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401
- The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
- between 1797 and 1798
402
- The Poems of Thomas Gray, Design 95, "Ode for Music."
- between 1797 and 1798
403
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
404
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
405
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
406
- Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
- 1789
407
- Songs of Innocence, Plate 2, Title Page (Bentley 3)
- 1789
408
- Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
- 1789
409
- Songs of Innocence, Plate 26, "Spring" (Bentley 23)
- 1789
410
- Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
- 1789
411
- Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
- 1789
412
- Songs of Innocence, Plate 6, "The Little Girl Found" (Bentley 35)
- 1789
413
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
414
- Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."
- 1804 to 1820
415
- Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
- 1804 to 1820
416
- Jerusalem, Plate 85, "Became a Space & an Allegory...."
- 1804 to 1820
417
- Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
- 1797
418
- Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
- 1797
419
- Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
- 1797
420
- Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
- 1797
421
- Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
- 1797
422
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
423
- Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
- 1797
424
- Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
- 1797
425
- Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
- 1797
426
- Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
- 1797
427
- Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
- 1797
428
- Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
- 1797
429
- Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
- 1797
430
- Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
- 1797
431
- Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
- 1797
432
- Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
- 1797
433
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
434
- The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
435
- The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
436
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
437
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
438
- The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
439
- The Poems of Thomas Gray, Design 33, "A Long Story."
- between 1797 and 1798
440
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
441
- The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
- between 1797 and 1798
442
- The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
- between 1797 and 1798
443
- The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
- between 1797 and 1798
444
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
445
- The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
- between 1797 and 1798
446
- The Poems of Thomas Gray, Design 59, "The Bard."
- between 1797 and 1798
447
- The Poems of Thomas Gray, Design 61, "The Bard."
- between 1797 and 1798
![William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]](https://media.collections.yale.edu/thumbnail/ycba/db51dfe6-d6ad-4f8e-89a8-e348c9002be7)
448
- pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
- 1827
![William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]](https://media.collections.yale.edu/thumbnail/ycba/acf4d172-dfee-4b27-8478-2be8df5a19cb)
449
- Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
- 1827
![William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]](https://media.collections.yale.edu/thumbnail/ycba/374dc78e-dd18-49c1-b553-b3cf58cc9df1)
450
- Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
- 1827
451
- For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
- 1826
452
- Romeo and Juliet, Act IV, Scene V
- 1799
453
- Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
- 1804 to 1820
454
- The Death of Juliet
- 1799
455
- Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
- 1789
456
- Rev. John Caspar Lavater (1787-1801)
- 1800
457
- The Shepherd, from Songs of Innocence
- ca. 1795
458
- Spring, from Songs of Innocence
- ca. 1795
459
- Illustrations of Imitation of Eclogue I, Page 17
- 1821
460
- Illustrations of Imitation of Eclogue I, Page 18
- 1821
461
- Theocritus
- 1821
462
- Illustrations of Imitation of Eclogue I, Page 16
- 1821
463
- Illustrations of Imitation of Eclogue I, Page 14
- 1821
464
- Illustrations of Imitation of Eclogue I, Page 15
- 1821
465
- Illustrations of Eclogue I, Introductory, The Giant Polypheme
- 1821
466
- Epicurus
- 1821
467
- Caius Julius Cæsar
- 1821
468
- From Antique Coins
- 1821
469
- Octavius Augustus Cæsar
- 1821
470
- Sheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 28
- 1819
471
- Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
- 1819
472
- Thomas Alphonso Hayley, Half-Length Drawing
- ca. 1800
473
- Sealing the Stone and Setting a Watch
- 1800 to 1803
474
- The Entrance Front of Hayley's House at Eartham
- 1801
475
- Albion Compelling the Four Zoas to Their Proper Tasks
- 1804 to 1810
476
- Joseph and Potiphar's Wife
- 1803 to 1805
477
- An Angel with a Trumpet
- between 1805 and 1808
478
- Copy of the Laocoön, for Rees's Cyclopædia
- 1815
479
- Socrates, a Visionary Head
- ca. 1820
480
- Study for a Destroying Deity
- 1820 to 1825
481
- The Parable of the Wise and Foolish Virgins
- ca. 1825
482
- Pity
- ca. 1795
483
- Christ Appearing to the Apostles after the Resurrection
- 1795 to 1805
484
- The Book of Thel, Plate 4, "Why should the mistress . . . ."
- 1789
485
- Mary Magdalen at the Sepulchre
- ca. 1805
486
- A Visionary Head
- 1819 to 1820
487
- Five Visionary Heads of Women
- 1819 to 1820
488
- The Widow Embracing Her Husband's Grave
- 1805 to 1808
489
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
490
- Fable XIII. The Tame Stag
- 1793
491
- Fable XVI. The Pin and the Needle
- 1793
492
- Fable XXII. The Goat Without a Beard
- 1793
493
- Fable VI. The Miser and Plutus
- 1793
494
- Fable XXIV. The Butterfly and the Snail
- 1793
495
- Fable XXVIII. The Persian, the Sun, and the Cloud
- 1793
496
- Fable XLI. The Owl and the Farmer
- 1793
497
- Fable I. The Dog and the Fox
- 1793
498
- Fable XXX. The Setting-dog and the Partridge
- 1793
499
- Introduction to the Fables, The Shepherd and the Philosopher
- 1793
500
- Illustrations of Imitation of Eclogue I, Frontispiece
- 1821