Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
5
Wenceslaus Hollar, 1607–1677
View of the East Part of Southwark, Looking Towards Greenwich
ca. 1638
6
William Kent, ca.1686–1748
The Treasury, Whitehall, London: Alternate Elevations of the Facade
ca. 1733
7
William Kent, ca.1686–1748
King's Mews, Charing Cross, London: Section
1731
8
James Miller, active 1773–1814
Fountain's Boarding School, Marylebone
1780
9
unknown artist
Design for the Parterre at Hampton Court
early 18th century
10
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
11
Sir John Soane, 1753–1837
Hinton St. George, Somerset: View of the Saloon
1797
12
James Wyatt, 1746–1813
Design for the Staircase at Stratford Place
undated
13
Thomas Sandby, 1721–1798
Receipt for a Set of Six London Views
ca. 1758
14
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
15
Peter Tillemans, 1684–1734
From Hampstead
1730
16
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
17
Sir James Thornhill, 1675–1734
Design for a Ceiling at Addiscombe: Bacchus and Ariadne
undated
18
Sir John Soane, 1753–1837
Sketch of a Half-Facade for a Royal Palace, Hyde Park, London
ca. 1779
19
Samuel Scott, 1701/2–1772
Westminster Abbey and Bridge from Somerset Garden
1759
20
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
21
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
22
Thomas Girtin, 1775–1802
Ruins of the Savoy Palace, London
undated
23
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
24
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
25
Paul Sandby, 1731–1809
A Group of Men on Westminster Pier
ca. 1752
26
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
27
Paul Sandby, 1731–1809
London Cries: "Black Heart Cherries..."
ca. 1759
28
Paul Sandby, 1731–1809
London Cries: A Fishmonger
ca. 1759
29
Paul Sandby, 1731–1809
London Cries: A Man with a Basket (Man Selling Pots and Pans)
undated
30
Paul Sandby, 1731–1809
London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")
ca. 1759
31
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
32
Paul Sandby, 1731–1809
London Cries: A Milkmaid
ca. 1759
33
Paul Sandby, 1731–1809
London Cries: Flowers
undated
34
Paul Sandby, 1731–1809
London Cries: All Fire and No Smoke
ca. 1759
35
Paul Sandby, 1731–1809
London Cries: Throws for a Ha'penny Have You a Ha'penny
undated
36
Paul Sandby, 1731–1809
London Cries: A Lace Seller
ca. 1759
37
Paul Sandby, 1731–1809
London Cries: A Tinker and His Wife
ca. 1759
38
Paul Sandby, 1731–1809
London Cries: Last Dying Speech and Confession
ca. 1759
39
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
40
Paul Sandby, 1731–1809
London Cries: Shoe Cleaner
ca. 1759
41
Paul Sandby, 1731–1809
London Cries: "Do You Want any Spoons..."
ca. 1759
42
Paul Sandby, 1731–1809
London Cries: Boy with a Donkey
ca. 1759
43
Paul Sandby, 1731–1809
London Cries: "Any Kitchen Stuff"
ca. 1759
44
Paul Sandby, 1731–1809
London Cries: A Man Swaggering
undated
45
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
46
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
47
Nathaniel Smith, 1740–1787
Westminster Abbey and St. Paul's from Battersea Fields
undated
48
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
49
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
50
Samuel Scott, 1701/2–1772
A Wood Yard on the Thames at Nine Elms
undated
51
Samuel Scott, 1701/2–1772
Thames Side Buildings
undated
52
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
53
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
54
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
55
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
56
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
57
Thomas Rowlandson, 1756–1827
Vauxhall Gardens
ca. 1784
58
Thomas Girtin, 1775–1802
Christ Church, Blackfriars, London
between 1792 and 1794
59
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
60
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
61
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
62
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
63
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
64
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
65
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
66
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
67
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
68
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
69
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
70
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
71
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
72
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
73
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
74
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
75
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
76
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
77
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
78
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
79
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
80
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
81
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
82
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
83
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
84
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
85
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
86
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
87
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
88
Charles Reuben Ryley, 1752–1798
A London Riot
undated
89
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
90
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
91
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
92
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
93
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
94
Thomas Rowlandson, 1756–1827
An Audience Watching a Play at Drury Lane Theatre
ca. 1785
95
Thomas Girtin, 1775–1802
St. Paul's Cathedral, from St. Martin's-le-Grand, London
ca. 1795
96
Thomas Girtin, 1775–1802
London from Highgate Hill
1792
97
Thomas Girtin, 1775–1802
Ruins of Savoy Palace
ca. 1795
98
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch