Materials & Techniques: gray ink and gray wash / Period: 18th century / Work Type: watercolor

1. Satan Approaching the Court of Chaos

Creator:: William Blake, 1757–1827
Date:: 1784 to 1785
Materials & Techniques:: Graphite with pen and gray ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 13 1/4 inches (23.5 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Howard Visiting a Prison

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray ink with gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 20 inches (34 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

3. Lambeth Palace from Across the River

Creator:: Thomas Priest, active 1738–1750
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 10 5/8 inches (13.7 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Langley Park, Norfolk: Elevation of the South Front

Creator:: John Sanderson, active 1730; died 1774
Date:: ca. 1750
Materials & Techniques:: Pen and black, brown and gray ink with gray and brown wash over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 14 11/16 × 21 7/8 inches (37.3 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Port d'Arona

Creator:: Charles Gore, 1729–1807
Date:: 1795
Materials & Techniques:: Watercolor, pen and black ink, gray ink, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 27 inches (33.7 × 68.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Tree Study with Stags (Landscape)

Creator:: George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 9 3/8 inches (27.9 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Unidentified Town House: Front Elevation

Creator:: Colen Campbell, 1676–1729
Date:: undated
Materials & Techniques:: Graphite, pen and wash within triple-ruled border on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 19 1/4 inches (31.3 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Elevations of a Room

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black and gray ink with gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 × 12 3/8 inches (44.8 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Political Caricature: "The Spiritualists"

Creator:: Anthony Walker, 1726–1765
Date:: undated
Materials & Techniques:: Gray wash and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 x 10 1/2 inches (22.9 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Part of the Ruins Seen From the East End of the Church

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and gray ink, black ink and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/16 inches (41.6 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Court of the Lions in the Alhambra of Granada

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Picturesque Landscape

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Gray wash, black wash, graphite, pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 11 1/8 × 16 3/8 inches (28.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Plan of the Palaces of Charles the Fifth, and of the Moorish Kings in the Alhambra of Granada

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and black ink, gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Court of the Lions in the Alhambra of Granada

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 3/16 inches (41.4 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Sketches for Capitals of Columns and Mosaic Squares at Alhambra

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Graphite, gray wash, gray ink, black ink and pen on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 16 3/8 inches (28.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Entrance of the Torre de las dos Hermanas in the Alhambra

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Great Bath of the Alhambra

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and black ink, gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. View from a Riverbank

Creator:: Captain John Bernard Gilpin, 1701–1776
Date:: undated
Materials & Techniques:: Gray wash, black wash, pen and black ink and gray ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 15/16 × 18 1/8 inches (30.3 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

19. Study of a Section Piece From The Lions Court at Alahambra

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and gray ink, gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 5/16 × 16 1/4 inches (23.7 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. View of a City Harbor

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Gray wash, Pen and black ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/16 inches (41.6 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. View of the Cascine Near Florence

Creator:: Henry Swinburne, 1743–1803
Date:: 1787
Materials & Techniques:: Watercolor, with pen and black ink, gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 5/16 × 16 5/16 inches (23.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. View of the Road Near Borchetta

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and gray ink, black ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 16 3/8 inches (28.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Bagneres-de-Bigorre, France

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and gray ink, black ink, graphite, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Rocky Landscape with Waterfalls and Goats

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/16 inches (41.6 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Alhambra From the Fort of St. Helena

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Firing a Salute

Creator:: Dominic Serres, 1722–1793
Date:: 1770
Materials & Techniques:: Gray ink with gray wash touched with brown ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 x 14 3/4in. (25.4 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Crowcombe Court: a gentleman with his dog walking by the river

Creator:: Coplestone Warre Bampfylde, 1719–1791
Date:: ca. 1775
Materials & Techniques:: Pen and gray ink, gray wash, brown wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 18 3/16 inches (29.5 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. View of the Falls of Niagara

Creator:: Isaac Weld, 1774–1856
Date:: between 1795 and 1797
Materials & Techniques:: Pen, and black ink, gray ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 10 11/16 × 13 3/16 inches (27.1 × 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. A View at Lucerne

Creator:: William Pars, 1742–1782
Date:: 1775
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite with brown and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 1/2 × 23 1/8 inches (41.9 × 58.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Herstmonceux Castle, Sussex

Creator:: Samuel Buck, 1696–1779
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 13/16 x 14 3/4 inches (17.3 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Lowther House, Westmorland: Elevation of the Court Front

Creator:: Colen Campbell, 1676–1729
Date:: between 1718 and 1729
Materials & Techniques:: Graphite, pen and black ink, gray wash, within triple-ruled border on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 x 20 13/16 inches (35.2 x 52.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Premiere Position pour tirer L'Epée

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 10 9/16 × 8 5/16 inches (26.8 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Position pour la Garde en Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/16 × 11 7/8 inches (26.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Position pour la Garde en Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/4 × 11 1/4 inches (26 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Position pour la Garde en Quarte et le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 9/16 × 15 1/2 inches (26.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Quatrieme Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 10 15/16 inches (26.7 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 16 5/8 inches (27 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. De la Parade du Demi-Cercle sur le Coup, de Quarte Basse

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 17 11/16 inches (28.3 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. De la Parade de Prime sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 16 inches (28.1 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. De la Risposte de Quarte apres la Parade de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 16 5/16 inches (27 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. De la Risposte en Quinte de Pied forme sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 17 1/4 inches (27 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Demi Volte sur les Coups Forcés au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 15/16 × 16 inches (27.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. De la Passe en Quarte du Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Du Coupé sur Pointe de Quarte en Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Du Desarmement Aprés Avoir Paré le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 1/2 inches (28.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. De la Volte sur la Passe au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/8 × 15 1/8 inches (28.9 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Position de la Garde Italienne de L'Epée & Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Risposte Aprés Avoir Trompé la Parade du Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 7/16 inches (27.3 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 16 7/16 inches (28.1 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. L'Orient 1776: Map of the Port of Orient

Creator:: unknown artist
Date:: 1776
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink, red ink, yellow ink, gray wash and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Mount: 15 7/8 × 20 3/8 inches (40.3 × 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

54. One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"

Creator:: Thomas Stothard, 1755–1834
Date:: ca. 1784
Materials & Techniques:: Pen and gray ink, graphite, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 x 2 7/8in. (11.9 x 7.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Wilmarth S. Lewis, B.A. 1918

55. The Ruins of Carthage

Creator:: James Bruce, 1730–1794
Date:: ca. 1769
Materials & Techniques:: Pen and black ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 5/16 × 38 1/4 inches (64.3 × 97.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Lowther House, Westmorland: Elevation of the Garden Front

Creator:: Colen Campbell, 1676–1729
Date:: between 1718 and 1729
Materials & Techniques:: Graphite, pen and wash within triple-ruled border on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 x 20 13/16 inches (35.2 x 52.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Cinquieme Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/16 × 10 7/8 inches (25.9 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 16 inches (27.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. De la Parade de Seconde sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 15/16 × 17 1/4 inches (27.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. De la Parade Dequinte sur le Coup de Quinte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 17 1/2 inches (27.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. De la Parade du Cavé sur le Coup de Flanconnade

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 16 15/16 inches (27.6 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 × 17 3/8 inches (27.9 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 inches (27.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Position Aprés Avoir Desarmé sur le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 11/16 inches (28.4 × 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 15 1/16 inches (26.4 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Du Desarmement sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 3/16 inches (28.4 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Du Desarmement Aprés la Parade au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Position Aprés Avoir Désarmé sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 7/16 × 14 1/8 inches (29.1 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 11/16 × 15 1/4 inches (27.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Position de la Garde en Quarte, et le Coup de Flanconnade

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/4 × 15 7/8 inches (26 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Position de la Garde de Tierce et le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Premiere Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/4 × 10 1/16 inches (26 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Position pour le Garde en Tierce et le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 16 1/8 inches (26.7 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Seconde Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/8 × 10 3/16 inches (25.7 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Troisieme Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 15/16 × 10 inches (25.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. De la Parade de Tierce, sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 16 15/16 inches (26.7 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 16 3/8 inches (28.4 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. L'Epée & Lanterne Combattüe par L'Epée et Manteau

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 17 inches (28.1 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Gates of the Alhambra: Puerta del Juicio

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Gray wash, graphite, and pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 3/8 × 11 3/16 inches (41.6 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Isle of Capri Seen on the South

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1778
Materials & Techniques:: Gray wash, graphite, pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/8 inches (41.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Britannia in Distress

Creator:: Anthony Walker, 1726–1765
Date:: 1756
Materials & Techniques:: Pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 8 1/2 inches (32.1 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. A Dwelling

Creator:: Sawrey Gilpin, 1733–1807
Date:: ca. 1760
Materials & Techniques:: Graphite, gray wash, pen and gray ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 5 11/16 x 7 7/8in. (14.4 x 20cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

86. Landscape with Large Cruciform

Creator:: Rev. William Gilpin, 1724–1804
Date:: 1769
Materials & Techniques:: Gray wash, graphite, pen and black ink and gray ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 9 5/8 × 12 inches (24.4 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

87. Landscape with Castle on Riverbank

Creator:: Rev. William Gilpin, 1724–1804
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 9 1/2 × 13 5/8 inches (24.1 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

88. Three Figures in a Landscape

Creator:: Rev. William Gilpin, 1724–1804
Date:: 1766
Materials & Techniques:: Gray wash, graphite, pen and black ink and gray ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 × 17 7/16 inches (30.5 × 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

89. Mountain Landscape

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1762 and 1783
Materials & Techniques:: Gray wash, graphite, pen and black ink and gray ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 1/8 × 20 7/8 inches (33.3 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

90. Landscape with Road Leading to Abbey

Creator:: Rev. William Gilpin, 1724–1804
Date:: 1762
Materials & Techniques:: Gray wash, graphite, pen and gray ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 1/16 × 13 1/4 inches (25.6 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

91. Landscape

Creator:: Rev. William Gilpin, 1724–1804
Date:: 1765
Materials & Techniques:: Gray wash, graphite, pen and gray ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 7 5/8 × 4 13/16 inches (19.4 × 12.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

92. River Landscape with Castle in the Distance

Creator:: Rev. William Gilpin, 1724–1804
Date:: 1766
Materials & Techniques:: Gray wash, graphite, pen and gray ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 × 12 inches (20.3 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

93. Two Trees in a Landscape

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1762 and 1783
Materials & Techniques:: Gray wash, graphite, pen and gray ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 9 7/8 × 13 1/8 inches (25.1 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

94. Landscape with Castle, River and Mountain

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1762 and 1783
Materials & Techniques:: Gray wash, graphite, pen and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 7 13/16 inches (13.7 x 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

95. View of Windermere

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1762 and 1783
Materials & Techniques:: Gray wash, graphite, pen and gray ink and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 6 1/4 × 9 3/8 inches (15.9 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

96. Kenilworth Castle, with Figures on the Hillside

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Gray ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 11 inches (22.9 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Scenery, Haymarket Theatre

Creator:: attributed to Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Gray ink and gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 3/4 x 15 1/2 inches (17.1 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. The Flagship of a Commander in Chief

Creator:: Charles Brooking, 1723–1759
Date:: undated
Materials & Techniques:: Pen and gray ink, black ink, and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 13/16 × 18 1/2 inches (30 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Castello di Smirna

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with gray ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 9/16 x 21 1/4 inches (37 x 53.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. View of a Valley with Ruins at Sardis

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with gray ink and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 7/8 x 21 5/16 inches (37.8 x 54.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Constraints

Materials & Techniques gray ink

Materials & Techniques gray wash

Period 18th century

Work Type watercolor

Search Results

1. Satan Approaching the Court of Chaos

2. Howard Visiting a Prison

3. Lambeth Palace from Across the River

4. Langley Park, Norfolk: Elevation of the South Front

5. Port d'Arona

6. Tree Study with Stags (Landscape)

7. Unidentified Town House: Front Elevation

8. Elevations of a Room

9. Political Caricature: "The Spiritualists"

10. Part of the Ruins Seen From the East End of the Church

11. Court of the Lions in the Alhambra of Granada

12. Picturesque Landscape

13. Plan of the Palaces of Charles the Fifth, and of the Moorish Kings in the Alhambra of Granada

14. Court of the Lions in the Alhambra of Granada

15. Sketches for Capitals of Columns and Mosaic Squares at Alhambra

16. Entrance of the Torre de las dos Hermanas in the Alhambra

17. The Great Bath of the Alhambra

18. View from a Riverbank

19. Study of a Section Piece From The Lions Court at Alahambra

20. View of a City Harbor

21. View of the Cascine Near Florence

22. View of the Road Near Borchetta

23. Bagneres-de-Bigorre, France

24. Rocky Landscape with Waterfalls and Goats

25. The Alhambra From the Fort of St. Helena

26. Firing a Salute

27. Crowcombe Court: a gentleman with his dog walking by the river

28. View of the Falls of Niagara

29. A View at Lucerne

30. Herstmonceux Castle, Sussex

31. Lowther House, Westmorland: Elevation of the Court Front

32. Premiere Position pour tirer L'Epée

33. Position pour la Garde en Quarte

34. Position pour la Garde en Tierce

35. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

36. Position pour la Garde en Quarte et le Coup de Quarte

37. Quatrieme Position du Salut

38. De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte

39. De la Parade du Demi-Cercle sur le Coup, de Quarte Basse

40. De la Parade de Prime sur le Coup de Seconde

41. De la Risposte de Quarte apres la Parade de Quarte

42. De la Risposte en Quinte de Pied forme sur le Coup de Seconde

43. Demi Volte sur les Coups Forcés au Dehors des Armes

44. De la Passe en Quarte du Dehors des Armes

45. Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes

46. Du Coupé sur Pointe de Quarte en Quarte sur les Armes

47. Du Desarmement Aprés Avoir Paré le Coup de Quarte

48. De la Volte sur la Passe au Dehors des Armes

49. Position de la Garde Italienne de L'Epée & Poignard

50. Risposte Aprés Avoir Trompé la Parade du Poignard

51. De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

52. Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.

53. L'Orient 1776: Map of the Port of Orient

54. One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"

55. The Ruins of Carthage

56. Lowther House, Westmorland: Elevation of the Garden Front

57. Cinquieme Position du Salut

58. De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes

59. De la Parade de Seconde sur le Coup de Seconde

60. De la Parade Dequinte sur le Coup de Quinte

61. De la Parade du Cavé sur le Coup de Flanconnade

62. De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche

63. De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce

64. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

65. De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde

66. Position Aprés Avoir Desarmé sur le Coup de Quarte

67. Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime

68. Du Desarmement sur le Coup de Tierce

69. Du Desarmement Aprés la Parade au Dehors des Armes

70. Position Aprés Avoir Désarmé sur le Coup de Tierce

71. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

72. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson