South East View of the Church and Palace at Croydon, Surrey
1817
8
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
9
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
10
Richard Parkes Bonington, 1802–1828
A Seascape
undated
11
Thomas Shotter Boys, 1803–1874
A Christening
undated
12
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
13
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
14
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
15
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
16
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
17
Richard Parkes Bonington, 1802–1828
Study of a Woman with her Head on her Hand
undated
18
Thomas Shotter Boys, 1803–1874
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
19
Isaac Weld, 1774–1856
After Pinnelli - Group of Peasants Outside a Church
1817
20
Richard Parkes Bonington, 1802–1828
Ile de la Cite
undated
21
Attributed to John Frederick Tayler, 1802–1889
Four Hooded Falcons
undated
22
John Frederick Tayler, 1802–1889
Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through
undated
23
John Frederick Tayler, 1802–1889
Six Foxhounds Resting
undated
24
style of Sir Edwin Henry Landseer, 1802–1873
A Dappled Horse in a Stable
undated
25
Sir Edwin Henry Landseer, 1802–1873
A Herd of Deer Grazing in a Park
undated
26
attributed to Charles Claude Pyne, 1802–1878
View of St. Catherine's Hill near Guildford
undated
27
Isaac Weld, 1774–1856
1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
1817
28
Isaac Weld, 1774–1856
"After Pinnelli" (Group of Peasants Outside a House)
1817
29
Joseph Cartwright, c.1789–1829
Lord Craven's Yacht, July 23, 1817
1817
30
Joseph Cartwright, c.1789–1829
Single Frigate, Stern Forward; Albion 20 April 1817
1817
31
Richard Parkes Bonington, 1802–1828
Palais de Justice, Rouen
undated
32
Richard Parkes Bonington, 1802–1828
A Wooded Stream and a Farmhouse in Normandy
undated
33
Richard Parkes Bonington, 1802–1828
Study of a Seated Woman
undated
34
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
35
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
36
Thomas Shotter Boys, 1803–1874
Queen Anne Boleyn's Room, Windsor Castle
undated
37
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
38
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
39
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
40
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
41
John Thomas Smith, 1766–1833
The Smock Exposed
1817
42
John Thomas Smith, 1766–1833
The Reconcilation
1817
43
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
44
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
45
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
46
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
47
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
48
John Frederick Tayler, 1802–1889
A Fruit Stall in a Market
undated
49
John Frederick Tayler, 1802–1889
Stable Boy with Cart Horses
undated
50
Francis Oliver Finch, 1802–1862
Classical Landscape with Figures
undated
51
Thomas Shotter Boys, 1803–1874
The Footbridge
undated
52
Sir Edwin Henry Landseer, 1802–1873
Three Sheep at Rest
undated
53
Samuel Howitt, 1756–1822
North American Lynx
ca. 1817
54
William Heath, 1795–1840
An Episode at the Battle of Waterloo
1817
55
Samuel Howitt, 1756–1822
Polecat
ca. 1817
56
Alexander Monro, 1802–1844
Knaresborough
undated
57
Thomas Lound, 1802–1861
The Keep and Gate, Ludlow Castle, Shropshire
undated
58
Alexander Monro, 1802–1844
Lewes Bridge, Sussex
undated
59
Alexander Monro, 1802–1844
Landscape at Boxhill, Surrey
undated
60
Alexander Monro, 1802–1844
Porchester Castle
undated
61
Alexander Monro, 1802–1844
Boxhill from West Humble Lane
undated
62
Alexander Monro, 1802–1844
Buildings Belonging to Magdalen Hall, Oxford
undated
63
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
64
William Henry Hunt, 1790–1864
Interior of the Belfry, Bushey Church
ca. 1822
65
John Linnell, 1792–1882
Tythrop
1817
66
Capt. Thomas Hastings, 1778–1854
Near Gravesend from the High Road
1817
67
attributed to Sir Edwin Henry Landseer, 1802–1873
Landscape
undated
68
Francis Oliver Finch, 1802–1862
Classical Scene
undated
69
Richard Parkes Bonington, 1802–1828
Road Workers, near Lillebonne
undated
70
Richard Parkes Bonington, 1802–1828
Abbey St-Amand, Rouen
undated
71
James Ward, 1769–1859
Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel
ca. 1822
72
John Frederick Tayler, 1802–1889
A Ploughboy Riding One of a Pair of Draught-horses Up a Hill
undated
73
John Buckler FSA, 1770–1851
Interior View of Rufford Hall, Lancashire, belonging to Sir Thomas Hesketh Bart
1817
74
John Frederick Tayler, 1802–1889
Study of a Startled Horse
undated
75
possibly John Frederick Tayler, 1802–1889
Hunting Scene: The Meet
undated
76
Sir Edwin Henry Landseer, 1802–1873
Huntsman with Hounds
undated
77
John Buckler FSA, 1770–1851
North East View of Harlaxton Manor House, Lincolnshire
1817
78
John Buckler FSA, 1770–1851
North West View of Harlaxton Manor House, Lincolnshire
1817
79
John Buckler FSA, 1770–1851
South West View of Burleigh House
1817
80
John Buckler FSA, 1770–1851
North West view of Burleigh House The Seat of the Marquis of Exeter
1817
81
John Buckler FSA, 1770–1851
The Gallery at Newby Hall; the Seat of the Right Hon'ble Lord Grantham
1817
82
John Buckler FSA, 1770–1851
Samlesbury hall; Lancashire
1817
83
John Buckler FSA, 1770–1851
South West View of Rushton Hall, Northamptonshire; the Seat of the Honourable Mrs. Cockayne
1817
84
John Buckler FSA, 1770–1851
Flower Garden at Belton, Lincolnshire
1817
85
John Buckler FSA, 1770–1851
North Front of Belton house Lincolnshire
1817
86
Sir Edwin Henry Landseer, 1802–1873
Lions at Play
undated
87
Sir Edwin Henry Landseer, 1802–1873
An Irish Wolfhound
undated
88
Attributed to Sir Edwin Henry Landseer, 1802–1873
Sheep Dog Sleeping
undated
89
Thomas Rowlandson, 1756–1827
The Vicar of Wakefield: Frontispiece
1817
90
Thomas Rowlandson, 1756–1827
The Family Picture
1817
91
Thomas Rowlandson, 1756–1827
Jealousy, Rage, Disappointment..
1817
92
John Sell Cotman, 1782–1842
View of the Donjon of Château Gaillard, near Andelys, Normandy
ca. 1822
93
attributed to John Sell Cotman, 1782–1842
Studies of Four Coffin Lids from ?Norfolk Churches
ca. 1822
94
attributed to John Sell Cotman, 1782–1842
Study of a Coffin Lid from a (?) Norfolk Church
ca. 1822
95
attributed to John Sell Cotman, 1782–1842
Study of a Coffin Lid from Houghton Churchyard, Norfolk
ca. 1822
96
attributed to John Sell Cotman, 1782–1842
Studies of Two Coffin Lids from (?) Norfolk Churches