 1763 or 1764–1829
Hamlet and the Ghost
ca. 1820
unknown artist A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
unknown artist
A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
undated
Nathaniel Dance Theatrical Scene
Nathaniel Dance, 1735–1811
Theatrical Scene
after 1804
Joseph Farington Shakespearean Scene (?): A Pilgrim
Joseph Farington, 1747–1821
Shakespearean Scene (?): A Pilgrim
1796
J. R. Harris Sketches for Panels Executed at Crowe Hall
J. R. Harris, active 1876
Sketches for Panels Executed at Crowe Hall
1876
George Chinnery Illustration to Fielding's Amelia
George Chinnery, 1774–1852
Illustration to Fielding's Amelia
undated
J. R. Harris Sketches for Panels Executed at Crowe Hall
J. R. Harris, active 1876
Sketches for Panels Executed at Crowe Hall
1876
William Marshall Craig The Princes in the Tower
William Marshall Craig, 1763 or 1764–1829
The Princes in the Tower
ca. 1820
William Marshall Craig Macbeth and the Apparition of the Armed Head
William Marshall Craig, 1763 or 1764–1829
Macbeth and the Apparition of the Armed Head
ca. 1820
Joshua Cristall Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
Joshua Cristall, 1768–1847
Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
between 1820 and 1822
George Cruikshank Hamlet and the Ghost
George Cruikshank, 1792–1878
Hamlet and the Ghost
ca. 1825
George Cruikshank Macbeth and the Witch
George Cruikshank, 1792–1878
Macbeth and the Witch
undated
J. R. Harris Sketches for Panels Executed at Crowe Hall
J. R. Harris, active 1876
Sketches for Panels Executed at Crowe Hall
1876
Richard Dadd Sketch for the Passions: Jealousy
Richard Dadd, 1817–1886
Sketch for the Passions: Jealousy
1853
Richard Dadd Sketch for the Passions: Love
Richard Dadd, 1817–1886
Sketch for the Passions: Love
1853
Richard Dadd Sketch for the Passions: Pride
Richard Dadd, 1817–1886
Sketch for the Passions: Pride
ca. 1854
David Allan Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd
David Allan, 1744–1796
Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd
1788
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
George Cressal Ellis Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
George Cressal Ellis, ca. 1810–1875
Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
undated
Richard Westall Theatrical Figures About a Throne
Richard Westall, 1765–1836
Theatrical Figures About a Throne
undated
John Flaxman Illustration to Pilgrim's Progress
John Flaxman, 1755–1826
Illustration to Pilgrim's Progress
1792
John Flaxman Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
John Flaxman, 1755–1826
Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
undated
John Flaxman To Phoebus at His Birth, From Aeschylus, Furies
John Flaxman, 1755–1826
To Phoebus at His Birth, From Aeschylus, Furies
undated
John Flaxman The Morn, All Beauteous to Behold, from Aeschylus, The Persians
after John Flaxman, 1755–1826
The Morn, All Beauteous to Behold, from Aeschylus, The Persians
undated
unknown artist Hudibras and Rolpho
unknown artist
Hudibras and Rolpho
undated
unknown artist Fluellen Forcing Pistol to Eat His Leek
unknown artist
Fluellen Forcing Pistol to Eat His Leek
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
Richard Westall Alcibiades and Timon
Richard Westall, 1765–1836
Alcibiades and Timon
ca. 1805
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
Mary Hoare Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
Mary Hoare, 1744–1820
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
1780
Joseph Michael Gandy A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
Joseph Michael Gandy, 1771–1843
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
Henry Fuseli The Peasant's Dream, Paradise Lost, Book 1, 781-8
Henry Fuseli, 1741–1825
The Peasant's Dream, Paradise Lost, Book 1, 781-8
1793 to 1800
Mary Hoare The Three Witches from Macbeth: Double, Double, Toil and Trouble
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Double, Double, Toil and Trouble
1781
Mary Hoare The Apparition of the Armed Head: Macbeth
Mary Hoare, 1744–1820
The Apparition of the Armed Head: Macbeth
ca. 1781
Mary Hoare The Three Witches from Macbeth: Though the Bark Cannot be Lost...
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Though the Bark Cannot be Lost..
ca. 1781
Mary Hoare Ferdinand and Ariel
Mary Hoare, 1744–1820
Ferdinand and Ariel
ca. 1781