Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
3
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
4
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
5
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
6
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
7
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
8
Paul Sandby, 1731–1809
London Cries: Shoe Cleaner
ca. 1759
9
Paul Sandby, 1731–1809
London Cries: A Man with a Basket (Man Selling Pots and Pans)
undated
10
Paul Sandby, 1731–1809
London Cries: "Black Heart Cherries..."
ca. 1759
11
Paul Sandby, 1731–1809
London Cries: A Fishmonger
ca. 1759
12
Paul Sandby, 1731–1809
London Cries: "Do You Want any Spoons..."
ca. 1759
13
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
14
Paul Sandby, 1731–1809
London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")
ca. 1759
15
Paul Sandby, 1731–1809
London Cries: A Milkmaid
ca. 1759
16
Paul Sandby, 1731–1809
London Cries: Throws for a Ha'penny Have You a Ha'penny
undated
17
Paul Sandby, 1731–1809
London Cries: All Fire and No Smoke
ca. 1759
18
Paul Sandby, 1731–1809
London Cries: Flowers
undated
19
Paul Sandby, 1731–1809
London Cries: A Lace Seller
ca. 1759
20
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
21
John Maurer, active 1713–1761
The Mansion House
undated
22
Paul Sandby, 1731–1809
London Cries: "Any Kitchen Stuff"
ca. 1759
23
Paul Sandby, 1731–1809
London Cries: A Tinker and His Wife
ca. 1759
24
Paul Sandby, 1731–1809
London Cries: A Man Swaggering
undated
25
Paul Sandby, 1731–1809
London Cries: Last Dying Speech and Confession
ca. 1759
26
Paul Sandby, 1731–1809
London Cries: Boy with a Donkey
ca. 1759
27
Thomas Girtin, 1775–1802
Ruins of the Savoy Palace, London
undated
28
Sir John Soane, 1753–1837
Hinton St. George, Somerset: View of the Saloon
1797
29
James Wyatt, 1746–1813
Design for the Staircase at Stratford Place
undated
30
Peter Tillemans, 1684–1734
From Hampstead
1730
31
Wenceslaus Hollar, 1607–1677
View of the East Part of Southwark, Looking Towards Greenwich
ca. 1638
32
Attributed to Theodore Jacobsen, died 1772
The Chapel of the Foundling Hospital, London
undated
33
William Kent, ca.1686–1748
King's Mews, Charing Cross, London: Section
1731
34
William Kent, ca.1686–1748
The Treasury, Whitehall, London: Alternate Elevations of the Facade
ca. 1733
35
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
36
Sir John Soane, 1753–1837
Sketch of a Half-Facade for a Royal Palace, Hyde Park, London
ca. 1779
37
Samuel Scott, 1701/2–1772
Westminster Abbey and Bridge from Somerset Garden
1759
38
Paul Sandby, 1731–1809
A Group of Men on Westminster Pier
ca. 1752
39
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
40
Attributed to Theodore Jacobsen, died 1772
The Chapel of the Foundling Hospital, London
undated
41
Attributed to Theodore Jacobsen, died 1772
The Chapel of the Foundling Hospital, London
undated
42
John Maurer, active 1713–1761
The Rotunda and Gardens, Ranelagh
ca. 1744
43
James Miller, active 1773–1814
Fountain's Boarding School, Marylebone
1780
44
unknown artist
Design for the Parterre at Hampton Court
early 18th century
45
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
46
Thomas Sandby, 1721–1798
Receipt for a Set of Six London Views
ca. 1758
47
Sir James Thornhill, 1675–1734
Design for a Ceiling at Addiscombe: Bacchus and Ariadne
undated
48
Nathaniel Smith, 1740–1787
Westminster Abbey and St. Paul's from Battersea Fields
undated
49
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
50
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
51
Samuel Scott, 1701/2–1772
A Wood Yard on the Thames at Nine Elms
undated
52
Samuel Scott, 1701/2–1772
Thames Side Buildings
undated
53
Thomas Rowlandson, 1756–1827
An Audience Watching a Play at Drury Lane Theatre
ca. 1785
54
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
55
Charles Reuben Ryley, 1752–1798
A London Riot
undated
56
Thomas Girtin, 1775–1802
London from Highgate Hill
1792
57
Thomas Girtin, 1775–1802
Ruins of Savoy Palace
ca. 1795
58
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
59
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
60
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
61
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
62
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
63
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
64
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
65
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
66
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
67
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
68
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
69
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
70
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
71
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
72
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
73
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
74
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
75
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
76
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
77
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
78
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
79
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
80
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
81
Thomas Rowlandson, 1756–1827
Vauxhall Gardens
ca. 1784
82
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
83
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
84
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
85
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
86
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
87
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
88
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
89
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
90
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
91
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
92
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
93
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
94
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
95
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
96
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
97
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
98
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
99
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
100
Thomas Girtin, 1775–1802
St. Paul's Cathedral, from St. Martin's-le-Grand, London