Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
13
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
14
Joseph Clarendon Smith, 1778–1810
Margate Hoy
1807
15
Edward Francis Burney, 1760–1848
John Gilpin in the Uxbridge Passage Boat
1820s
16
John Gendall, 1790–1865
Fulham Palace, Porter's Lodge
undated
17
Sir Charles D'Oyly, 1781–1845
Totnes from the Seymour Hotel
1838
18
William Haygarth, active 1810–1816
Mount Soratte from Civita Castellana
1816
19
Henry Greaves, 1850–1900
Queen Anne's Court, Cheyne Walk, Chelsea
1874
20
J. Jacobs, active 1816–1864
Shakespeare House, Aldersgate Street
undated
21
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
22
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
23
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
24
John Thomas Smith, 1766–1833
The Smock Exposed
1817
25
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
26
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
27
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
28
John Thomas Smith, 1766–1833
The Reconcilation
1817
29
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
30
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
31
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
32
Mather Brown, 1761–1831
Workmen at Refreshment (Banditti?)
1819
33
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
34
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches
undated
35
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Ornamentation
undated
36
Sir Charles D'Oyly, 1781–1845
Government House from St. Andrew's Library - Calcutta
undated
37
Isaac Weld, 1774–1856
Harlech Castle
1810
38
Isaac Weld, 1774–1856
Classical Landscape with Temple
ca. 1818
39
Isaac Weld, 1774–1856
Ruins (Roman?)
1818
40
Isaac Weld, 1774–1856
After Pinnelli - Group of Peasants Outside a Church
1817
41
Isaac Weld, 1774–1856
"After Pinnelli" (Group of Peasants Outside a House)
1817
42
Isaac Weld, 1774–1856
An Execution, Rome
1819
43
Isaac Weld, 1774–1856
Running Woman
ca. 1818
44
unknown artist
Ram and Two Sheep
undated
45
unknown artist
Nocturnal View of Mountainous Landscape with River
undated
46
unknown artist
Thatched Roof and Tree
undated
47
Richard Morris, active 1830
Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
ca. 1831
48
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
49
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
50
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
51
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
52
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
53
Robert Smirke, 1752–1845
Anne Page and Slender
1821
54
Frederick Catherwood, 1799–1854
Well at Bolonchen, Yucatan
1843
55
Frederick Catherwood, 1799–1854
Maya Stela at Copan, Honduras
1843
56
Samuel Owen, 1768–1857
Margate Harbor
ca. 1806
57
unknown artist
Landscape with Bridge
undated
58
unknown artist
Harbor
undated
59
Sir Robert Smirke the younger, 1781–1867
The Fitting Up of the Medal Room in the Arsenal, Venice
1802-1804
60
Sir Robert Smirke the younger, 1781–1867
Arch of Hadrian
ca. 1804
61
Sir Robert Smirke the younger, 1781–1867
Architectural Sketch of Building with Doric Columns
1802-1804
62
Sir Robert Smirke the younger, 1781–1867
Gate of Posillipo - Naples
1802-1804
63
Sir Robert Smirke the younger, 1781–1867
The Murazzi at Venice
1804
64
Sir Robert Smirke the younger, 1781–1867
Top Portion of a Pillar
1802-1804
65
Sir Robert Smirke the younger, 1781–1867
Plan and Section of a Subterraneous Building Discovered at Mycenea and Supposed to be the Tomb of Agamemnon
1802-1804
66
Sir Robert Smirke the younger, 1781–1867
Study of a Stone Wall
1802-1804
67
Isaac Weld, 1774–1856
Caernarvon Castle
1809
68
Robert Smirke, 1752–1845
Katherina and Grumio
1821
69
Robert Smirke, 1752–1845
Isabella and Mariana Kneeling Before the Duke
1822
70
Robert Smirke, 1752–1845
Lady Mortimer's Welsh Song
1825
71
Robert Smirke, 1752–1845
Master William Page and Sir Hugh Evans
1821
72
Robert Smirke, 1752–1845
Ford in a Rage After Seeing Falstaff
1821
73
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1821
74
Robert Smirke, 1752–1845
Hotspur and the Plotters at Bangor
1825
75
Robert Smirke, 1752–1845
Bust of Shakespeare
1825
76
Robert Smirke, 1752–1845
Claudio and Isabella
1823
77
Robert Smirke, 1752–1845
Christopher Sly and the Page, as His Wife
1821
78
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
79
Robert Smirke, 1752–1845
Viola and Olivia
1822
80
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
81
Robert Smirke, 1752–1845
Capulet Railing at his Daughter, Juliet
1825
82
Robert Smirke, 1752–1845
Juliet About to Take her Sleeping Draught
1825
83
Robert Smirke, 1752–1845
Prospero Conjuring a Masque for Ferdinand and Miranda