Door-way in Wall of South Precints of Westminster Abbey
undated
202
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
203
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Pump Room
1798
204
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Music Master
1798
205
Thomas Rowlandson, 1756–1827
Comforts of Bath: Gouty Persons Fall on Steep HIll
1798
206
Thomas Rowlandson, 1756–1827
Vauxhall Gardens
ca. 1784
207
Thomas Rowlandson, 1756–1827
Bodmin Cornwall: The Arrival of the Stage-Coach
1795
208
James Moore, 1762–1799
Salisbury Cathedral
1791
209
James Moore, 1762–1799
Abbotsbury Abbey, Dorset, England
1791
210
Thomas Girtin, 1775–1802
Lincoln Cathedral
ca. 1795
211
Thomas Girtin, 1775–1802
The Land Gate, Rye, Sussex
ca. 1795
212
Thomas Girtin, 1775–1802
Tolleshunt-Beckingham, Essex
ca. 1795
213
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
214
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
215
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
216
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
217
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
218
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
219
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
220
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
221
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
222
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
223
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
224
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
225
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
226
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
227
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
228
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
229
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
230
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
231
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
232
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
233
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
234
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
235
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Concert
1798
236
Thomas Rowlandson, 1756–1827
A Review on Blackheath, May 1785
1785
237
Thomas Rowlandson, 1756–1827
A Review in a Market Place
ca. 1790
238
Thomas Rowlandson, 1756–1827
Bodmin Cornwall: French Prisoners on Parole
1795
239
Thomas Rowlandson, 1756–1827
Newport High Street, Isle of Wight
between 1797 and 1800
240
Thomas Rowlandson, 1756–1827
An Audience Watching a Play at Drury Lane Theatre
ca. 1785
241
Thomas Rowlandson, 1756–1827
A Burial at Carisbrooke, Isle of Wight
between 1797 and 1800
242
Thomas Girtin, 1775–1802
View of Rochester
1791
243
Thomas Girtin, 1775–1802
Kirkstall Abbey from the N.W
ca. 1792
244
Thomas Girtin, 1775–1802
Layer Marney Hall, Essex
ca. 1795
245
Thomas Girtin, 1775–1802
Carlisle Cathedral, Cumberland, from the South-west
ca. 1795
246
Thomas Girtin, 1775–1802
London from Highgate Hill
1792
247
Thomas Girtin, 1775–1802
Rochester, Kent: from the North
ca. 1790
248
Thomas Girtin, 1775–1802
The Tithe Barn at Abbotsbury with the Abbey on the hill..
ca. 1795
249
Thomas Girtin, 1775–1802
Ripon Minster, Yorkshire
1800
250
Thomas Girtin, 1775–1802
The New Walk, York
ca. 1798
251
Thomas Girtin, 1775–1802
Harrow-on-the-Hill, Middlesex
ca. 1794
252
Robert Dighton, 1752–1814
Foot Ball played at Market Place, Barnet
ca. 1784
253
Robert Dighton, 1752–1814
Coits Played opposite the Horns, Kennington Common
ca. 1784
254
Robert Dighton, 1752–1814
Trap Ball Played at the Black Prince, Newington, Butts
ca. 1784
255
Robert Dighton, 1752–1814
Fives played at the Tennis court Leicester Fields
ca. 1784
256
Robert Dighton, 1752–1814
Four Corners Played at the Swan, Chelsea
ca. 1784
257
Robert Dighton, 1752–1814
Cricket played by the Gentlemens Club, Whiteconduit House
1784
258
Thomas Rowlandson, 1756–1827
Comforts of Bath: Coaches Arriving
1798
259
Thomas Rowlandson, 1756–1827
Comforts of Bath: Private Practice Previous to the Ball
1798
260
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Ball
1798
261
Thomas Rowlandson, 1756–1827
The Comforts of Bath: The Breakfast
1798
262
James Moore, 1762–1799
Bungay Castle
1790
263
James Moore, 1762–1799
Cerne Abbey
1791
264
Dominic Serres, 1722–1793
Shipping in the Solent off Calshot Castle
between 1760 and 1793
265
Francis Swaine, 1730–1782
A Naval Squadron Lying at Spithead
between 1745 and 1783
266
Samuel Collings, active 1784–1795
Manning the Navy
undated
267
unknown artist
Cumberland Landscape
undated
268
Edward Dayes, 1763–1804
St. Paul's Church, Covent Garden, after the fire
1795
269
Jonathan Skelton, active 1754, died 1758
The River Stour, St. Mildred's Church and the Castle of Canterbury
1757
270
Sir William Chambers, 1723–1796
Design for Ceiling
ca. 1765
271
John Cleveley the younger, 1747–1786
Deptford Dockyard, Kent
undated
272
Master of the Wire Line, 18th century
View of the Isle of Wight: Landscape with Figures
ca. 1800
273
William Day, 1764–1807
Renard's Hole, Dovedale, Derbyshire
1789
274
Capt. Francis Grose, 1731–1791
Mitford Castle, Northumberland
undated
275
Attributed to Capt. Francis Grose, 1731–1791
Northwest View of Castle Church, Hexham, Northumberland
undated
276
John Robert Cozens, 1752–1797
The Banks of the Avon at Hotwells
ca. 1773
277
Samuel Hieronymus Grimm, 1733–1794
View of Wingerworth Hall, Derbyshire
1783
278
Samuel Hieronymus Grimm, 1733–1794
Between Chiswick and Brentford
1774
279
Capt. Francis Grose, 1731–1791
View of Ipswich, Suffolk
1765
280
John Emes, 1762–1810
Matlock High Tor, Derbyshire
ca. 1786
281
Joseph Farington, 1747–1821
View of Taplow and Maidenhead from Cliveden
1792
282
Samuel Hieronymus Grimm, 1733–1794
Vanbrugh Castle, Greenwich
undated
283
Samuel Hieronymus Grimm, 1733–1794
Behind Middlesex Hospital
undated
284
John White Abbott, 1763–1851
The Mouth of the Cavern at Castleton in the Peak of Derby