Design for a Ceiling at Addiscombe: Bacchus and Ariadne
undated
6
Wenceslaus Hollar, 1607–1677
View of the East Part of Southwark, Looking Towards Greenwich
ca. 1638
7
Attributed to Theodore Jacobsen, died 1772
The Chapel of the Foundling Hospital, London
undated
8
Attributed to Theodore Jacobsen, died 1772
The Chapel of the Foundling Hospital, London
undated
9
William Kent, ca.1686–1748
The Treasury, Whitehall, London: Alternate Elevations of the Facade
ca. 1733
10
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
11
William Kent, ca.1686–1748
King's Mews, Charing Cross, London: Section
1731
12
Attributed to Theodore Jacobsen, died 1772
The Chapel of the Foundling Hospital, London
undated
13
unknown artist
Design for the Parterre at Hampton Court
early 18th century
14
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
15
Sir John Soane, 1753–1837
Sketch of a Half-Facade for a Royal Palace, Hyde Park, London
ca. 1779
16
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
17
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
18
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
19
Thomas Sandby, 1721–1798
Receipt for a Set of Six London Views
ca. 1758
20
Thomas Girtin, 1775–1802
Ruins of the Savoy Palace, London
undated
21
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
22
Peter Tillemans, 1684–1734
From Hampstead
1730
23
Sir John Soane, 1753–1837
Hinton St. George, Somerset: View of the Saloon
1797
24
James Wyatt, 1746–1813
Design for the Staircase at Stratford Place
undated
25
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
26
Paul Sandby, 1731–1809
London Cries: Shoe Cleaner
ca. 1759
27
Paul Sandby, 1731–1809
London Cries: "Black Heart Cherries..."
ca. 1759
28
Paul Sandby, 1731–1809
London Cries: "Any Kitchen Stuff"
ca. 1759
29
Paul Sandby, 1731–1809
London Cries: A Milkmaid
ca. 1759
30
Paul Sandby, 1731–1809
London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")
ca. 1759
31
Paul Sandby, 1731–1809
London Cries: A Man with a Basket (Man Selling Pots and Pans)
undated
32
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
33
Paul Sandby, 1731–1809
London Cries: Throws for a Ha'penny Have You a Ha'penny
undated
34
Paul Sandby, 1731–1809
London Cries: Flowers
undated
35
Paul Sandby, 1731–1809
London Cries: All Fire and No Smoke
ca. 1759
36
Paul Sandby, 1731–1809
London Cries: A Tinker and His Wife
ca. 1759
37
Paul Sandby, 1731–1809
London Cries: A Man Swaggering
undated
38
Paul Sandby, 1731–1809
London Cries: Boy with a Donkey
ca. 1759
39
Paul Sandby, 1731–1809
London Cries: Last Dying Speech and Confession
ca. 1759
40
John Maurer, active 1713–1761
The Rotunda and Gardens, Ranelagh
ca. 1744
41
James Miller, active 1773–1814
Fountain's Boarding School, Marylebone
1780
42
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
43
John Maurer, active 1713–1761
The Mansion House
undated
44
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
45
Paul Sandby, 1731–1809
London Cries: "Do You Want any Spoons..."
ca. 1759
46
Paul Sandby, 1731–1809
London Cries: A Fishmonger
ca. 1759
47
Paul Sandby, 1731–1809
London Cries: A Lace Seller
ca. 1759
48
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
49
Thomas Girtin, 1775–1802
London from Highgate Hill
1792
50
Thomas Girtin, 1775–1802
Ruins of Savoy Palace
ca. 1795
51
Samuel Scott, 1701/2–1772
Thames Side Buildings
undated
52
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
53
Samuel Scott, 1701/2–1772
A Wood Yard on the Thames at Nine Elms
undated
54
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
55
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
56
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
57
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
58
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
59
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
60
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
61
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
62
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
63
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
64
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
65
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
66
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
67
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
68
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
69
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
70
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
71
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
72
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
73
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
74
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
75
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
76
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
77
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
78
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
79
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
80
Nathaniel Smith, 1740–1787
Westminster Abbey and St. Paul's from Battersea Fields
undated
81
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
82
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
83
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
84
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
85
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
86
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
87
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
88
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
89
Thomas Girtin, 1775–1802
Christ Church, Blackfriars, London
between 1792 and 1794
90
Thomas Rowlandson, 1756–1827
Vauxhall Gardens
ca. 1784
91
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
92
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
93
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
94
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
95
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
96
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
97
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
98
Thomas Girtin, 1775–1802
St. Paul's Cathedral, from St. Martin's-le-Grand, London