An Underground Shrine with Two Figures Kneeling before a Pieta
undated
110
John James Chalon, 1778–1854
Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
undated
111
Imitator of John Michael Rysbrack, 1694–1770
The Stoning of St. Stephen
undated
112
Sir James Thornhill, 1675–1734
A Design for a Ceiling
undated
113
Benjamin West, 1738–1820
Road Scene in Windsor Forest
undated
114
Richard Wilson, 1713/4–1782
Castell Dinas Brân, Wales
ca. 1771
115
Thomas Rowlandson, 1756–1827
Loading Sacks into a Cart
undated
116
Paul Sandby, 1731–1809
Washerwomen
between 1790 and 1805
117
Jan Wyck, ca. 1645–1700
Staghunt
undated
118
Alfred Edward Chalon, 1780–1860
Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
ca. 1820
119
Sir Richard Colt Hoare, 1758–1838
Convent at Valmontone. November 1790
1790
120
William Mulready, 1786–1863
The Fight Interrupted
undated
121
Sir David Wilkie, 1785–1841
Scene from Quentin Durward
1833
122
Sir David Wilkie, 1785–1841
Shopping in the Rows, Chester
1837
123
Edward Francis Burney, 1760–1848
John Gilpin in the Uxbridge Passage Boat
1820s
124
James Ward, 1769–1859
An Approaching Storm
undated
125
Thomas Wyck, 1616–1677
Newgate Prison, the Fire of London
undated
126
Henry Holland, 1745–1806
Design for Stables: Plan and Elevation
undated
127
Thomas Barker, 1769–1847
Man Leading a Horse
undated
128
John Gendall, 1790–1865
Fulham Palace, Porter's Lodge
undated
129
Sir John Gilbert, 1817–1897
Wayfarers
undated
130
James William Giles, 1801–1870
Nemi
1824
131
James William Giles, 1801–1870
The Villa Adrianna, Rome
1824
132
unknown artist
Alcibiades and Timon
undated
133
Sir Charles D'Oyly, 1781–1845
Totnes from the Seymour Hotel
1838
134
Mary Harcourt, 1750–1833
Tournon Opposite to Teint on the Rhone
ca. 1780
135
Mary Harcourt, 1750–1833
An Arch in the Vault of an Overgrown Ruin
ca. 1780
136
Attributed to unknown artist
A Soldier on Horseback
undated
137
Henry Greaves, 1850–1900
Cheyne Walk, Old Chelsea
1861
138
William Haygarth, active 1810–1816
Mount Soratte from Civita Castellana
1816
139
Francis Hayman, 1707/8–1776
Flying the Kite
ca. 1740
140
Francis Hayman, 1707/8–1776
Battledore and Shuttlecock
ca. 1740
141
Henry Greaves, 1850–1900
Queen Anne's Court, Cheyne Walk, Chelsea
1874
142
Amos Green, 1735–1807
Classical Landscape
undated
143
Sir George Hayter, 1792–1871
Banditti of Kurdistan Assisting Georgians in Surprising and Carrying off Circassian Women
1827
144
Sir George Hayter, 1792–1871
Portrait Study of Martha, Lady Hayter
1863
145
Thomas Hearne, 1744–1817
Castle Acre Priory
1771
146
Attributed to Julius Caesar Ibbetson, 1759–1817
Landscape with a Ruined Tower
1811
147
Thomas Carwitham, active 1723
Ceres and Abas: Ovid, Metamorphoses, Book 5
ca. 1723
148
George Heriot, 1766–1844
View of a Bridge
1819
149
Samuel Jackson, 1794–1869
Two Riders Fording a River
undated
150
J. Jacobs, active 1816–1864
Shakespeare House, Aldersgate Street
undated
151
Samuel Howitt, 1756–1822
Bear and Bee-Hives
undated
152
Samuel Howitt, 1756–1822
Lion and Lioness Attacking a Steer
undated
153
William Pitts, 1790–1840
Helios
undated
154
George Jones, 1786–1869
The Blacksmith
undated
155
George Jones, 1786–1869
Chantrey's Studio
undated
156
George Jones, 1786–1869
Interior of a Blacksmith's Forge
undated
157
George Jones, 1786–1869
Portentous Things
undated
158
Inigo Jones, 1573–1652
Design for a Temporary Arch Ornamented with Putti and Allegorical Figures of Music and War
ca. 1622
159
attributed to Angelica Kauffmann, 1741–1807
Scene in a Roman Prison
undated
160
William Kent, ca.1686–1748
Design for a Pavilion in a Deer Park
ca. 1735
161
William Kent, ca.1686–1748
Entrance Screen at Stowe House, Buckinghamshire: Elevation and Plan
ca. 1733
162
William Kent, ca.1686–1748
Octagonal Temple at Shotover Park, Oxfordshire: Plan, Section and Elevation
ca. 1738
163
William Kent, ca.1686–1748
Stowe House, Buckinghamshire: Design for Ceiling and Wall Decoration
between 1728 and 1732
164
William Kent, ca.1686–1748
The Cascade at Chiswick House, Middlesex: Elevation and Plan
between 1720 and 1735
165
William Kent, ca.1686–1748
Townsend's Building at Rousham, Oxfordshire: Elevation and Plan
ca. 1738
166
William Kent, ca.1686–1748
King's Mews, Charing Cross, London: Section
1731
167
William Kent, ca.1686–1748
The Treasury, Whitehall, London: Alternate Elevations of the Facade
ca. 1733
168
John Kendall, 1766–1829
Sarcophagus in a Church
May 10, 1806
169
Isaac Oliver, ca. 1565–1617
An Angel
undated
170
Sir James Thornhill, 1675–1734
Design for a Lunette
undated
171
Sir James Thornhill, 1675–1734
Design for a Wall Panel
undated
172
John Sanderson, active 1730; died 1774
Langley Park, Norfolk: Elevation of the South Front
ca. 1750
173
James Wyatt, 1746–1813
Hinton St. George, Somerset: Plan of the Dressing Room
1801
174
Sir James Thornhill, 1675–1734
Design of Apollo and the Python for a Painted over-door Decoration
undated
175
John Thirtle, 1777–1839
Binham Priory
undated
176
Joseph Wilton, 1722–1803
Design for an Urn
undated
177
Augustus Welby Northmore Pugin, 1812–1852
Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
1838
178
Attributed to John Sanderson, active 1730; died 1774
Unidentified Country House: Ground Floor Plan
undated
179
Michel Jean Cazabon, 1813–1888
The Cottage, Mount Tamana
1851
180
George Barret Jr., 1767–1842
Boulner, East Yarmouth
undated
181
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
182
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
183
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
184
John Thomas Smith, 1766–1833
The Smock Exposed
1817
185
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
186
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
187
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
188
John Thomas Smith, 1766–1833
The Reconcilation
1817
189
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
190
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers