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1. Dort or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed

Dort or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1818
Materials & Techniques:
Oil on canvas
Dimensions:
62 × 92 inches (157.5 × 233.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view at YUAG

2. Bardon Hill, Coleorton Hall

Bardon Hill, Coleorton Hall
Creator:
John Constable, 1776–1837
Date:
ca. 1823
Materials & Techniques:
Oil on canvas mounted on composition board
Dimensions:
8 x 10 inches (20.3 x 25.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. A Scene on the Coast, Merionethshire - Storm Passing Off

A Scene on the Coast, Merionethshire - Storm Passing Off
Creator:
Anthony Vandyke Copley Fielding, 1787–1855
Date:
1818
Materials & Techniques:
Oil on canvas
Dimensions:
53 x 78 1/4 inches (134.6 x 198.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. The Kila Kona Masjid, Purana Qila, Delhi

The Kila Kona Masjid, Purana Qila, Delhi
Creator:
Robert Smith, 1787–1873
Date:
ca. 1823
Materials & Techniques:
Oil on canvas
Dimensions:
29 1/2 x 41 3/4 inches (74.9 x 106 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. A View of Westminster Bridge and the Abbey from the South Side

A View of Westminster Bridge and the Abbey from the South Side
Creator:
William Anderson, 1757–1837
Date:
1818
Materials & Techniques:
Oil on panel
Dimensions:
6 3/8 x 12 9/16 inches (16.2 x 31.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. Lambeth from the River looking towards Westminster Bridge

Lambeth from the River looking towards Westminster Bridge
Creator:
James Stark, 1794–1859
Date:
1818
Materials & Techniques:
Oil on canvas
Dimensions:
34 3/4 x 54 inches (88.3 x 137.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

7. Schooling a Pair in a Brake at Lucas's Yard, Clerkenwell

Schooling a Pair in a Brake at Lucas's Yard, Clerkenwell
Creator:
James Pollard, 1792–1867
Date:
1818
Materials & Techniques:
Oil on canvas
Dimensions:
17 x 13 inches (43.2 x 33 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

8. Study of a Working Horse

Study of a Working Horse
Creator:
Thomas Sidney Cooper, 1803–1902
Date:
undated
Materials & Techniques:
Oil on canvas
Dimensions:
5 15/16 x 7 15/16 inches (15.1 x 20.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

9. Evening, Bayswater

Evening, Bayswater
Creator:
John Linnell, 1792–1882
Date:
1818
Materials & Techniques:
Oil on panel
Dimensions:
15 1/16 × 22 7/8 inches (38.3 × 58.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

10. Fulham Church from across the River

Fulham Church from across the River
Creator:
John Constable, 1776–1837
Date:
1818
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 5/8 x 17 3/8 inches (29.5 x 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Ploughing, Eton

Ploughing, Eton
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1818
Materials & Techniques:
Etching and mezzotint, printed in brown ink Second plate, reprinted for Rawlinson on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 16 5/8 inches (29.2 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. St. Mawes, Cornwall

St. Mawes, Cornwall
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1823
Materials & Techniques:
Watercolor and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 8 5/8 inches (14.3 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Sketch of Two Ships on a Catalogue Page

Sketch of Two Ships on a Catalogue Page
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1823
Materials & Techniques:
Graphite on medium, slightly textured cream wove paper, adhered to medium, slightly textured cream laid paper
Dimensions:
Sheet: 8 7/8 x 16 5/8 inches (22.5 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. A South East View of London, Before 1666

A South East View of London, Before 1666
Creator:
Bartholomew Howlett, 1767–1827
Date:
1818
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Set of four- Fox-hunting. The Death

Set of four- Fox-hunting. The Death
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1818
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 7/8 x 18in. (35.2 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Set of four - Fox-hunting. Going to Cover

Set of four - Fox-hunting. Going to Cover
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1818
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 7/8 x 18in. (35.2 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Set of four- Fox-hunting. Breaking Cover

Set of four- Fox-hunting. Breaking Cover
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1818
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 7/8 x 18in. (35.2 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Set of four- Fox-hunting. Full Cry

Set of four- Fox-hunting. Full Cry
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1818
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 7/8 x 18in. (35.2 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. A Horse in Harness Seen From the Near Side

A Horse in Harness Seen From the Near Side
Creator:
Thomas Sidney Cooper, 1803–1902
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 4 5/8 × 6 7/16 inches (11.7 × 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Old Buildings, Lambeth

Old Buildings, Lambeth
Creator:
Richard Gilson Reeve, 1803–1889
Date:
undated
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. St. Mary's, Lambeth

St. Mary's, Lambeth
Creator:
S. Jenkins, active 1814–1818
Date:
1818
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. A pair: 1. The Reading Coaches.

A pair: 1. The Reading Coaches.
Creator:
Robert Havell, 1769–1832
Date:
1818
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 10 3/4 x 15 5/8in. (27.3 x 39.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. View of Port Orotava, Tenerife, from El Limpio de Las Calaveras

View of Port Orotava, Tenerife, from El Limpio de Las Calaveras
Creator:
Alfred Diston, active 1818–1829
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and gray ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 1/2 × 19 1/16 inches (36.8 × 48.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Venus Bathing

Venus Bathing
Creator:
Print made by James Johnson, 1803–1834
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 20 × 13 1/2 inches (50.8 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

25. A Roman Villa

A Roman Villa
Creator:
Lewis Vulliamy, 1791–1871
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 10 3/8 × 16 5/8 inches (26.4 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Fountain in the Gardens, Paris: Evening

Fountain in the Gardens, Paris: Evening
Creator:
Thomas Shotter Boys, 1803–1874
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 5/8 x 8 1/4 inches (14.3 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Rialto, Venice

The Rialto, Venice
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1820
Materials & Techniques:
Etching and line engraving; 2nd state on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Forum Romanum

The Forum Romanum
Creator:
Engraved by George Hollis, 1792–1842
Date:
1818-1820
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 15 1/4 inches (27.9 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Rome from the Farnesean Gardens

Rome from the Farnesean Gardens
Creator:
Print made by John Le Keux, 1783–1846
Date:
1818-1820
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 3/4 × 15 1/4 inches (27.3 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Rome from Monte Testaccio

Rome from Monte Testaccio
Creator:
Print made by John Byrne, 1786–1847
Date:
1818-1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Rome from Monte Testaccio

Rome from Monte Testaccio
Creator:
Print made by John Byrne, 1786–1847
Date:
1818-1820
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Rome from Monte Mario

Rome from Monte Mario
Creator:
Print made by John Byrne, 1786–1847
Date:
1818-1820
Materials & Techniques:
Etching and engraving on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Rome, Tomb of Cecilia Metella

Rome, Tomb of Cecilia Metella
Creator:
Print made by John Byrne, 1786–1847
Date:
1818-1820
Materials & Techniques:
Etching and engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 9/16 × 13 5/8 inches (26.8 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Lake of Nemi

Lake of Nemi
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1818-1820
Materials & Techniques:
Line engraving and etching, engraver's proof (touched) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 11 5/8 inches (19.1 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Florence, from the Ponte alla Carria

Florence, from the Ponte alla Carria
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1818-1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Staubbach, Lauterbrunnen (Switzerland)

Staubbach, Lauterbrunnen (Switzerland)
Creator:
Isaac Weld, 1774–1856
Date:
1818
Materials & Techniques:
Watercolor with pen and brown ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/16 × 12 5/16 inches (23 × 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Women in "Old Italian Costume - Naples"

Women in "Old Italian Costume - Naples"
Creator:
Isaac Weld, 1774–1856
Date:
1818
Materials & Techniques:
Graphite, pen and brown ink and watercolor on medium, slightly textured, light blue, wove paper
Dimensions:
Sheet: 8 1/4 × 9 13/16 inches (21 × 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The Interior of Pitlessie Mill with a Man Sieving Corn

The Interior of Pitlessie Mill with a Man Sieving Corn
Creator:
Sir David Wilkie, 1785–1841
Date:
1818
Materials & Techniques:
Watercolor and gouache over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 11 1/2 inches (19 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. The Church of St. Wulfran, Abbeville: The North Door of the West Front

The Church of St. Wulfran, Abbeville: The North Door of the West Front
Creator:
Richard Parkes Bonington, 1802–1828
Date:
ca. 1823
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 15 7/8 x 9 7/8 inches (40.3 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

40. Near Honfleur

Near Honfleur
Creator:
Richard Parkes Bonington, 1802–1828
Date:
ca. 1823
Materials & Techniques:
Watercolor and graphitre on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 1/8 x 10 5/8 inches (20.6 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. David Wilkie, R.A.

David Wilkie, R.A.
Creator:
William James Ward, ca. 1800–1840
Date:
1818
Materials & Techniques:
Mezzotint on medium, smooth, beige wove paper mounted on board
Dimensions:
Mount: 28 7/16 × 20 5/8 inches (72.2 × 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. St. John Wapping

St. John Wapping
Creator:
William Angus, 1752–1821
Date:
1818
Materials & Techniques:
Etching
Dimensions:
Sheet: 9 1/4 x 11in. (23.5 x 27.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Cornhill, London as it appeared in 1630

Cornhill, London as it appeared in 1630
Creator:
Bartholomew Howlett, 1767–1827
Date:
1818
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 7/8 x 10 3/4in. (22.5 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Near Brixton Hill, Windy Day

Near Brixton Hill, Windy Day
Creator:
unknown artist
Date:
1818
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 7 5/8 x 8 3/4in. (19.4 x 22.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. The Opening of the Waterloo Bridge on the 18th June 1817

The Opening of the Waterloo Bridge on the 18th June 1817
Creator:
Augustus Charles Pugin, 1762–1832
Date:
1818
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 7/16 × 19 inches (31.6 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. St. Mary, Rotherhithe

St. Mary, Rotherhithe
Creator:
John Coney, 1786–1833
Date:
1818
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 3/4 x 7 15/16in. (29.8 x 20.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. South East View of St. Paul's Cathedral

South East View of St. Paul's Cathedral
Creator:
Daniel Havell, 1785–1826
Date:
1818
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 16 3/4 x 20 3/4in. (42.5 x 52.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Hampstead Heath, Middlesex

Hampstead Heath, Middlesex
Creator:
Daniel Havell, 1785–1826
Date:
1818
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. The Parish of St. Giles in the Fields, London

The Parish of St. Giles in the Fields, London
Creator:
unknown artist
Date:
1818
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Ratisbonne

Ratisbonne
Creator:
Print made by François-Séraphin Delpech, 1778–1825
Date:
between 1818 and 1825
Materials & Techniques:
Lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 13 x 9 5/16 inches (33 x 23.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, A. Conger Goodyear, B.A. 1899, Fund

51. Egglestone Abbey, near Barnard Castle

Egglestone Abbey, near Barnard Castle
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1818-1823
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/4 × 17 3/4 inches (28.6 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Benjamin West, Esq., President of the Royal Academy of London

Benjamin West, Esq., President of the Royal Academy of London
Creator:
Print made by Charles Heath, 1785–1848
Date:
1818
Materials & Techniques:
Line engraving and stipple engraving on thick, slightly textured, cream laid paper with beige chine collé
Dimensions:
Sheet: 19 11/16 x 13 3/8 inches (49.9 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.

Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 9 1/8 inches (19.2 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.

Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 8 3/8 inches (17.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand

Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 8 5/8 inches (17.1 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt.

Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 8 7/8 inches (17.5 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn

Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 8 15/16 inches (19.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse

Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 × 8 11/16 inches (17.6 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome

Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/16 × 9 1/16 inches (18.6 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. "Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can

"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, red ink, black ink, green ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/16 × 9 1/8 inches (15.4 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. "Doing the Thing: and the Thing Done:" Doing it No How

"Doing the Thing: and the Thing Done:" Doing it No How
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 × 9 3/16 inches (15.2 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. "Doing the Thing: and the Thing Done:" The Down Leap Done

"Doing the Thing: and the Thing Done:" The Down Leap Done
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/16 × 9 1/4 inches (15.4 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. A Hay Wagon Drawn by Four Horses

A Hay Wagon Drawn by Four Horses
Creator:
Charles Cooper Henderson, 1803–1877
Date:
undated
Materials & Techniques:
Watercolor, with pen, in brown ink, over graphite with traces of, white gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 9 7/8 × 14 inches (25.1 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. A Grey Horse Trotting Out of a Wood

A Grey Horse Trotting Out of a Wood
Creator:
Sir Francis Grant, 1803–1878
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 7 1/2 inches (17.8 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Back View of Stout Rider on a Chestnut Horse

Back View of Stout Rider on a Chestnut Horse
Creator:
Sir Francis Grant, 1803–1878
Date:
undated
Materials & Techniques:
Watercolor, and pen and brown ink on medium, smooth, blue, wove paper
Dimensions:
Sheet: 8 3/8 × 13 1/4 inches (21.3 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. A French Diligence of 1830

A French Diligence of 1830
Creator:
Charles Cooper Henderson, 1803–1877
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, red ink, and graphite on gray card
Dimensions:
Sheet: 7 1/2 × 14 15/16 inches (19.1 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Unloading the Luggage From The Exeter Coach

Unloading the Luggage From The Exeter Coach
Creator:
Charles Cooper Henderson, 1803–1877
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 15/16 × 18 1/2 inches (30.3 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Interior of a Post-House Stable, With Horses Feeding

Interior of a Post-House Stable, With Horses Feeding
Creator:
Charles Cooper Henderson, 1803–1877
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/16 × 16 13/16 inches (17.9 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Study of a Pollarded Tree - a Willow

Study of a Pollarded Tree - a Willow
Creator:
Edward Duncan, 1803–1882
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 11 1/8 inches (22.5 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Castle of Ostia and Porte Trojan

Castle of Ostia and Porte Trojan
Creator:
Isaac Weld, 1774–1856
Date:
1818
Materials & Techniques:
Watercolor, pen and black ink, graphite, and scratching out on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 6 7/16 × 18 1/4 inches (16.4 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Naples, Chiaia

Naples, Chiaia
Creator:
Isaac Weld, 1774–1856
Date:
1818
Materials & Techniques:
Graphite and gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 29 3/4 inches (25.1 × 75.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Castle of Ostia with Mountains in the Distance

Castle of Ostia with Mountains in the Distance
Creator:
Isaac Weld, 1774–1856
Date:
1818
Materials & Techniques:
Watercolor, gouache, pen and brown ink, over graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 10 7/16 x 19in. (26.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Arco di Druso

Arco di Druso
Creator:
Isaac Weld, 1774–1856
Date:
1818
Materials & Techniques:
Watercolor, with pen and brown ink, graphite and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/16 x 8 inches (17.9 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. View of the Caves of Syrini - Sorrento/ Bay of Naples

View of the Caves of Syrini - Sorrento/ Bay of Naples
Creator:
Isaac Weld, 1774–1856
Date:
1818
Materials & Techniques:
Watercolor, gouache, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 15/16 × 12 9/16 inches (20.2 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Interior of the Great Temple at Paestum

Interior of the Great Temple at Paestum
Creator:
Isaac Weld, 1774–1856
Date:
1818
Materials & Techniques:
Watercolor, wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 3/4 x 12 3/8in. (50.2 x 31.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Rome From the Baths of Caracalla

Rome From the Baths of Caracalla
Creator:
Isaac Weld, 1774–1856
Date:
1818
Materials & Techniques:
Graphite and gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 5/16 × 19 1/8 inches (16 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Walls of Rome: The Aurelian Wall, with the Pyramid of Cestius

Walls of Rome: The Aurelian Wall, with the Pyramid of Cestius
Creator:
Isaac Weld, 1774–1856
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, gouache, gum arabic, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 3/16 × 17 3/16 inches (18.3 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Under the Walls of Rome

Under the Walls of Rome
Creator:
Isaac Weld, 1774–1856
Date:
1818
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 11/16 x 13 5/16 inches (22.1 x 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Rome, Porta Pia

Rome, Porta Pia
Creator:
Isaac Weld, 1774–1856
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 13 3/16 inches (22.2 × 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Roma/ Palace of Caesars

Roma/ Palace of Caesars
Creator:
Isaac Weld, 1774–1856
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 5/16 x 17in. (26.2 x 43.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. On the Tiber/ Castle of St. Angelo

On the Tiber/ Castle of St. Angelo
Creator:
Isaac Weld, 1774–1856
Date:
1818
Materials & Techniques:
Watercolor, with pen and gray ink, brown ink, over graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 3/16 × 14 3/4 inches (20.8 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Campagna/ Rome

Campagna/ Rome
Creator:
Isaac Weld, 1774–1856
Date:
1818
Materials & Techniques:
Pen and black ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 5/16 × 16 9/16 inches (26.2 × 42.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. The Colosseum, Rome

The Colosseum, Rome
Creator:
Isaac Weld, 1774–1856
Date:
1818
Materials & Techniques:
Graphite and brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 × 18 7/8 inches (30.5 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Interior Colosseum, Rome

Interior Colosseum, Rome
Creator:
Isaac Weld, 1774–1856
Date:
1818
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 7/8 × 19 1/8 inches (32.7 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Ruins (Roman?)

Ruins (Roman?)
Creator:
Isaac Weld, 1774–1856
Date:
1818
Materials & Techniques:
Pen and brown ink, brown wash, and graphite on thick, rough, beige wove paper
Dimensions:
Sheet: 11 1/2 x 16 1/2in. (29.2 x 41.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Costume at Procida-Naples

Costume at Procida-Naples
Creator:
Isaac Weld, 1774–1856
Date:
1818
Materials & Techniques:
Watercolor, with pen and brown ink, gray ink, gray wash and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 11/16 × 13 3/16 inches (22.1 × 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Tintagel Castle, Cornwall

Tintagel Castle, Cornwall
Creator:
Print made by George Cooke, 1781–1834
Date:
1818
Materials & Techniques:
Etching and engraving, first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 7/16 inches (30.2 × 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Vale of Heathfield, Sussex

Vale of Heathfield, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1818
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 × 20 5/8 inches (38.1 × 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Cascade of Terni

Cascade of Terni
Creator:
Print made by John Landseer, 1769–1852
Date:
1818-1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/8 × 11 3/4 inches (44.1 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Rome, Tomb of Cecilia Metella

Rome, Tomb of Cecilia Metella
Creator:
Print made by John Byrne, 1786–1847
Date:
1818-1820
Materials & Techniques:
Etching and engraving, Engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 7/8 × 15 inches (27.6 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Isola Bella on the Lago Maggiore

Isola Bella on the Lago Maggiore
Creator:
Print made by James Fittler, 1758–1835
Date:
1818-1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 15/16 × 12 5/8 inches (25.2 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Isola Bella, on the Lago Maggiore

Isola Bella, on the Lago Maggiore
Creator:
Print made by James Fittler, 1758–1835
Date:
1818-1820
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 9/16 × 15 inches (26.8 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Sailing Barge at Sea

Sailing Barge at Sea
Creator:
Edward Duncan, 1803–1882
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 12 5/8 inches (23.5 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Sorrento Gate

Sorrento Gate
Creator:
Isaac Weld, 1774–1856
Date:
1818
Materials & Techniques:
Pen and brown ink, brown wash, over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 8 5/8 × 13 inches (21.9 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Funeral Procession at Rome

Funeral Procession at Rome
Creator:
Isaac Weld, 1774–1856
Date:
1818
Materials & Techniques:
Watercolor, pen and gray ink, black ink, gray wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 15/16 × 14 13/16 inches (25.2 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Music Has Charms

Music Has Charms
Creator:
Print made by James Johnson, 1803–1834
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 5/8 × 14 11/16 inches (27 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

97. The Right Honorable Edward Lord Viscount Exmouth

The Right Honorable Edward Lord Viscount Exmouth
Creator:
Charles Turner, 1774–1857
Date:
1818
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 16 1/2 x 27 1/2in. (41.9 x 69.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

98. Mantes

Mantes
Creator:
follower of Thomas Shotter Boys, 1803–1874
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 1/8 x 5 inches (10.4 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Street Scene at Stratford by Bow

Street Scene at Stratford by Bow
Creator:
Thomas Shotter Boys, 1803–1874
Date:
undated
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 8 1/4 inches (12.1 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Cottage in Herefordshire

Cottage in Herefordshire
Creator:
David Cox, 1783–1859
Date:
before August 1820
Materials & Techniques:
Graphite and red chalk; verso: soft ground on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 3/8 x 9 5/8 inches (16.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection