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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomSubject Terms woman
Remove constraint Subject Terms: womanSearch Results
1
- The Homeward Star
- begun ca. 1880
2
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
3
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
4
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
5
- The Morning of Life
- 1860-1861
6
- Mary Constable Reading
- 1812
7
- The Farmer's Wife and the Raven
- 1788
8
- Study of a Female Nude
- undated
9
- Apuleia in Search of Apuleius
- between 1813 and 1823
10
- Christ and the Woman of Samaria
- 1819
11
- Tenth Plague of Egypt
- 1816
12
- Rispah: 2nd Book of Samuel, Chap. 21
- 1812
13
- Procris and Cephalus
- 1812
14
- The Deluge
- between 1813 and 1823
15
- A Great Tree
- ca. 1796
16
- Christ and the Woman of Samaria
- 1819
17
- A Seated Woman
- undated
18
- The Bath of Bath-sheba
- undated
19
- Studies of a Seated Woman
- undated
20
- A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
- undated
21
- Studies for the Head of a Lady (Studies of a Woman's Head)
- undated
22
- A Pensive Lady
- undated
23
- Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
- 1789
24
- Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
- 1789
25
- Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
- 1789
26
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
27
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
28
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
29
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
30
- Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
- 1789
31
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
32
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
33
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
34
- Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
- 1789
35
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
36
- The Poems of Thomas Gray, Design 31, "A Long Story."
- between 1797 and 1798
37
- The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
- between 1797 and 1798
38
- Songs of Innocence and of Experience
- 1789-1794
39
- Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
- 1797
40
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
41
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
42
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
43
- Jerusalem, Plate 71, "And above Albions Land...."
- 1804 to 1820
44
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
45
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
46
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
47
- The Poems of Thomas Gray, Design 23, "A Long Story."
- between 1797 and 1798
48
- Mary Magdalen at the Sepulchre
- ca. 1805
49
- London Cries: Last Dying Speech and Confession
- ca. 1759
50
- Allegorical Subject
- undated
51
- Ariadne
- undated
52
- Lady in a Bonnet
- between 1760 and 1765
53
- Portrait of a Young Woman as Psyche
- undated
54
- Denial and Disappointment
- undated
55
- The Assignation
- undated
56
- Aldenham Church
- ca. 1817
57
- Portrait Study of a Girl
- ca. 1823
58
- Mrs. James Paine, Newman Street
- 1781
59
- Mrs. William Wilberforce and Child
- 1824
60
- Countess Poulett
- undated
61
- Study of the Artist's Mother Sewing
- ca. 1776
62
- The Woman at the Well
- undated
63
- Man on Horse, with Pigs
- undated
64
- Angel
- undated
65
- Lady with a Veil
- undated
66
- Woman with a Blue Smock
- undated
67
- Sketch for a Family Group
- undated
68
- London Cries: A Fishmonger
- ca. 1759
69
- My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
- ca. 1759
70
- London Cries: "Do You Want any Spoons..."
- ca. 1759
71
- London Cries: "Black Heart Cherries..."
- ca. 1759
72
- London Cries: Fun upon Fun
- 1759
73
- London Cries: Shoe Cleaner
- ca. 1759
74
- London Cries: Throws for a Ha'penny Have You a Ha'penny
- undated
75
- London Cries: Flowers
- undated
76
- London Cries: A Lace Seller
- ca. 1759
77
- London Cries: A Muffin Man
- ca. 1759
78
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
79
- Hogarth Declaring His Love to Miss Thornhill
- 1817
80
- Street Scene at Stratford by Bow
- undated
81
- Study of a Seated Woman
- undated
82
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
83
- Hogarth Drawing Sarah Malcolm
- 1817
84
- Queen Anne
- 1857
85
- A Woman of Fashion in Walking Dress
- undated
86
- A Family in Hyde Park
- undated
87
- Landscape with a Milk Maid and a Beau
- undated
88
- Portrait of a Lady at a Drawing Table
- undated
89
- Woman and Child
- undated
90
- Mother and Child with Young Boy Leaning on Window Sill
- undated
91
- Celadon and Amelia from Thomson's 'The Seasons'
- undated
92
- Pale Melancholy
- ca. 1804
93
- Studies of Boats, Figures, Carts, and Buildings
- undated
94
- Woman with Cattle
- 1803
95
- A Lady Copying at a Drawing Table
- ca. 1765
96
- The Monnow Bridge, Monmouthshire
- before 1814
97
- Coast Scene near Plymouth
- undated
98
- The Lecture House, Watford
- ca. 1820
99
- A Lady Reading
- ca. 1835
100
- Portrait of a Lady
- 1666