Westminster from Lambeth, with the Ceremonial Barge of the Ironmongers' Company
ca. 1745
Not on view
6
unknown artist
A Game of Cricket (The Royal Academy Club in Marylebone Fields, now Regent's Park)
between 1790 and 1799
Not on view
7
unknown artist
An Imaginary View of Westminster Bridge
mid-18th century
Not on view
8
Canaletto, 1697–1768
Westminster from Near the Terrace of Somerset House
ca. 1750
Not on view
9
Samuel Scott, 1701/2–1772
Arches of Westminster Bridge
ca. 1750
Not on view
10
George Morland, 1763–1804
St. James's Park
between 1788 and 1790
Not on view
11
unknown artist
The Interior of Westminster Abbey
ca. 1714
Not on view
12
Canaletto, 1697–1768
Westminster Bridge, with the Lord Mayor's Procession on the Thames
1747
Not on view
13
Edward Edwards, 1738–1806
Interior View of Westminster Abbey on the Commemoration of Handel, Taken from the Manager's Box
ca. 1790
Not on view
14
Thomas Malton the Younger, 1748–1804
York Water Gate
1795
15
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
16
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
17
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
18
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
19
Samuel Scott, 1701/2–1772
The Thames with Montagu House and Westminster Bridge
undated
20
Samuel Scott, 1701/2–1772
Westminster Bridge under Construction
undated
21
unknown artist
The Inthronization of their Majesties also a View of the West End of the Choir of St. Peters in Westminster, and of the manner of Placing and Seating the Company in that Part of the Choir
22
Thomas Bowles, ca. 1712–died 1753
A South View of Westminster Abby & St. Margarets Church
23
Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I
1720
24
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
25
Print made by Charles J. Hullmandel, 1789–1850
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
26
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
27
unknown artist
A view of the inside of Westminster Hall
ca. 1700
28
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
29
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
30
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
31
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
32
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
33
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
34
Print made by James Basire the younger, 1769–1822
Plate XI: St Stephen's Chapel
1795
35
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
36
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
37
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
38
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
39
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
40
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
41
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
42
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
43
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
44
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
45
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
46
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
47
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
48
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
49
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
50
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
51
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
52
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
53
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
54
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
55
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
56
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
57
James Miller, active 1773–1814
The Church of St. John's, Smith Square
1770s
58
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
59
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
60
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
61
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
62
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
63
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
64
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
65
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
66
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
67
Thomas Bowles, ca. 1712–died 1753
The Inside of Westminster Abby
68
Thomas Bowles, ca. 1712–died 1753
The Inside of St. Martin's Church in the Fields
69
John Maurer, active 1713–1761
A Perspective View of Whitehall
70
unknown artist
The Royal Palace of St. James's next the Park
71
unknown artist
The Inside View of King Henry VII Chappel, in Westminster Abby
72
John Maurer, active 1713–1761
A Perspective of ye Royal Palace of Somerset next ye River
1742
73
John Boydell, 1720–1804
St. Clement Danes
1751
74
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
75
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
76
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
77
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
78
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
79
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
80
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
81
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
82
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
83
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
84
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
85
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
86
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
87
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
88
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
89
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
90
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
91
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
92
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
93
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
94
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
95
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
96
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
97
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard