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William Blake The Poems of Thomas Gray, Design 63, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 63, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 65, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 65, "The Bard."

between 1797 and 1798

William Blake America. A Prophecy, Plate 2, Title Page

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 2, Title Page

1793

William Blake Jerusalem, Plate 70, "And this the form of mighty Hand...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 70, "And this the form of mighty Hand...."

1804 to 1820

William Blake Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

1804 to 1820

William Blake Jerusalem, Plate 78, "The Spectres of..."

William Blake, 1757–1827

Jerusalem, Plate 78, "The Spectres of..."

1804 to 1820

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

1797

William Blake Jerusalem, Plate 92, "What do I see!...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 92, "What do I see!...."

1804 to 1820

William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 59, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 59, "The Bard."

between 1797 and 1798

William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

1789

William Blake For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 6, "Air"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

William Blake Jerusalem, Plate 77, "To the Christians...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 77, "To the Christians...."

1804 to 1820

William Blake Jerusalem, Plate 8, "Rose up against me...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 8, "Rose up against me...."

1804 to 1820

William Blake Jerusalem, Plate 81, "I have mockd those...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 81, "I have mockd those...."

1804 to 1820

William Blake Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."

1804 to 1820

William Blake Jerusalem, Plate 82, "I have heard Jerusalems groans...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 82, "I have heard Jerusalems groans...."

1804 to 1820

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

1797

William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

1797

William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

1797

William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

1797

William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 83, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 95, "Ode for Music."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 95, "Ode for Music."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 99, "Ode for Music."

between 1797 and 1798

William Blake Jerusalem, Plate 12, "Why wilt thou give to her...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 12, "Why wilt thou give to her...."

1804 to 1820

William Blake Jerusalem, Plate 43, "They saw their Wheels...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 43, "They saw their Wheels...."

1804 to 1820

William Blake America. A Prophecy, Plate 1, Frontispiece

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 1, Frontispiece

1793

William Blake America. A Prophecy, Plate 10, "The Terror Answered...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 10, "The Terror Answered...."

1793

William Blake America. A Prophecy, Plate 16, "In the Flames Stood...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 16, "In the Flames Stood...."

1793

William Blake America. A Prophecy, Plate 6, "Appear to the Americans...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 6, "Appear to the Americans...."

1793

William Blake America. A Prophecy, Plate 8, "The Morning Comes...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 8, "The Morning Comes...."

1793

William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

1794

William Blake America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

1793

William Blake Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

1794

William Blake Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)

1794

William Blake Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

1794

William Blake The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

1794

William Blake For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 14, "One hair nor particle of dust...."

1804 to 1820

William Blake Jerusalem, Plate 20, "But when they saw Albion...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 20, "But when they saw Albion...."

1804 to 1820

William Blake Jerusalem, Plate 3, "To the Public...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 3, "To the Public...."

1804 to 1820

William Blake Jerusalem, Plate 31, "His western heaven...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 31, "His western heaven...."

1804 to 1820

William Blake Jerusalem, Plate 32, "Leaning against the pillars...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 32, "Leaning against the pillars...."

1804 to 1820

William Blake Jerusalem, Plate 45, "Bath, healing City!...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 45, "Bath, healing City!...."

1804 to 1820

William Blake Jerusalem, Plate 50, "The Atlantic Mountains...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 50, "The Atlantic Mountains...."

1804 to 1820

William Blake Christ Giving Sight to Bartimaeus

William Blake, 1757–1827

Christ Giving Sight to Bartimaeus

1799 to 1800

William Blake The Parable of the Wise and Foolish Virgins

William Blake, 1757–1827

The Parable of the Wise and Foolish Virgins

ca. 1825

William Blake The Man Sweeping the Interpreter's Parlour

William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

William Blake Abraham and Isaac

William Blake, 1757–1827

Abraham and Isaac

1799 to 1800

William Blake Moses Receiving the Law

William Blake, 1757–1827

Moses Receiving the Law

ca. 1780

William Blake Satan Approaching the Court of Chaos

William Blake, 1757–1827

Satan Approaching the Court of Chaos

1784 to 1785

William Blake The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

William Blake, 1757–1827

The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

1805 to 1808

William Blake Thomas Alphonso Hayley, Half-Length Drawing

attributed to William Blake, 1757–1827

Thomas Alphonso Hayley, Half-Length Drawing

ca. 1800

John White Abbott A View of Core's Library, Dawlish, Devon

John White Abbott, 1763–1851

A View of Core's Library, Dawlish, Devon

1837

David Cox Greenwich Hospital from Woolwich Reach

David Cox, 1783–1859

Greenwich Hospital from Woolwich Reach

1820s

Jean B. C. Chatelain Classical Landscape with Travellers, a Dog and House on the left

Print made by Jean B. C. Chatelain, 1710–1771

Classical Landscape with Travellers, a Dog and House on the left

1741

John Nixon Eastbourne from Lord G.: Cavendish's Seat in the Park

John Nixon, ca. 1760–1818

Eastbourne from Lord G.: Cavendish's Seat in the Park

1787

James Wyatt Design for an Unidentified Country House

James Wyatt, 1746–1813

Design for an Unidentified Country House

ca. 1800

Sir Robert Smirke the younger Design for London Bridge Approach

Print made by Sir Robert Smirke the younger, 1781–1867

Design for London Bridge Approach

between 1827 and 1835

Thomas Lindsay Sky Study, No. 8

Attributed to Thomas Lindsay, 1793–1861

Sky Study, No. 8

undated

Samuel Prout Off Portsmouth: Boats Loading or Unloading a Large Hulk, Small Craft Nearby

Follower of Samuel Prout, 1783–1852

Off Portsmouth: Boats Loading or Unloading a Large Hulk, Small Craft Nearby

undated

F. Norice Windsor Castle From the Long Walk

F. Norice, 19th century

Windsor Castle From the Long Walk

undated

Henry Haseler Sidmouth from Offshore

Henry Haseler, active 1814–1825

Sidmouth from Offshore

ca. 1815

David Charles Read Landscape with two figures beside an old building

David Charles Read, 1790–1851

Landscape with two figures beside an old building

undated

Robert Hills Between Netley Heath and Albury

Robert Hills, 1769–1844

Between Netley Heath and Albury

undated

Charles Bentley Coast Scene with Shipping

Charles Bentley, 1806–1854

Coast Scene with Shipping

undated

Sir James Thornhill Design for a Ceiling

Sir James Thornhill, 1675–1734

Design for a Ceiling

undated

Thomas Girtin View of the Pantheon from the Arsenal

Thomas Girtin, 1775–1802

View of the Pantheon from the Arsenal

1802

George Barret Jr. The Needles from Alum Bay

George Barret Jr., 1767–1842

The Needles from Alum Bay

undated

Sir James Thornhill The Fall of Phaeton: A Study for a Ceiling

follower of Sir James Thornhill, 1675–1734

The Fall of Phaeton: A Study for a Ceiling

undated

John Varley Linlithgow Palace

John Varley, 1778–1842

Linlithgow Palace

undated

James Ward An Approaching Storm

James Ward, 1769–1859

An Approaching Storm

undated

John Linnell A Windy Day

John Linnell, 1792–1882

A Windy Day

1815

Augustus Welby Northmore Pugin Place Royale, Paris

Augustus Welby Northmore Pugin, 1812–1852

Place Royale, Paris

undated

John Warwick Smith The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire

John Warwick Smith, 1749–1831

The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire

July 14, 1792

Arthur Burgess Venus, after Masters of Tarrochi

Print made by Arthur Burgess, 1844–1886

Venus, after Masters of Tarrochi

undated

Edward Francis Burney View at Margate

Edward Francis Burney, 1760–1848

View at Margate

undated

Paul Sandby The North Terrace, Windsor Castle, Looking West

Paul Sandby, 1731–1809

The North Terrace, Windsor Castle, Looking West

ca. 1765

Cornelius Varley Carnarvon

Cornelius Varley, 1781–1873

Carnarvon

1802

Peter DeWint Near Penrith

attributed to Peter DeWint, 1784–1849

Near Penrith

undated

John Linnell A View of the Fens

John Linnell, 1792–1882

A View of the Fens

undated

Edward Radclyffe Lancaster Sands

Print made by Edward Radclyffe, 1809–1863

Lancaster Sands

undated

William Woollett Celadon and Amelia

Engraved by William Woollett, 1735–1785

Celadon and Amelia

1766

Henry Moore Porpoises, July 7, 1883

Henry Moore, 1831–1895

Porpoises, July 7, 1883

1883

George Jones Ross Castle, Killarney, Sept. 4, 1812

George Jones, 1786–1869

Ross Castle, Killarney, Sept. 4, 1812

1812

Isaac Fuller Putto Holding a Torch

Print made by Isaac Fuller, 1606/20–1672

Putto Holding a Torch

undated

John Warwick Smith Carnedd Llewelyn and Carnedd David, Carnarvonshire, Seen Across the River Ogwen

John Warwick Smith, 1749–1831

Carnedd Llewelyn and Carnedd David, Carnarvonshire, Seen Across the River Ogwen

undated

James Ward Cloud Study

James Ward, 1769–1859

Cloud Study

undated

James Ward Landscape

James Ward, 1769–1859

Landscape

undated

unknown artist West Cowes, Isle of Wight

unknown artist

West Cowes, Isle of Wight

undated

Edward Francis Burney Mowbray Park

Edward Francis Burney, 1760–1848

Mowbray Park

undated

Charles Hamilton Smith Farming Village

Charles Hamilton Smith, 1776–1859

Farming Village

undated

James Wyatt Design for Little Frogmore: Elevation

James Wyatt, 1746–1813

Design for Little Frogmore: Elevation

1791

John Faber the Younger Geography

Print made by John Faber the Younger, ca. 1695–1756

Geography

undated

William Faithorne the Younger Juno and Iris

Print made by William Faithorne the Younger, ca. 1669–1703

Juno and Iris

between 1695 and 1703