The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
2
Print made by William Hogarth, 1697–1764
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
3
George Romney, 1734–1802
Plans for the House to be Built at Hampstead
1794
4
Thomas Malton the Younger, 1748–1804
York Water Gate
1795
5
John Maurer, active 1713–1761
The Mansion House
undated
6
Sir John Soane, 1753–1837
Hinton St. George, Somerset: View of the Saloon
1797
7
James Wyatt, 1746–1813
Design for the Staircase at Stratford Place
undated
8
Lancelot ('Capability') Brown, 1716–1783
St. James's Park, London: Plan
1770
9
William Kent, ca.1686–1748
King's Mews, Charing Cross, London: Section
1731
10
William Kent, ca.1686–1748
The Treasury, Whitehall, London: Alternate Elevations of the Facade
ca. 1733
11
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
undated
12
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone
undated
13
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
14
Paul Sandby, 1731–1809
London Cries: "Any Kitchen Stuff"
ca. 1759
15
Paul Sandby, 1731–1809
London Cries: A Muffin Man
ca. 1759
16
Paul Sandby, 1731–1809
London Cries: "Black Heart Cherries..."
ca. 1759
17
Paul Sandby, 1731–1809
London Cries: A Fishmonger
ca. 1759
18
Paul Sandby, 1731–1809
London Cries: A Man with a Basket (Man Selling Pots and Pans)
undated
19
Paul Sandby, 1731–1809
London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")
ca. 1759
20
Paul Sandby, 1731–1809
London Cries: Throws for a Ha'penny Have You a Ha'penny
undated
21
Paul Sandby, 1731–1809
London Cries: Flowers
undated
22
Paul Sandby, 1731–1809
London Cries: All Fire and No Smoke
ca. 1759
23
Paul Sandby, 1731–1809
London Cries: A Man with a Bottle
ca. 1759
24
Paul Sandby, 1731–1809
London Cries: Last Dying Speech and Confession
ca. 1759
25
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
26
Paul Sandby, 1731–1809
London Cries: Shoe Cleaner
ca. 1759
27
Paul Sandby, 1731–1809
London Cries: "Do You Want any Spoons..."
ca. 1759
28
Paul Sandby, 1731–1809
London Cries: A Milkmaid
ca. 1759
29
Paul Sandby, 1731–1809
London Cries: Small Coal or Brushes
ca. 1759
30
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
31
Paul Sandby, 1731–1809
London Cries: A Man with a Bundle, Old Clothes
undated
32
Paul Sandby, 1731–1809
London Cries: A Lace Seller
ca. 1759
33
Paul Sandby, 1731–1809
London Cries: A Tinker and His Wife
ca. 1759
34
Paul Sandby, 1731–1809
London Cries: A Man Swaggering
undated
35
Paul Sandby, 1731–1809
London Cries: A Girl with a Basket of Oranges
ca. 1759
36
Paul Sandby, 1731–1809
London Cries: Boy with a Donkey
ca. 1759
37
unknown artist
Design for the Parterre at Hampton Court
early 18th century
38
John Maurer, active 1713–1761
The Rotunda and Gardens, Ranelagh
ca. 1744
39
James Miller, active 1773–1814
Fountain's Boarding School, Marylebone
1780
40
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
41
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
42
Samuel Wale, 1721–1786
The Mob Assembled to Pull Down the Bawdy House kept by Peter Wood in the Strand
undated
43
Louis Philippe Boitard, active 1734–1760
Head Dresses in Covent Garden
1747
44
Canaletto, 1697–1768
View of Old Somerset House from the Thames
undated
45
Samuel Wale, 1721–1786
An Illustration to the Newgate Calendar: Raby Finding a Woman's Ring Difficult to Be Pulled Off, Cut Off Her Finger, Near Finchley
undated
46
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
47
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
48
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
49
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
50
Sir James Thornhill, 1675–1734
Sketch for "The Conversion of St. Paul" for the Dome of St. Paul's Cathedral
between 1709 and 1717
51
unknown artist
Sketch for the Oil Painting "The Conversion of St. Paul"
undated
52
Print made by Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
1720
53
Samuel Scott, 1701/2–1772
A Wood Yard on the Thames at Nine Elms
undated
54
Samuel Scott, 1701/2–1772
Thames Side Buildings
undated
55
Thomas Girtin, 1775–1802
London from Highgate Hill
1792
56
Thomas Rowlandson, 1756–1827
An Audience Watching a Play at Drury Lane Theatre
ca. 1785
57
unknown artist
The Inthronization of their Majesties also a View of the West End of the Choir of St. Peters in Westminster, and of the manner of Placing and Seating the Company in that Part of the Choir
58
Thomas Bowles, ca. 1712–died 1753
A South View of Westminster Abby & St. Margarets Church
59
Thomas Bowles, ca. 1712–died 1753
A Perspective View of the North West Front of ye Parish Church of St. Brides, with the beautiful Spire & c. The Height from the Cross above the Vain to the Ground is 242 feet
60
unknown artist
A Perspective View of Vauxhall Gardens
undated
61
Thomas Bowles, ca. 1712–died 1753
The Inside View of the Royal Exchange at London
62
Thomas Bowles, ca. 1712–died 1753
The South West Prospect of London, from Somerset Gardens to the Tower
63
unknown artist
The Lord Mayor's Mansion House, shewing the Front of the House & the West Side
64
Thomas Bowles, ca. 1712–died 1753
A View of Somerset House with St. Mary's Church in the Strand London
65
unknown artist
A Curious Perspective View of the Inside of St. Paul's Cathedral, Shewing part of the Dome, the Piers and Arches which support it; and the Entrances into the Choir and the Isles
66
John Maurer, active 1713–1761
A Perspective View of Covent Garden
67
Thomas Bowles, ca. 1712–died 1753
The Church of St. Mary Le Bow in Cheapside London
68
Thomas Bowles, ca. 1712–died 1753
An Inside View of the Church of St. Stephen Walbrooke London
69
Print made by Simon Gribelin, 1662–1733
The Ceiling in the Banqueting House at Whitehall
ca. 1720
70
Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I
1720
71
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
72
Print made by Charles J. Hullmandel, 1789–1850
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
73
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
74
unknown artist
A view of the inside of Westminster Hall
ca. 1700
75
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
76
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
77
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
78
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
79
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
80
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
81
Print made by James Basire the younger, 1769–1822
Plate XI: St Stephen's Chapel
1795
82
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
83
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
84
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
85
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
86
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
87
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
88
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
89
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
90
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
91
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
92
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
93
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
94
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
95
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
96
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
97
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
98
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
99
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
100
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords