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301. Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family

Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 x 13 1/4in. (22.9 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

302. Pheasant Shooting

Pheasant Shooting
Creator:
Robert Dighton, 1752–1814
Date:
before 1801
Materials & Techniques:
Watercolor, pen and black ink, gray ink, graphite and gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/16 × 14 1/2 inches (25.6 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

303. A Dutch Packet in a Rising Breeze

A Dutch Packet in a Rising Breeze
Creator:
Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 10 13/16 inches (19.7 x 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

304. Sir Robert Strange

Sir Robert Strange
Creator:
Robert Strange, 1721–1792
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

305. Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.

Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

306. Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

307. Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

308. Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn

Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

309. Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

310. Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving

Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

311. Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...

Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

312. T. Banks, Sculptor, R. A.

T. Banks, Sculptor, R. A.
Creator:
Print made by John Condé, 1765–1794
Date:
1791
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/16 x 5 1/16 inches (21.4 x 12.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

313. Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.

Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

314. Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax

Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

315. Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

316. Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

317. A Maid - Une Pucelle

A Maid - Une Pucelle
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 7/8 × 14 1/8 inches (47.9 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

318. Near Chiavenna

Near Chiavenna
Creator:
unknown artist
Date:
ca. 1796
Materials & Techniques:
Watercolor, graphite, gray wash and blue wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 x 9 1/2in. (38.1 x 24.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

319. Buildings Overlooking Water, near Naples

Buildings Overlooking Water, near Naples
Creator:
Monro School
Date:
ca. 1796
Materials & Techniques:
Watercolor, graphite, gray wash and blue wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

320. French Democrats surprizing the Royal Runaways

French Democrats surprizing the Royal Runaways
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

321. Dustanborough Castle from a Distance

Dustanborough Castle from a Distance
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 × 8 1/4 inches (12.7 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

322. Les Trois Magots

Les Trois Magots
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

323. The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -

The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

324. The Siege of Blenheim - or - The New System of Gunning Discoverd -

The Siege of Blenheim - or - The New System of Gunning Discoverd -
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

325. Lubber's Hole - alias - The Crack'd Jordan

Lubber's Hole - alias - The Crack'd Jordan
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

326. The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan

The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

327. Patience on a Monument

Patience on a Monument
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

328. The Coming-on of the Monsoons; - or - The Retreat from Seringapatam

The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

329. In the Via Mala, Between Coire and Splugen

In the Via Mala, Between Coire and Splugen
Creator:
unknown artist
Date:
ca. 1796
Materials & Techniques:
Watercolor, graphite, gray wash and blue wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 x 9 5/8 inches (38.1 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

330. Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard

Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
Creator:
Print made by John Carter, 1748–1817
Date:
1791
Materials & Techniques:
Etching on slightly textured, medium, white wove paper
Dimensions:
Sheet: 3 1/8 × 3 9/16 inches (7.9 × 9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

331. View of Rochester

View of Rochester
Creator:
Thomas Girtin, 1775–1802
Date:
1791
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/4 × 7 1/2 inches (13.3 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

332. Ruins of a Temple, Sunset

Ruins of a Temple, Sunset
Creator:
George Chinnery, 1774–1852
Date:
undated
Materials & Techniques:
Watercolor, gouache, brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 × 7 7/8 inches (12.7 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

333. The Mouth of the Cavern at Castleton in the Peak of Derby

The Mouth of the Cavern at Castleton in the Peak of Derby
Creator:
John White Abbott, 1763–1851
Date:
1791
Materials & Techniques:
Watercolor, pen and black ink, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 10 1/2 x 12 1/2 inches (26.7 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

334. Study of a Seated Woman

Study of a Seated Woman
Creator:
Henry Fuseli, 1741–1825
Date:
1791
Materials & Techniques:
Watercolor, graphite, pen and gray ink, gray wash, gouache, and black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 7 7/8 inches (30.5 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

335. Haverfordwest, Pembrokeshire

Haverfordwest, Pembrokeshire
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1791
Materials & Techniques:
Watercolor with black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 13 1/2 inches (24.1 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

336. Warkworth Castle, Northumberland

Warkworth Castle, Northumberland
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 9 5/8 inches (16.8 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

337. Distant View of Jedburgh

Distant View of Jedburgh
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 3/16 inches (16.5 x 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

338. A Village in a Wood

A Village in a Wood
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 9 1/4 inches (18.7 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

339. Rocca del Papa, with Monte Cavo

Rocca del Papa, with Monte Cavo
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 x 9 1/4 inches (16.8 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

340. On the Banks of the Lago di Como

On the Banks of the Lago di Como
Creator:
Monro School
Date:
ca. 1796
Materials & Techniques:
Watercolor, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 x 9 3/4 inches (35.9 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

341. George III

George III
Creator:
George Siegmund Facius, 1750–1804
Date:
1791
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/8 × 10 1/16 inches (33.3 × 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

342. Melville Castle, Midlothian

Melville Castle, Midlothian
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Watercolor with pen in brown ink over graphite on very thick, moderately textured, brown wove paper
Dimensions:
Sheet: 6 7/8 x 9 1/4 inches (17.5 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

343. Rievaulx Abbey, Yorkshire

Rievaulx Abbey, Yorkshire
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/4 × 5 inches (34.9 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

344. Thetford, Norfolk

Thetford, Norfolk
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 11 3/8 inches (18.7 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

345. English Landscape

English Landscape
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 x 8 7/8 inches (29.5 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr. Yale BE 1945W, and John Charles Street, Yale BA 1951, MA 1952, PhD 1955 in memory of our fathers Edward Porter Street, Yale 1920, and Charles Larrabee Street, Yale 1914

346. Hadleigh Castle, Essex, England

Hadleigh Castle, Essex, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 7 13/16 inches (16.5 × 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

347. Study of Sections from the Church of the Holy Ghost

Study of Sections from the Church of the Holy Ghost
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

348. Chapel of the Holy Ghost, Basingstoke, England

Chapel of the Holy Ghost, Basingstoke, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

349. Salisbury Cathedral

Salisbury Cathedral
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Gray wash, yellow wash, graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

350. Weymouth Harbour

Weymouth Harbour
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

351. Sandsfoot Castle, Weymouth

Sandsfoot Castle, Weymouth
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

352. The Esplanade, Weymouth

The Esplanade, Weymouth
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

353. Part of Weymouth Harbour, Dorset, England

Part of Weymouth Harbour, Dorset, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

354. Abbotsbury Abbey, Dorset, England

Abbotsbury Abbey, Dorset, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite, gray wash, and yellow wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

355. Abbotsbury Abbey, Dorset, England

Abbotsbury Abbey, Dorset, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

356. Abbotsbury Abbey, Dorset, England

Abbotsbury Abbey, Dorset, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Gray wash, graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

357. Abbotsbury Abbey, Dorset, England

Abbotsbury Abbey, Dorset, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

358. St. Catherine's Chapel, Abbotsbury, Dorset, England

St. Catherine's Chapel, Abbotsbury, Dorset, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

359. Abbotsbury Abbey, Dorset, England

Abbotsbury Abbey, Dorset, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

360. Interior of St. Catherine's Chapel, in Abbotsbury, Dorset, England

Interior of St. Catherine's Chapel, in Abbotsbury, Dorset, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 6 9/16 inches (21.3 × 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

361. Corfe Castle

Corfe Castle
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

362. Corfe Castle, Dorset, England

Corfe Castle, Dorset, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

363. Corfe Castle, Dorset

Corfe Castle, Dorset
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 11/16 × 8 3/8 inches (17 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

364. Corfe Castle

Corfe Castle
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 11/16 × 8 3/8 inches (17 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

365. Berry Pomeroy Castle, Devon, England

Berry Pomeroy Castle, Devon, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Pen and bllack ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

366. Exeter Cathedral, Devon, England

Exeter Cathedral, Devon, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Pen and black ink, gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

367. Berry Pomeroy Castle Devon, England

Berry Pomeroy Castle Devon, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

368. Christchurch Priory, Dorset

Christchurch Priory, Dorset
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

369. Netley Abbey, Hampshire, England

Netley Abbey, Hampshire, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

370. Netley Abbey, Hampshire, England

Netley Abbey, Hampshire, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite, and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

371. Wimborne Minster, Dorset, Englad

Wimborne Minster, Dorset, Englad
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

372. Netley Abbey, Hampshire, England

Netley Abbey, Hampshire, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

373. Netley Abbey, Hampshire, England

Netley Abbey, Hampshire, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

374. Newark Priory, Surrey

Newark Priory, Surrey
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

375. Hawarden Castle, Flintshire, Wales

Hawarden Castle, Flintshire, Wales
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 11/16 × 8 5/16 inches (17 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

376. Flint Castle, Wales

Flint Castle, Wales
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 11/16 × 8 5/16 inches (17 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

377. Conwy Castle, Wales

Conwy Castle, Wales
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

378. Bangor Cathedral, Wales

Bangor Cathedral, Wales
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 5/16 inches (16.8 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

379. Denbigh Castle, Wales

Denbigh Castle, Wales
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 × 8 1/4 inches (15.2 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

380. Grand Gate of Denbigh Castle

Grand Gate of Denbigh Castle
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 8 5/16 inches (16.7 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

381. Montgomery Castle, Powys, Mid-Wales

Montgomery Castle, Powys, Mid-Wales
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 5/16 inches (16.8 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

382. Cymer Abbey, Wales

Cymer Abbey, Wales
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Gray wash, graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 5/16 inches (16.8 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

383. A Widow - Une Veuve

A Widow - Une Veuve
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 5/8 × 14 1/4 inches (49.8 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

384. A Wife - Une Femme Mariee

A Wife - Une Femme Mariee
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 7/8 × 14 1/2 inches (50.5 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

385. What You Will - Ce Qui Vous Plaira

What You Will - Ce Qui Vous Plaira
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 23 3/16 × 17 1/4 inches (58.9 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

386. View of the Market Place at Juliers in Westphalia

View of the Market Place at Juliers in Westphalia
Creator:
Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Watercolor with pen and brown, black, and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/16 x 21 1/16 inches (31.6 x 53.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

387. Stonehenge

Stonehenge
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

388. Amsbury Abbey, Wiltshsire, England

Amsbury Abbey, Wiltshsire, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

389. Corfe Castle

Corfe Castle
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

390. Cerne Abbey, Dorset

Cerne Abbey, Dorset
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

391. Corfe Castle

Corfe Castle
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

392. Cerne Abbey

Cerne Abbey
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

393. Cerne Abbey

Cerne Abbey
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Pen and black ink, gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

394. Corfe Castle

Corfe Castle
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

395. Milton Abbey, Dorset

Milton Abbey, Dorset
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

396. The Old Parsonage, Portland, England

The Old Parsonage, Portland, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

397. Bow & Arrow Castle, Portland, England

Bow & Arrow Castle, Portland, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

398. The Old Church Portland

The Old Church Portland
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

399. Buckfast Abbey, Devon, England

Buckfast Abbey, Devon, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

400. Bindon Abbey, Dorset, England

Bindon Abbey, Dorset, England
Creator:
James Moore, 1762–1799
Date:
1791
Materials & Techniques:
Pen and black ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection