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Collection
Prints and Drawings
51
Paintings and Sculpture
9
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
26
Constable, John, 1776–1837
9
Middiman, Samuel, ca. 1750–1831
6
Cooke, William Bernard, 1778–1855
4
Blake, William, 1757–1827
3
Hills, Robert, 1769–1844
3
Landseer, John, 1769–1852
3
Rawle, Samuel, 1771–1860
3
Scott, John, 1774–1828
3
Thornton, Robert John, 1768–1837
3
Alken, Henry Thomas, 1784–1851
2
Allen, James C., active 1821–1831
2
Archer, John Wykeham, 1808–1864
2
Diston, Alfred, active 1818–1829
2
Martin, John, 1789–1854
2
Palmer, Samuel, 1805–1881
2
Wyld, William, 1806–1889
2
Alken, George, 1794–active 1837
1
Annesley, Charles Rev., 1787–1863
1
Baynes and Son (London, England)
1
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Date
1791
668
1834
316
1826
187
1827
177
1835
169
1814
166
1836
161
1800
158
1802
150
1830
134
1825
132
1820
124
1833
123
1767
120
1793
107
1818
102
1784
92
1816
92
1772
90
1745
86
1832
86
1758
82
1792
76
1799
72
1775
70
1790
69
1801
66
1837
66
1795
65
1828
65
1811
63
1829
61
1841
61
1821
[remove]
60
1819
58
1810
56
1823
56
1805
55
1808
55
1812
55
1813
54
1803
53
1822
47
1847
46
1783
45
1786
45
1831
42
1845
42
1776
41
1780
41
1782
40
1804
40
1815
40
1817
40
1838
40
1774
39
1785
39
1807
39
1824
38
1850
38
1789
37
1778
36
1809
36
1777
35
1797
34
1859
34
1755
33
1839
32
1771
31
1787
30
1796
30
1857
30
1840
29
1851
29
1762
26
1861
26
1779
25
1794
25
1773
24
1842
24
1764
23
1742
22
1748
22
1768
22
1844
22
1896
22
1744
21
1759
21
1770
21
1900
21
1740
20
1806
20
1760
19
1788
19
1798
19
1846
19
1855
18
1746
17
1765
16
1852
16
On-site Access
Accessible by appointment in the Study Room
51
Not on view
9
Image Use
Free to Use
60
Image Available
Available
60
Classification
Prints
33
Drawings & Watercolors
18
Paintings
9
Creator Gender
male
[remove]
60
Collective Title
Whitaker's History of Richmondshire
19
Cooke's Rivers of Devon
3
The Pastorals of Virgil
3
Cooke's Picturesque Views of the Southern Coast of England
1
Vues pittoresques de l'Ecosse, d'après nature
1
Period
19th century
60
Materials & Techniques
wove paper
46
line engraving
26
etching (printing process)
25
graphite
16
watercolor
14
chine collé
13
painting (technique)
9
oil paint
7
paper
7
laid paper
5
gouache
4
wood engraving (process)
4
board
3
brown ink
3
brown wash
3
letterpress printing
3
pen
3
black ink
2
canvas
2
lithography
2
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Materials & Techniques
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Height [cm]
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Current results range from
3
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69
Unknown
2
Width [cm]
Width [cm] range begin
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Current results range from
0
to
79
Unknown
2
Work Type
intaglio print
27
watercolor
17
drawing
15
painting
9
relief print
4
planographic print
2
Genre
landscape
[remove]
60
architectural subject
8
marine art
8
genre subject
4
sporting art
4
animal art
2
cityscape
1
portrait
1
Subject Terms
landscape
24
river
15
landscape (representation)
13
trees
12
clouds
11
science
7
meteorology
6
mountain
6
blue
5
men
5
birds
4
church
4
marine art
4
mountains
4
sporting art
4
tree
4
bridge (built work)
3
cliff
3
hill
3
hunters
3
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Subject Terms
»
Associated Places
United Kingdom
25
England
23
Europe
11
Durham
6
Greater London
4
Hampstead
4
Brignall
3
Devon
3
English Channel
3
Greta
3
High Force
3
Lune
3
Middleton in Teesdale
3
Old Church of St. Mary's
3
Pennine
3
Pennine Chain
3
Tees
3
Caton Lune Bridge
2
Crook o' Lune
2
Harrow
2
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Associated Places
»
Associated People
Kneller, Sir Godfrey, baronet (1646–1723), history and portrait painter
1
Exhibition History
John Constable - A Selection of Paintings from the Collection of Mr. and Mrs. Paul Mellon (National Gallery of Art, 1969-04-30 - 1969-11-01)
8
John Constable (Tate) (Tate Britain, 1991-06-13 - 1991-09-15)
5
Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
4
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
4
Constable's Clouds (National Galleries of Scotland, - 2000-10-29)
3
Constable's Clouds (Walker Art Gallery, 2000-04-28 - )
3
Gentle, Rural and Sublime - English Landscape Paintings and Watercolors, 1750-1850 (Denver Art Museum, 1993-12-11 - 1994-02-06)
3
Canaletto to Constable: Paintings of Town and Country from the Yale Center for British Art (Ferrara Galleries of Modern & Contemporary Art, 2001-02-25 - 2001-05-20)
2
Canaletto to Constable: Paintings of Town and Country from the Yale Center for British Art (The Grand Rapids Art Museum, 1999-10-22 - 2000-01-02)
2
Canaletto to Constable: Paintings of Town and Country from the Yale Center for British Art (Wadsworth Atheneum Museum of Art, 1998-02-08 - 1998-04-26)
2
Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)
2
Heaven on Earth - The Garden through the Eyes of the Artist (Das Städel, 2006-11-23 - 2007-03-11)
2
Heaven on Earth - The Garden through the Eyes of the Artist (Lenbachhaus Kunstbau, 2007-04-03 - 2007-07-08)
2
In a New Light: Paintings from the Yale Center for British Art (Yale University Art Gallery, 2023-03-24 - 2023-12-03)
2
Masters of British Painting: John Constable (Musée du Louvre, 2002-10-08 - 2003-01-13)
2
Oil on Water - Oil Sketches by British Watercolorists (Yale Center for British Art, 1986-08-26 - 1986-11-09)
2
Paul Mellon - A Cambridge Tribute (The Fitzwilliam Museum, 2007-06-12 - 2007-09-23)
2
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
2
William Wordsworth and the Age of English Romanticism (Chicago Historical Society, 1988-04-06 - 1988-06-05)
2
William Wordsworth and the Age of English Romanticism (Indiana University Art Museum, 1988-01-27 - 1988-03-06)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
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60
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Creator Gender
male
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Date
1821
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Genre
landscape
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1
Attributed to John Constable, 1776–1837
Fire in London, Seen from Hampstead
ca. 1826
Not on view
2
John Constable, 1776–1837
Hampstead Heath Looking Towards Harrow
1821
Not on view
3
John Constable, 1776–1837
Parham Mill, Gillingham
ca. 1826
Not on view
4
John Constable, 1776–1837
Hampstead Heath looking towards Harrow
1821 to 1822
Not on view
5
John Constable, 1776–1837
Cloud Study
1821
Not on view
6
John Constable, 1776–1837
Cloud Study
1821
Not on view
7
John Constable, 1776–1837
Cloud Study, Early Morning, Looking East from Hampstead
1821
Not on view
8
John Constable, 1776–1837
Cloud Study with Trees
1821
Not on view
9
John Constable, 1776–1837
Cloud Study
1821
Not on view
10
Samuel Palmer, 1805–1881
At Hailsham, Sussex: a Storm Approaching
1821
11
Print made by Samuel Palmer, 1805–1881
Harvest under a Crescent Moon
ca. 1826
12
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 15
1821
13
William Blake, 1757–1827
Illustrations of Eclogue I, Introductory, The Giant Polypheme
1821
14
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 17
1821
15
Print made by William Bernard Cooke, 1778–1855
Torbay from Brixham
1821
16
Print made by William Bernard Cooke, 1778–1855
Plymouth Sound
1821
17
Print made by William Bernard Cooke, 1778–1855
Plymouth Citadel
1821
18
Print made by James C. Allen, active 1821–1831
Addingham Mill on the Warfe
1821
19
Print made by John Landseer, 1769–1852
Fall of the Tees
1821
20
Print made by John Scott, 1774–1828
Aske Hall
1821
21
William Wyld, 1806–1889
View of Mont St. Michel with Figures on the Beach
undated
22
Print made by William Bernard Cooke, 1778–1855
Parnassus
1821
23
Print made by John Wykeham Archer, 1808–1864
Crook of the Lune, Looking towards Hornby Castle
1821
24
Print made by Samuel Middiman, ca. 1750–1831
Weathercote Cave when Half Filled with Water
1821
25
Print made by Samuel Middiman, ca. 1750–1831
Weathercote Cave when Half Filled with Water
1821
26
Print made by Samuel Middiman, ca. 1750–1831
Weathercote Cave when Half Filled with Water
1821
27
Print made by Samuel Middiman, ca. 1750–1831
Weathercote Cave when Half Filled with Water
1821
28
Print made by Samuel Middiman, ca. 1750–1831
Weathercote Cave when Half Filled with Water
1821
29
Print made by Samuel Rawle, 1771–1860
Brignall Church
1821
30
Print made by John Landseer, 1769–1852
Fall of the Tees
1821
31
Joseph Murray Ince, 1806–1859
A Picnic on Richmond Hill
undated
32
William Wyld, 1806–1889
View of Gibraltar
undated
33
John Martin, 1789–1854
Travelers on a Road above a River
1821
34
Isaac Weld, 1774–1856
St. Martyns Bruche
ca. 1826
35
John Martin, 1789–1854
Archers Stalking a Stag
1821
36
Print made by John Scott, 1774–1828
Aske Hall
1821
37
Print made by John Le Keux, 1783–1846
Simmer Lake, near Askrig
1821
38
Print made by Charles Heath, 1785–1848
Kirkby Lonsdale Churchyard
1821
39
Print made by John Landseer, 1769–1852
High Force or Fall of the Tees
1821
40
Print made by Henry Le Keux, 1787–1868
Simmer Lake, near Askrig
1821
41
Print made by Samuel Rawle, 1771–1860
Brignall Church
1821
42
Print made by John Scott, 1774–1828
Aske Hall - from Whitaker's 'History of Richmondshire' 1818-1823
1821
43
Print made by Samuel Rawle, 1771–1860
Brignall Church
1821
44
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1821
45
Print made by John Wykeham Archer, 1808–1864
Crook of the Lune, Looking Towards Hornby Castle
1821
46
Print made by Samuel Middiman, ca. 1750–1831
Weathercote Cave when half filled with Water
1821
47
Louis Haghe, 1806–1885
Newstead Abbey, The Seat of the Late Lord Byron
undated
48
Print made by Richard Parkes Bonington, 1802–1828
Edinbourgh vu de la Chapelle S. Antoine
ca. 1826
49
Print made by John Corner, 1788–1825
Sir Godfrey Kneller
1821
50
George Alken, 1794–active 1837
Full Cry. 1821: Riders Taking a Wooden Fence
1821
51
Henry Thomas Alken, 1785–1851
"The National Sports of Great Britain" 1821: Badger Catching
1821
52
Henry Thomas Alken, 1785–1851
"The National Sports of Great Britain," 1821: Owling
1821
53
Robert Hills, 1769–1844
Orchard Trees at Under River near Knole
ca. 1826
54
Rev. Charles Annesley, 1787–1863
Sillian Tyrol, July 11, 1821
1821
55
Robert Hills, 1769–1844
Walnut Tree
ca. 1826
56
Alfred Diston, active 1818–1829
View from part of Port Orotava, Tenerife from La Caldeva, near Sancho
1821
57
Alfred Diston, active 1818–1829
Realejo de arriba, Tenerife
1821
58
William Alfred Delamotte, 1775–1863
View from Stokenchurch Hill, Buckinghamshire
1821
59
William Dyce, 1806–1864
Culver Cliff, Isle of Wight
undated
60
Robert Hills, 1769–1844
Tree Study with Ivy Clinging to Stump
ca. 1826