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Materials & Techniques graphite

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Period 18th century

Remove constraint Period: 18th century

Topic subjectplace ss London

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George Romney Plans for the House to be Built at Hampstead
George Romney, 1734–1802
Plans for the House to be Built at Hampstead
1794
Samuel Scott Westminster Abbey and Bridge from Somerset Garden
Samuel Scott, 1701/2–1772
Westminster Abbey and Bridge from Somerset Garden
1759
Paul Sandby A Group of Men on Westminster Pier
Paul Sandby, 1731–1809
A Group of Men on Westminster Pier
ca. 1752
Paul Sandby An Encampment in St. James Park
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
Sir James Thornhill Design for a Ceiling at Addiscombe: Bacchus and Ariadne
Sir James Thornhill, 1675–1734
Design for a Ceiling at Addiscombe: Bacchus and Ariadne
undated
Wenceslaus Hollar View of the East Part of Southwark, Looking Towards Greenwich
Wenceslaus Hollar, 1607–1677
View of the East Part of Southwark, Looking Towards Greenwich
ca. 1638
Theodore Jacobsen The Chapel of the Foundling Hospital, London
Attributed to Theodore Jacobsen, died 1772
The Chapel of the Foundling Hospital, London
undated
Theodore Jacobsen The Chapel of the Foundling Hospital, London
Attributed to Theodore Jacobsen, died 1772
The Chapel of the Foundling Hospital, London
undated
William Kent The Treasury, Whitehall, London: Alternate Elevations of the Facade
William Kent, ca.1686–1748
The Treasury, Whitehall, London: Alternate Elevations of the Facade
ca. 1733
Thomas Hearne The Cheesecake House, Hyde Park
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
William Kent King's Mews, Charing Cross, London: Section
William Kent, ca.1686–1748
King's Mews, Charing Cross, London: Section
1731
Theodore Jacobsen The Chapel of the Foundling Hospital, London
Attributed to Theodore Jacobsen, died 1772
The Chapel of the Foundling Hospital, London
undated
unknown artist Design for the Parterre at Hampton Court
unknown artist
Design for the Parterre at Hampton Court
early 18th century
Louis Philippe Boitard Holbein's Gateway and Jones's Banqueting House, Whitehall...
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
Sir John Soane Sketch of a Half-Facade for a Royal Palace, Hyde Park, London
Sir John Soane, 1753–1837
Sketch of a Half-Facade for a Royal Palace, Hyde Park, London
ca. 1779
Thomas Sandby Whitehall Showing Holbein's Gate and Banqueting Hall
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
Michael "Angelo" Rooker Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
Michael "Angelo" Rooker Scenery, Haymarket Theatre
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
Thomas Sandby Receipt for a Set of Six London Views
Thomas Sandby, 1721–1798
Receipt for a Set of Six London Views
ca. 1758
Thomas Girtin Ruins of the Savoy Palace, London
Thomas Girtin, 1775–1802
Ruins of the Savoy Palace, London
undated
Paul Sandby The Gunpowder Magazine, Hyde Park
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
Peter Tillemans From Hampstead
Peter Tillemans, 1684–1734
From Hampstead
1730
Sir John Soane Hinton St. George, Somerset: View of the Saloon
Sir John Soane, 1753–1837
Hinton St. George, Somerset: View of the Saloon
1797
James Wyatt Design for the Staircase at Stratford Place
James Wyatt, 1746–1813
Design for the Staircase at Stratford Place
undated
Paul Sandby My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
Paul Sandby London Cries: Shoe Cleaner
Paul Sandby, 1731–1809
London Cries: Shoe Cleaner
ca. 1759
Paul Sandby London Cries: "Black Heart Cherries..."
Paul Sandby, 1731–1809
London Cries: "Black Heart Cherries..."
ca. 1759
Paul Sandby London Cries: "Any Kitchen Stuff"
Paul Sandby, 1731–1809
London Cries: "Any Kitchen Stuff"
ca. 1759
Paul Sandby London Cries: A Milkmaid
Paul Sandby, 1731–1809
London Cries: A Milkmaid
ca. 1759
Paul Sandby London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")
Paul Sandby, 1731–1809
London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")
ca. 1759
Paul Sandby London Cries: A Man with a Basket (Man Selling Pots and Pans)
Paul Sandby, 1731–1809
London Cries: A Man with a Basket (Man Selling Pots and Pans)
undated
Paul Sandby London Cries: Fun upon Fun
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
Paul Sandby London Cries: Throws for a Ha'penny Have You a Ha'penny
Paul Sandby, 1731–1809
London Cries: Throws for a Ha'penny Have You a Ha'penny
undated
Paul Sandby London Cries: Flowers
Paul Sandby, 1731–1809
London Cries: Flowers
undated
Paul Sandby London Cries: All Fire and No Smoke
Paul Sandby, 1731–1809
London Cries: All Fire and No Smoke
ca. 1759
Paul Sandby London Cries: A Tinker and His Wife
Paul Sandby, 1731–1809
London Cries: A Tinker and His Wife
ca. 1759
Paul Sandby London Cries: A Man Swaggering
Paul Sandby, 1731–1809
London Cries: A Man Swaggering
undated
Paul Sandby London Cries: Boy with a Donkey
Paul Sandby, 1731–1809
London Cries: Boy with a Donkey
ca. 1759
Paul Sandby London Cries: Last Dying Speech and Confession
Paul Sandby, 1731–1809
London Cries: Last Dying Speech and Confession
ca. 1759
John Maurer The Rotunda and Gardens, Ranelagh
John Maurer, active 1713–1761
The Rotunda and Gardens, Ranelagh
ca. 1744
James Miller Fountain's Boarding School, Marylebone
James Miller, active 1773–1814
Fountain's Boarding School, Marylebone
1780
unknown artist Whitehall Palace, London: Elevation of Proposed Design
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
John Maurer The Mansion House
John Maurer, active 1713–1761
The Mansion House
undated
Paul Sandby London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
Paul Sandby London Cries: "Do You Want any Spoons..."
Paul Sandby, 1731–1809
London Cries: "Do You Want any Spoons..."
ca. 1759
Paul Sandby London Cries: A Fishmonger
Paul Sandby, 1731–1809
London Cries: A Fishmonger
ca. 1759
Paul Sandby London Cries: A Lace Seller
Paul Sandby, 1731–1809
London Cries: A Lace Seller
ca. 1759
Michael "Angelo" Rooker The Admiralty Building from Whitehall
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
Thomas Girtin London from Highgate Hill
Thomas Girtin, 1775–1802
London from Highgate Hill
1792
Thomas Girtin Ruins of Savoy Palace
Thomas Girtin, 1775–1802
Ruins of Savoy Palace
ca. 1795
Samuel Scott Thames Side Buildings
Samuel Scott, 1701/2–1772
Thames Side Buildings
undated
unknown artist Details of the Screen of Entrance Porch, St Stephen's Chapel
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
Samuel Scott A Wood Yard on the Thames at Nine Elms
Samuel Scott, 1701/2–1772
A Wood Yard on the Thames at Nine Elms
undated
Louis Philippe Boitard The Earthquake Scare in Piccadilly
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
Julius Caesar Ibbetson Skating in Hyde Park
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
unknown artist Plan of Westminster Showing the Coronation Route of George II
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
George Johann Scharf View through the South East Window of the Crypt beneath St Stephen's, Westminster
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
William Capon Entrance to the House of Lords
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
John Carter East Front of Painted Chamber
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
John Carter Plan of Painted Chamber
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
John Carter North Side, Painted Chamber
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
John Carter Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
John Carter Side Window, North, Painted Chamber
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
John Carter East End, Painted Chamber
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
unknown artist Details of Capitals and Arches, Painted Chamber
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
John Carter Seats in Henry VII Chapel, Westminster Abbey
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
William Capon Henry VII Chapel
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
John Carter Continuation of the Preceeding Ornaments
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
John Carter South East View of the Towers of the Abbey, &c. from College St. Westminster
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
John Carter Window, Dean's Yard
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
John Carter Figure study, Henry VII Chapel
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
Nathaniel Smith Westminster Abbey and St. Paul's from Battersea Fields
Nathaniel Smith, 1740–1787
Westminster Abbey and St. Paul's from Battersea Fields
undated
John Carter Paintings on the Wall by H in Plan
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
John Carter Enlarged Detail of Figures from Painting Shown in Previous Sketch
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
John Carter Door on South Side of Painted Chamber
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
John Carter Details of one of the Figures
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
John Carter Wall Paintings
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
John Carter North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
John Carter Door-way in Wall of South Precints of Westminster Abbey
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
John Carter South View of the Abbey Church, Westminster, Taken from Dean's Yard
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
Thomas Girtin Christ Church, Blackfriars, London
Thomas Girtin, 1775–1802
Christ Church, Blackfriars, London
between 1792 and 1794
Thomas Rowlandson Vauxhall Gardens
Thomas Rowlandson, 1756–1827
Vauxhall Gardens
ca. 1784
unknown artist A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
unknown artist Entrance Doorway in the Tower, St Stephen's Chapel
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
John Carter Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
Charles Grignion House of Commons and the Entrance to the House of Lords with the Office of Ordnance
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
Thomas Girtin St. Paul's Cathedral, from St. Martin's-le-Grand, London
Thomas Girtin, 1775–1802
St. Paul's Cathedral, from St. Martin's-le-Grand, London
ca. 1795
Thomas Rowlandson An Audience Watching a Play at Drury Lane Theatre
Thomas Rowlandson, 1756–1827
An Audience Watching a Play at Drury Lane Theatre
ca. 1785
Thomas Rowlandson Skating on the Serpentine
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790