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Materials & Techniques pen
Remove constraint Materials & Techniques: penCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionWork Type watercolor
Remove constraint Work Type: watercolorSearch Results
301
- Thames Ditton, Surrey: Design for Gothic Church
- ca. 1776
302
- Amateurs of Tye-Wig Music
- ca. 1800-1815
303
- Windsor Castle, Berkshire
- ca. 1823
304
- My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
- ca. 1759
305
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
306
- London Cries: A Muffin Man
- ca. 1759
307
- London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")
- ca. 1759
308
- London Cries: Flowers
- undated
309
- Design for a Bookcase
- undated
310
- Design for the Staircase at Stratford Place
- undated
311
- Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
- between 1770 and 1780
312
- A Small Villa
- undated
313
- Mansion at Pendhill, Surrey
- 1808
314
- Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
- 1838
315
- Stalls in St. George's Chapel, Windsor Castle
- undated
316
- Regent Street, Looking Toward Piccadilly From Waterloo Place
- undated
317
- Mont-Valérien from Bois de Boulogne
- 1834
318
- Landscape with Trees and Lake With Figures and Boat
- undated
319
- Wooded River Scene
- undated
320
- A Lesson Westward, or, A Morning Visit to Betsy Cole
- 1782
321
- Landscape with Canal and Lock; Figures at Lock
- undated
322
- Rome, Porta Pia
- 1818
323
- Arco di Druso
- 1818
324
- Roma/ Palace of Caesars
- 1818
325
- Pffeffen Bad/ Switzerland
- ca. 1817
326
- 1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
- 1817
327
- Staubbach, Lauterbrunnen (Switzerland)
- 1818
328
- Sketch made for a Vignette by Mr. Ed Hall's History of Caernarvonshire, Which Was Never Published
- 1809
329
- Mt. St. Bernard (Switzerland)
- 1816
330
- Mountainous Landscape with Inscription to Salomon Gessner (Switzerland)
- ca. 1816
331
- Grisons/ Looking to Glarnisch (Switzerland) Mountains
- 1817
332
- Harlech Castle
- 1810
333
- St. Martyns Bruche
- ca. 1826
334
- Classical Landscape with Temple
- ca. 1818
335
- Ruins (Roman?)
- 1818
336
- After Pinnelli - Group of Peasants Outside a Church
- 1817
337
- Funeral Procession at Rome
- 1818
338
- An Execution, Rome
- 1819
339
- Tenby
- undated
340
- Political Caricature: "The Spiritualists"
- undated
341
- De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
- 1763
342
- Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
343
- Risposte Aprés Avoir Trompé la Parade du Poignard
- 1763
344
- Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
- 1763
345
- Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
- 1763
346
- De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
- 1763
347
- Reading Lesson at a Dame School
- undated
348
- View of Plymouth taken from the Seven Trees, Exeter Road
- undated
349
- Fishing Smacks
- undated
350
- Hints for Composition by Varley - 1805
- 1805
351
- Tree-lined Lane
- undated
352
- Landscape Looking Through Ruined Archway
- undated
353
- Bachelor's Hall
- undated
354
- A Bard and a Shepherd
- undated
355
- View of the Falls of Niagara
- between 1795 and 1797
356
- Canadian Calash or Marche-Donc
- between 1795 and 1797
357
- St. Winifred's Well, Holywell, Flintshire, Wales with the Artist in the Foreground..
- undated
358
- View on the Upper Lake (Ireland)
- ca. 1806
359
- Vesuvius in Eruption
- 1819
360
- Castle of Ostia and Porte Trojan
- 1818
361
- Vesuvius Across the Bay of Naples
- ca. 1818
362
- Castle of Ostia with Mountains in the Distance
- 1818
363
- Walls of Rome: The Aurelian Wall, with the Pyramid of Cestius
- 1818
364
- On the Tiber/ Castle of St. Angelo
- 1818
365
- Capri
- ca. 1818
366
- Convent, Mt. St. Bernard (Switzerland)
- ca. 1816
367
- Simplon (Switzerland)
- ca. 1817
368
- Caernarvon Castle
- 1809
369
- View of Portsmouth Harbor with Shipping, Showing Buildings on Shore
- undated
370
- The Tower of London
- 1801
371
- A Balloon Ascent near Greenwich Hospital
- ca. 1800
372
- Crossing the Line Ceremony on Board the Ship, "Vestal"
- undated
373
- British Troops Disembarking
- 1799
374
- Position pour la Garde en Quarte
- 1763
375
- Position pour le Garde en Tierce et le Coup de Tierce
- 1763
376
- Position pour la Garde en Quarte et le Coup de Quarte
- 1763
377
- Position pour la Garde en Tierce
- 1763
378
- Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
- 1763
379
- Premiere Position pour tirer L'Epée
- 1763
380
- Position de la Garde de Tierce et le Coup de Seconde
- 1763
381
- Position de la Garde en Quarte, et le Coup de Flanconnade
- 1763
382
- Seconde Position du Salut
- 1763
383
- Quatrieme Position du Salut
- 1763
384
- De la Parade Dequinte sur le Coup de Quinte
- 1763
385
- De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
- 1763
386
- De la Risposte de Quarte apres la Parade de Quarte
- 1763
387
- De la Passe en Quarte du Dehors des Armes
- 1763
388
- Demi Volte sur les Coups Forcés au Dehors des Armes
- 1763
389
- De la Volte sur la Passe au Dehors des Armes
- 1763
390
- Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
391
- Du Desarmement sur le Coup de Tierce
- 1763
392
- Position Aprés Avoir Desarmé sur le Coup de Quarte
- 1763
393
- Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
- 1763
394
- Du Desarmement Aprés Avoir Paré le Coup de Quarte
- 1763
395
- Position Aprés Avoir Désarmé sur le Coup de Tierce
- 1763
396
- Du Desarmement Aprés la Parade au Dehors des Armes
- 1763
397
- De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
- 1763
398
- Position de la Garde Italienne de L'Epée & Poignard
- 1763
399
- L'Epée & Lanterne Combattüe par L'Epée et Manteau
- 1763
400
- Thornbury Castle, Gloucestershire
- undated