<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Materials & Techniques hand coloring

Remove constraint Materials & Techniques: hand coloring

Materials & Techniques line engraving

Remove constraint Materials & Techniques: line engraving

Creator Gender male

Remove constraint Creator Gender: male

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Image Available Available

Remove constraint Image Available: Available

Work Type intaglio print

Remove constraint Work Type: intaglio print

Classification Prints

Remove constraint Classification: Prints

Search Results

1. Peterborough

Peterborough
Creator:
Print made by James Walker, 1748–1808
Date:
1796
Materials & Techniques:
Etching and line engraving, with hand coloring in watercolor; 2nd. published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 5/8 × 11 3/4 inches (49.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Chillington Oxen

The Chillington Oxen
Creator:
Print made by John Porter, active 1838
Date:
1838
Materials & Techniques:
Line engraving and mezzotint with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 21 1/2 inches (46.4 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. A Sea Engagement between the English and Algerines

A Sea Engagement between the English and Algerines
Creator:
Print made by Paul Fourdrinier, 1698–1758
Date:
ca. 1743
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/16 × 18 inches (31 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.
Creator:
Print made by Remi Parr, active 1723–1750
Date:
undated
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 18 1/16 inches (31.8 × 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore...

An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore...
Creator:
Print made by J. Carwitham, active 1720–1740
Date:
1778
Materials & Techniques:
Line engraving with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 18 inches (31.1 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Noon

Noon
Creator:
Print made by John Boydell, 1720–1804
Date:
1753
Materials & Techniques:
Etching and line engraving, hand colored with watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 7/16 x 21 inches (39.2 x 53.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Morning

Morning
Creator:
Print made by John Boydell, 1720–1804
Date:
1753
Materials & Techniques:
Etching and line engraving with hand coloring on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 14 1/4 x 20 1/16 inches (36.2 x 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Evening

Evening
Creator:
Print made by John Boydell, 1720–1804
Date:
1755
Materials & Techniques:
Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 5/16 x 20 3/16 inches (36.3 x 51.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. A View from Richmond Hill Up the River

A View from Richmond Hill Up the River
Creator:
Charles Grignion, 1717–1810
Date:
1794
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 7/16 x 18 1/16 inches (31.6 x 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. A View of the Orchestra with the Band of Music, the Grand Walk, etc. in Marybone Gardens

A View of the Orchestra with the Band of Music, the Grand Walk, etc. in Marybone Gardens
Creator:
Print made by unknown artist
Date:
1755
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 18 inches (33.7 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 3/4 inches (38.4 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Vol. 6, Plate XXXII: The Story of Hezekiah.

Vol. 6, Plate XXXII: The Story of Hezekiah.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Bank of England and Royal Exchange, Cornhill

The Bank of England and Royal Exchange, Cornhill
Creator:
Print made by Henry Wallis, 1805–1890
Date:
1840
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor on smooth, moderately thick, beige wove paper
Dimensions:
Sheet: 7 5/8 × 15 1/8 inches (19.4 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Principal Front of the Bank of England

Principal Front of the Bank of England
Creator:
Thomas Malton, 1726–1801
Date:
1790
Materials & Techniques:
Hand colored etching on slightly textured, medium, gray wove paper
Dimensions:
Sheet: 15 1/4 × 20 9/16 inches (38.7 × 52.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Accurate Perspective View of the Outside of the Royal Exchange in London

Accurate Perspective View of the Outside of the Royal Exchange in London
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Line engraving, hand colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The View from One Tree Hill in Greenwich Park

The View from One Tree Hill in Greenwich Park
Creator:
Print made by Joseph Wood, 1720–1763 or 1764
Date:
1744
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 16 3/16 × 26 inches (41.1 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Cowdray Court from the Lodging House

Cowdray Court from the Lodging House
Creator:
Capt. Francis Grose, 1731–1791
Date:
undated
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 15/16 × 14 5/16 inches (25.2 × 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Dover Castle

Dover Castle
Creator:
Print made by Henry Hulsberg, active 1700s–died 1729
Date:
undated
Materials & Techniques:
Line engraving with hand coloring in watercolor on moderately thin, slightly textured, cream laid paper
Dimensions:
Sheet: 18 7/8 × 23 13/16 inches (48 × 60.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.

Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. A Small Breeze

A Small Breeze
Creator:
Print made by Thomas Boydell, active 1750–1751
Date:
1753
Materials & Techniques:
Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/4 x 20 1/16 inches (36.2 x 50.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. A Calm

A Calm
Creator:
Print made by John Boydell, 1720–1804
Date:
1754
Materials & Techniques:
Etching and line engraving, hand colored with watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 5/16 x 21 1/8 inches (38.9 x 53.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Greenland Fishery

Greenland Fishery
Creator:
Print made by John Boydell, 1720–1804
Date:
1754
Materials & Techniques:
Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 5/16 x 20 3/16 inches (36.3 x 51.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Cape of Good Hope

The Cape of Good Hope
Creator:
Print made by Gerard van der Gucht, 1696–1776
Date:
1736
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 5/16 × 26 inches (49 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Tellicherry

Tellicherry
Creator:
Print made by Gerard van der Gucht, 1696–1776
Date:
1736
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 x 23 1/2in. (45.7 x 59.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Fort St. George

Fort St. George
Creator:
Print made by Gerard van der Gucht, 1696–1776
Date:
1736
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/8 × 23 3/4 inches (46 × 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. A View of the New Bridge Over the Thames at Walton in Surrey

A View of the New Bridge Over the Thames at Walton in Surrey
Creator:
Anthony Walker, 1726–1765
Date:
1750
Materials & Techniques:
Colored engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/4 × 24 3/16 inches (32.4 × 61.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. The Departure (Second Class)

The Departure (Second Class)
Creator:
Print made by William Henry Simmons, 1811–1882
Date:
1857
Materials & Techniques:
Hand-colored etching, stipple engraving, and line engraving on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 1/2 × 29 1/2 inches (54.6 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Ships in Distress

Ships in Distress
Creator:
Richard Bernard Godfrey, 1728–op.1794
Date:
1796
Materials & Techniques:
Line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/8 x 16 11/16 inches (30.8 x 42.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Reapers

Reapers
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1790
Materials & Techniques:
Line engraving and stipple engraving with hand coloring
Dimensions:
Sheet: 22 x 26 1/2in. (55.9 x 67.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. The Lodge and Garden from the Great Lake

The Lodge and Garden from the Great Lake
Creator:
Francois Vivares, 1709–1780
Date:
1772
Materials & Techniques:
Hand colored engraving on thick, rough, cream laid paper
Dimensions:
Sheet: 16 5/8 × 25 1/4 inches (42.2 × 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. The Moat Island

The Moat Island
Creator:
Francois Vivares, 1709–1780
Date:
1772
Materials & Techniques:
Hand colored engraving on thick, rough, cream laid paper
Dimensions:
Sheet: 16 5/8 × 25 inches (42.2 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Kew: The White House, Orangery, and Temple of Arethusa

Kew: The White House, Orangery, and Temple of Arethusa
Creator:
Print made by William Elliot, active 1774, died 1792
Date:
ca. 1760
Materials & Techniques:
Engraving hand colored in watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:
Plate: 14 1/2 x 21in. (36.8 x 53.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The Decisive Victory over the Enterprizing Monsieur Thurot (off the Isle of Man)

The Decisive Victory over the Enterprizing Monsieur Thurot (off the Isle of Man)
Creator:
J. Miller, active 1769–1825
Date:
1762
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 3/8 × 28 1/8 inches (49.2 × 71.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Messrs. Morgan & Sanders, Catherine St., Strand

Messrs. Morgan & Sanders, Catherine St., Strand
Creator:
Print made by unknown artist
Date:
1809
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 1/16 × 9 7/16 inches (15.4 × 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. New Weir on the Wye

New Weir on the Wye
Creator:
Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:
1825
Materials & Techniques:
Etching and line engraving, with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 7 3/4 inches (13.7 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. A View of the Bridge at Walton-on-Thames in Surrey

A View of the Bridge at Walton-on-Thames in Surrey
Creator:
Charles Grignion, 1717–1810
Date:
1752
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 3/8 x 16 5/8 inches (28.9 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The Revolt of the Fleet, 1642

The Revolt of the Fleet, 1642
Creator:
John Harris, active 1686–1740
Date:
ca. 1710
Materials & Techniques:
Line engraving with hand coloring in watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 5/8 × 19 5/16 inches (42.2 × 49 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. The South Entrance of Duke's Place

The South Entrance of Duke's Place
Creator:
John Thomas Smith, 1766–1833
Date:
1814
Materials & Techniques:
Hand colored etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 13 1/4 × 11 inches (33.7 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. The Bank

The Bank
Creator:
unknown artist
Date:
1792
Materials & Techniques:
Hand colored engraving on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Southampton or Bloomsbury Square

Southampton or Bloomsbury Square
Creator:
Sutton Nicholls, active 1725
Date:
1754
Materials & Techniques:
Hand colored engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 16 × 21 3/8 inches (40.6 × 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only

The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only
Creator:
Print made by Remi Parr, active 1723–1750
Date:
undated
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/16 × 18 1/8 inches (31.3 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. The Return (First Class)

The Return (First Class)
Creator:
Print made by William Henry Simmons, 1811–1882
Date:
1857
Materials & Techniques:
Hand-colored etching, stipple engraving, and line engraving on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 3/8 × 29 3/8 inches (54.3 × 74.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Sweet William's Farewell to Black Eyed Susan

Sweet William's Farewell to Black Eyed Susan
Creator:
Print made by Paul Fourdrinier, 1698–1758
Date:
undated
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/16 × 18 1/8 inches (31.2 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection