The Caller at the Mill, with sketches outside margin
1918-1919
4
Print made by Samuel Palmer, 1805–1881
Christmas
1850
5
Print made by Samuel Palmer, 1805–1881
Christmas
1850
6
Print made by Samuel Palmer, 1805–1881
Christmas
1877
7
Edward Walhouse Mark, 1817–1895
The Roman Doric or Italian of Palladio
undated
8
Edward Walhouse Mark, 1817–1895
The Ionic Order
undated
9
David Simson, 1803–1874
Kilbride
1861
10
David Simson, 1803–1874
At Stirling (view with stream)
1861
11
David Simson, 1803–1874
At Stirling (view of street)
1861
12
David Simson, 1803–1874
Newark (abbey?)
1861
13
David Simson, 1803–1874
At Penshurst Kent (view with cloaked figure)
1863
14
David Simson, 1803–1874
At Tunbridge
1863
15
David Simson, 1803–1874
At Tunbridge Wells (view of house)
1863
16
unknown artist
Stone Tower and Arch with Two Figures Below
undated
17
unknown artist
Church at Dallington
undated
18
unknown artist
Church with Town, Cliffs and Sea Beyond
undated
19
James Malton, 1761–1803
A Design for a Temple at Bellevue House on the Derg, County Tipperary, the Seat of Charles Cooke, Esq
undated
20
Thomas Malton, 1726–1801
North Front of the Chapel and Hall of Greenwich Hospital
ca. 1790
21
Thomas Malton, 1726–1801
The Great Courtyard of Carlton House
undated
22
Edward Walhouse Mark, 1817–1895
The Doric Order
undated
23
Edward Walhouse Mark, 1817–1895
The Corinthian Order
undated
24
Edward Walhouse Mark, 1817–1895
The Ionic Order, after Palladio
undated
25
David Simson, 1803–1874
The Haunted House
1863
26
David Simson, 1803–1874
At Penshurst
between 1861and 1863
27
David Simson, 1803–1874
Tilwhilly Castle/ Haunted
between 1861 and 1863
28
unknown artist
Pevensy Castle
undated
29
unknown artist
Designs for Emblem
undated
30
unknown artist
East Matting (?) Church 1848 (?)
ca. 1848
31
unknown artist
Tomb Effigy of Three Knights in Medieval Armor
undated
32
Robert Streatfeild, 1786–1852
View of a House
undated
33
unknown artist
A Half-Timbered House
ca. 1800
34
unknown artist
Alms-Houses at Greenhithe, Kent
1774
35
William Taverner, 1703–1772
Landscape with Buildings: Possibly at Richmond, Surrey
undated
36
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Entrance Hall Towards Staircase
undated
37
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet
undated
38
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Plan and Elevations of Walls
undated
39
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Elevations and Ceiling Plan
undated
40
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Plan and Elevations of Walls
undated
41
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan of Ceiling and Elevations
undated
42
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Gallery - Plan and Elevations
undated
43
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan and Elevations
undated
44
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Elevations and Ceiling Plan
undated
45
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Corner Bedrooom on Chamber Floor - Elevations and Ceiling Plan
undated
46
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Furniture Designs
undated
47
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Chamber Floor Bedroom over Anteroom - Plan of Ceiling and Wall Elevations
undated
48
unknown artist
Badgebury House, South East Front - Elevation
1841
49
Henry Phillip Hope, active 1799–1818
Bedgebury: Design for the Stone Floor of the Pavilion.. (1 of 4)
undated
50
unknown artist
Sketch for Ceiling or Bed Canopy
undated
51
unknown artist
Sketch I - Elevation of Pavilion Wall
undated
52
Henry Phillip Hope, active 1799–1818
Bedgebury: View of Interior of Pavilion (3 of 4)
undated
53
Henry Phillip Hope, active 1799–1818
Bedgebury: Alternative design for Pavilion Window
undated
54
Henry Phillip Hope, active 1799–1818
Bedgeway: View of Interior of Pavilion... (4 of 4)
undated
55
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
undated
56
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
undated
57
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation View
undated
58
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
undated
59
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
undated
60
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Occidentale du Chateau de Wildenstein, Dedie a son Exell le Lieutenent General, Compt Rapp, par son tres Humble Serviteur 1
undated
61
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
62
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
undated
63
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
undated
64
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Maison dans laquelle le General Rapp a ete place comme Apprenti Epicier a Colmar
undated
65
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
66
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
67
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
68
Henry Shaw, 1800–1873
Italian Churches
undated
69
Henry Shaw, 1800–1873
Italian Churches
undated
70
Henry Shaw, 1800–1873
Italian Churches
undated
71
Henry Shaw, 1800–1873
Italian Churches
undated
72
Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
undated
73
Henry Phillip Hope, active 1799–1818
Vue du Temple de Minerve au Cap Colonne
undated
74
Henry Phillip Hope, active 1799–1818
Paysage
undated
75
Henry Phillip Hope, active 1799–1818
La Fontaine de Ste. Sophie a Constantinople
1799
76
Henry Phillip Hope, active 1799–1818
Cariatides d'Athenes
undated
77
Henry Phillip Hope, active 1799–1818
Plan of Private Entrance from the Uxbridge Road (Arklow House)
undated
78
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene
undated
79
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library - Plan of Ceiling and Elevations of Walls.
undated
80
Henry Holland, 1745–1806
Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation
between 1783 and 1796
81
Richard Banks Harraden, 1778–1862
Jesus College from the Meadows, Cambridge
ca. 1830
82
Richard Banks Harraden, 1778–1862
Jesus College, Cambridge
ca. 1830
83
Richard Banks Harraden, 1778–1862
Chapel Front, Emanuel College, Cambridge
ca. 1833
84
Richard Banks Harraden, 1778–1862
New Building of St. John's from the Gardens, Cambridge
ca. 1830
85
Richard Banks Harraden, 1778–1862
Pembroke College, Cambridge
undated
86
Richard Banks Harraden, 1778–1862
Corpus Christi College, Cambridge
1836
87
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
88
Stephen Riou, 1720–1780
Design for a villa: `The Ground Plan and Elevations of a Villa'
1770
89
Stephen Riou, 1720–1780
Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan
1763
90
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
91
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
92
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style