Study of a Racehorse in Action: Galloping to Left, a Semi-Anatomical Study, with Skin Flayed to Show Action of Muscles
undated
4
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
5
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
6
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
7
George Stubbs, 1724–1806
Human Figure, Anterior View (Intended for a Plate That was Never Published)
1795 to 1806
8
George Stubbs, 1724–1806
Human Skeleton, Anterior View
1795 to 1806
9
George Stubbs, 1724–1806
Human Body, Posterior View (Outline Drawing for Table VII)
1795 to 1806
10
George Stubbs, 1724–1806
Human Figure, Posterior View (Almost Identical to Finished Drawing for Table XII)
1795 to 1806
11
George Stubbs, 1724–1806
Human Figure, Posterior View (Outline Drawing for Key Figure to Table XII)
1795 to 1806
12
George Stubbs, 1724–1806
Human Figure, Posterior View (Finished Study for an Unpublished Plate)
1795 to 1806
13
George Stubbs, 1724–1806
Human Figure, Posterior View (Further Study for Table XII)
1795 to 1806
14
George Stubbs, 1724–1806
Human Figure, Posterior View
1795 to 1806
15
George Stubbs, 1724–1806
Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
1795 to 1806
16
George Stubbs, 1724–1806
Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
1795 to 1806
17
George Stubbs, 1724–1806
Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
between 1795 and 1806
18
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
19
George Stubbs, 1724–1806
Tiger Body, Lateral View (Shows the third stage in dissection)
1795 to 1806
20
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
21
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
22
George Stubbs, 1724–1806
Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection)
1795 to 1806
23
George Stubbs, 1724–1806
Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)
1795 to 1806
24
George Stubbs, 1724–1806
Tiger, Recumbent, Viewed Ventrally
1795 to 1806
25
George Stubbs, 1724–1806
Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
1795 to 1806
26
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)
1795 to 1806
27
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
28
George Stubbs, 1724–1806
Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving the Key Figure to Table X)
1795 to 1806
29
George Stubbs, 1724–1806
Fowl Body, Lateral View (Study for key figure to Table X)
1795 to 1806
30
George Stubbs, 1724–1806
Dorking Hen, Lateral View
1795 to 1806
31
George Stubbs, 1724–1806
Owl Standing, Anterior View
1795 to 1806
32
George Stubbs, 1724–1806
Study of the Human Figure, Anterior View (Probably related to Table XI)
1795 to 1806
33
George Stubbs, 1724–1806
Study of the Human Figure, Anterior View (Outline Drawing for Table VI)
1795 to 1806
34
George Stubbs, 1724–1806
Human Figure, Anterior View (Largely in outline)
1795 to 1806
35
George Stubbs, 1724–1806
Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)
1795 to 1806
36
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
37
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
38
George Stubbs, 1724–1806
Tiger Body, Lateral View (Probably made as the basis for a key figure)
1795 to 1806
39
George Stubbs, 1724–1806
Fowl Body, Lateral View (Study for the Key Figure to Table XV)
1795 to 1806
40
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
41
William Hogarth, 1697–1764
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
undated
42
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
43
Edward Francis Burney, 1760–1848
Caricature Self-Portrait
undated
44
Paul Sandby, 1731–1809
Lady in a Bonnet
between 1760 and 1765
45
Sir James Thornhill, 1675–1734
Sketch for "The Conversion of St. Paul" for the Dome of St. Paul's Cathedral
between 1709 and 1717
46
Samuel De Wilde, 1748–1832
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
47
Sir David Wilkie, 1785–1841
Child's Broken Cart and Fiddler's Wife's Arm
1806
48
Johan Joseph Zoffany, 1733–1810
A Dying Hindu Brought to the River Ganges
1788
49
John Raphael Smith, 1752–1812
Lady on a Terrace Tending a Carnation Plant
undated
50
Ozias Humphry, 1742–1810
Countess Poulett
undated
51
Attributed to Domenico Mondo, 1723– c.1808
Study for Ceiling: Apollo and other Figures
undated
52
George Morland, 1763–1804
A Man Lifting a Trunk, Two studies on one sheet
1792
53
George Morland, 1763–1804
Fisherman and Dog Sitting by the Coast
1803
54
George Shepheard, ca. 1770–1842
Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire
undated
55
Samuel Scott, 1701/2–1772
Westminster Abbey and Bridge from Somerset Garden
1759
56
Alfred Stevens, 1817–1875
Group of Figures, Child Begging in Center
undated
57
Paul Sandby, 1731–1809
Lady Maynard
ca. 1757
58
Paul Sandby, 1731–1809
A Lady with a Fan
ca. 1760
59
John Flaxman, 1755–1826
Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli's Lectures
undated
60
Sir Joshua Reynolds, 1723–1792
Two Sketches of Man
undated
61
Edward Francis Burney, 1760–1848
Study for the Magus
undated
62
Edward Francis Burney, 1760–1848
Study for the Kneeling Figure of Priscilla
undated
63
John Raphael Smith, 1752–1812
He Goeth after Her straightway as an Ox Goeth to the Slaughter (Proverbs, Chapter VII, Verse 22)
ca. 1780
64
John Raphael Smith, 1752–1812
So She Caught Him and Kissed Him (Proverbs, Chapter VII, Verse 13)
ca. 1780
65
Samuel De Wilde, 1748–1832
A Lady, full length, Wearing a Blue Sash and Holding a Fan
1795
66
Samuel De Wilde, 1748–1832
Mr. Mathews as Matthew Daw in the School for Friends
1805
67
Edward Francis Burney, 1760–1848
Preparatory drawing for The Waltz
1820s
68
Samuel De Wilde, 1748–1832
An Actress
1806
69
Paul Sandby, 1731–1809
A Lady Copying at a Drawing Table
ca. 1765
70
Daniel Maclise, 1806–1870
Henry Sass
between 1830 and 1835
71
Giles Hussey, 1710–1788
Head of a Man with Stubble Beard, Facing Right
undated
72
Samuel De Wilde, 1748–1832
A Boy with a Basket
1808
73
Sir David Wilkie, 1785–1841
A Priest with Two Children
between 1825 and 1828
74
George Knapton, 1698–1778
Portrait of a Young Man
undated
75
unknown artist
Unidentified Sitter
undated
76
Ozias Humphry, 1742–1810
Mrs. James Paine, Newman Street
1781
77
James Ward, 1769–1859
Study from Nature, One of the Children of Charity for the Large Picture of the Waterloo Allegory
undated
78
Paul Sandby, 1731–1809
The Itinerant Pedlar
undated
79
David Cox, 1783–1859
Cottage in Herefordshire
before August 1820
80
John Singleton Copley, 1738–1815
Study for Captain William George Fairfax for the Painting "The Victory of Lord Duncan"
ca. 1798
81
Samuel De Wilde, 1748–1832
An Actor
undated
82
George Frederic Watts, 1817–1904
Study for a Head of a Child
ca. 1860
83
Isaac Weld, 1774–1856
The Wine Tasting
1819
84
Attributed to Gangaram Chintaman Tambat, active 1790s