The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
102
William Blake, 1757–1827
The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
between 1797 and 1798
103
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
104
William Blake, 1757–1827
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
105
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
106
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
107
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
108
William Blake, 1757–1827
The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
between 1797 and 1798
109
William Blake, 1757–1827
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
110
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
111
William Blake, 1757–1827
The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
between 1797 and 1798
112
William Blake, 1757–1827
The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
between 1797 and 1798
113
William Blake, 1757–1827
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
between 1797 and 1798
114
William Blake, 1757–1827
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
115
William Blake, 1757–1827
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
116
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
117
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
118
William Blake, 1757–1827
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
119
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
120
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
121
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
122
William Blake, 1757–1827
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
123
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
124
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
125
William Blake, 1757–1827
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
126
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
127
William Blake, 1757–1827
The Poems of Thomas Gray, Design 39, "Ode to Adversity."
between 1797 and 1798
128
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
129
William Blake, 1757–1827
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
130
William Blake, 1757–1827
The Poems of Thomas Gray, Design 29, "A Long Story."
between 1797 and 1798
131
William Blake, 1757–1827
The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
132
William Blake, 1757–1827
The Poems of Thomas Gray, Design 23, "A Long Story."
between 1797 and 1798
133
William Blake, 1757–1827
The Poems of Thomas Gray, Design 25, "A Long Story."
between 1797 and 1798
134
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
135
William Blake, 1757–1827
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
136
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
137
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
138
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
139
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
140
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
141
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
142
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
143
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
144
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
145
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801
146
William Blake, 1757–1827
Sealing the Stone and Setting a Watch
1800 to 1803
147
Michel Jean Cazabon, 1813–1888
Custom House and St. Vincent's Wharf
1851
148
Michel Jean Cazabon, 1813–1888
King's Wharf, and South Quay-Port of Spain
1851
149
Michel Jean Cazabon, 1813–1888
The Governor's Residence, St. Anns
1851
150
Michel Jean Cazabon, 1813–1888
San Fernando, and Naparima Hill
1851
151
William Taverner, 1703–1772
An Italian Landscape: village on a hill left, hillside sloping towards right, with distant valley beyond
undated
152
Thomas Sunderland, 1744–1828
Landscape: Trees, Lakes and Mountains, Lake District
undated
153
William Augustus Barron, active 1777
Broom House, Fulham, London
1774
154
Thomas Shotter Boys, 1803–1874
View at Swiss Cottage, London
1836
155
Michel Jean Cazabon, 1813–1888
The Bocas from the Old Fort, Macqueripe
1857
156
Michel Jean Cazabon, 1813–1888
Cedros Bay
1857
157
Michel Jean Cazabon, 1813–1888
The Cottage, Residence of the Governor
1857
158
Michel Jean Cazabon, 1813–1888
Riverside, St. Joseph
1857
159
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857
160
Michel Jean Cazabon, 1813–1888
The Pitch Lake
1857
161
Michel Jean Cazabon, 1813–1888
Avenue and Entrance to St. James Barracks
1857
162
Michel Jean Cazabon, 1813–1888
View from Laventille Hill
1857
163
Michel Jean Cazabon, 1813–1888
Forest Scenery near Tamana
1857
164
Michel Jean Cazabon, 1813–1888
Los Gallos, Icacos Bay
1857
165
Michel Jean Cazabon, 1813–1888
Corbeaux Town, Port of Spain
1857
166
Michel Jean Cazabon, 1813–1888
Residence at Orange Grove Estate, Tacarigua
1857
167
William Paton Burton, 1828–1883
The Market Place, Tanta, Egypt
1874
168
Richard Morris, active 1830
Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
ca. 1831
169
Follower of Francis Barlow, 1622–1704
Illustration to Aesop's Fables: The Fox & the Crane
undated
170
Edward Francis Burney, 1760–1848
Homage to Nelson
undated
171
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
172
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
173
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
174
Thomas Shotter Boys, 1803–1874
Queen Anne Boleyn's Room, Windsor Castle
undated
175
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
176
Thomas Bradshaw, Born 1767
From the Beach near Fort Blanc, Oct. 4, 1819
1819
177
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
178
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
179
John Thomas Smith, 1766–1833
The Reconcilation
1817
180
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
181
Richard Brookes, 1721–1763
Woodpecker and Two Birds
1760
182
Richard Brookes, 1721–1763
Crowned Eagle and Two Birds
1760
183
Charlotte Warren, 18th century
Wooded Landscape with Cattle, Figures and a House
undated
184
Charles Brooking, 1723–1759
The Flagship of a Commander in Chief
undated
185
Edward Francis Burney, 1760–1848
The Triumph of Music
ca. 1815
186
Robert Byng, 1666–1720
Portrait of a Family, called John Sheffield, Duke of Buckingham, and Family
undated
187
Henry William Burgess, active 1809–1860
St. Jacques, Dieppe
1820
188
Master of the Wire Line, 18th century
Country Scene: Cottage and Figures on a Winding Road
undated
189
Dominic Serres, 1722–1793
A Bridge over the Thames, with sailing barges in the foreground
1758-1793
190
Michel Jean Cazabon, 1813–1888
Village of Arima and Mount Tamana
1851
191
Michel Jean Cazabon, 1813–1888
Maraccas Waterfall
1851
192
Michel Jean Cazabon, 1813–1888
Cascade at St. Anns
1851
193
George Shepheard, ca. 1770–1842
The Village of Aldbury, Hertfordshire
1816
194
Peter La Cave, active 1769–1810
Haymakers
undated
195
John Henry Müntz, 1727–1798
Classical Composition
undated
196
Thomas Girtin, 1775–1802
Ruins of the Savoy Palace, London
undated
197
William Alexander, 1767–1816
A Raree Show
between 1792 and 1793
198
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill