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Date 1827

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John Constable Study of Three Parrot Tulips
Attributed to John Constable, 1776–1837
Study of Three Parrot Tulips
ca. 1832
Not on view
James Ward Cattle at a Pool at Sunrise
James Ward, 1769–1859
Cattle at a Pool at Sunrise
1827
Not on view
George Vincent A View of Thames Street, Windsor
George Vincent, 1796–1832
A View of Thames Street, Windsor
1827 to 1830
Not on view
William Collins Frost Scene
William Collins, 1788–1847
Frost Scene
1827
Not on view
Thomas Phillips Portrait of Charles Frederick Schlaberg, London, 1827
Thomas Phillips, 1770–1845
Portrait of Charles Frederick Schlaberg, London, 1827
1827
Not on view
John Ferneley Miss Catherine Herrick with her Nieces and Nephews, the Five Elder Children of the Rev. and Mrs. Henry Palmer
John Ferneley, 1782–1860
Miss Catherine Herrick with her Nieces and Nephews, the Five Elder Children of the Rev. and Mrs. Henry Palmer
1827
Not on view
Richard Redgrave Self-Portrait
Richard Redgrave, 1804–1888
Self-Portrait
ca. 1832
Not on view
Sir Francis Leggatt Chantrey George IV
Sir Francis Leggatt Chantrey, 1781–1841
George IV
1827
Not on view
John Gibson An Unknown Young Woman
John Gibson, 1790–1866
An Unknown Young Woman
late 1820s
Not on view
Sir Francis Leggatt Chantrey Alexander Knox
Sir Francis Leggatt Chantrey, 1781–1841
Alexander Knox
late 1820s
Not on view
Francis Danby Study for "The Golden Age"
Francis Danby, 1793–1861
Study for "The Golden Age"
1827
John Constable Sky Study with Rainbow
John Constable, 1776–1837
Sky Study with Rainbow
1827
Joseph Mallord William Turner Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
Joseph Mallord William Turner, 1775–1851
Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
Joseph Mallord William Turner Carlisle
Joseph Mallord William Turner, 1775–1851
Carlisle
ca. 1832
Edward Lear Entrance to the Port of Marseille
Edward Lear, 1812–1888
Entrance to the Port of Marseille
undated
Edward Lear English Country Town
Edward Lear, 1812–1888
English Country Town
undated
Edward Lear Venice, the Doge's Palace
Edward Lear, 1812–1888
Venice, the Doge's Palace
undated
Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear People on the Road Near Kalicut, Malabar
Edward Lear, 1812–1888
People on the Road Near Kalicut, Malabar
undated
William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
Joseph Nash Sketches of Towns People
Joseph Nash, 1808–1878
Sketches of Towns People
1827
Joseph Nash Fashionable Men and Women Promenading
Joseph Nash, 1808–1878
Fashionable Men and Women Promenading
1827
James Pattison Cockburn Advanced Guard - Sunrise
James Pattison Cockburn, 1779–1847
Advanced Guard - Sunrise
ca. 1832
Thomas Stothard The Fortune Teller
Thomas Stothard, 1755–1834
The Fortune Teller
1827
Richard Parkes Bonington Trees and a Cottage by a River
Richard Parkes Bonington, 1802–1828
Trees and a Cottage by a River
1827
Capt. Thomas Hastings Sketch of Boatmen on the Shore, Ships in the Distance
Capt. Thomas Hastings, 1778–1854
Sketch of Boatmen on the Shore, Ships in the Distance
1827
Charles J. Hullmandel Hammersmith Suspension Bridge, The first Stone laid 7th May, 1825 by H.R.H. the Duke of Sussex, and opened [by him], [ ] Oct. 1827
Charles J. Hullmandel, 1789–1850
Hammersmith Suspension Bridge, The first Stone laid 7th May, 1825 by H.R.H. the Duke of Sussex, and opened [by him], [ ] Oct. 1827
1827
Robert Smirke Malvolio Dancing
Robert Smirke, 1752–1845
Malvolio Dancing
1827
John Phillipps Emslie Ben Johnson's Lock
John Phillipps Emslie, 1839–1913
Ben Johnson's Lock
1827
unknown artist Ticket for a Performance of Sacred Music on 1st March 1827
unknown artist
Ticket for a Performance of Sacred Music on 1st March 1827
1827
George Cooke Wilsdon Church, Middlesex
George Cooke, 1781–1834
Wilsdon Church, Middlesex
1827
George Cooke Hanover Terrace Regent's Park
George Cooke, 1781–1834
Hanover Terrace Regent's Park
1827
James Tingle St. George's Chapel, Regent Street
James Tingle, active ca. 1830–1860
St. George's Chapel, Regent Street
1827
George Cooke Carton House in the Almonry, Westminster
George Cooke, 1781–1834
Carton House in the Almonry, Westminster
1827
George Cooke Westminster from Vauxhall
George Cooke, 1781–1834
Westminster from Vauxhall
1827
Joseph Nash Furneral Procession of His Late R. H. The Duke of York, leaving St. James's Palace
Joseph Nash, 1808–1878
Furneral Procession of His Late R. H. The Duke of York, leaving St. James's Palace
1827
George Cooke Demolition of Swallow Street
George Cooke, 1781–1834
Demolition of Swallow Street
1827
George Cooke Shoreditch
George Cooke, 1781–1834
Shoreditch
1827
William Camden Edwards Nicholas Revett
William Camden Edwards, 1777–1855
Nicholas Revett
1827
Frederick Rosenberg The Mail Coach in a Flood
Print made by Frederick Rosenberg, active 1816–1832
The Mail Coach in a Flood
1827
Capt. Thomas Hastings At Shanklin, Isle of Wight
Capt. Thomas Hastings, 1778–1854
At Shanklin, Isle of Wight
1827
George Cruikshank Blear-Eyed Moll
Print made by George Cruikshank, 1792–1878
Blear-Eyed Moll
ca. 1832
John West Giles Man Leading a Horse in Front of a Stable
Possibly John West Giles, active 1827–1865
Man Leading a Horse in Front of a Stable
1827
James Redway Althorp Castle, Northamptonshire
James Redway, active 1827–1838
Althorp Castle, Northamptonshire
undated
Edward Calvert The Ploughman
Print made by Edward Calvert, 1799–1883
The Ploughman
1827
Robert Smirke Merry Wives of Windsor
Robert Smirke, 1752–1845
Merry Wives of Windsor
1827
Robert Smirke Taming of the Shrew
Robert Smirke, 1752–1845
Taming of the Shrew
1827
Carl Trautmann Ansicht vom Schact und Tunnel unter Themse zu London
Carl Trautmann, active 1835
Ansicht vom Schact und Tunnel unter Themse zu London
1827
Richard Parkes Bonington The Use of Tears
Richard Parkes Bonington, 1802–1828
The Use of Tears
1827
Alfred Gomersal Vickers Crakow
Alfred Gomersal Vickers, 1810–1837
Crakow
1827
Alfred Gomersal Vickers Red Square, Moscow
Alfred Gomersal Vickers, 1810–1837
Red Square, Moscow
1827
Alfred Gomersal Vickers Kremlin from the Quay
Alfred Gomersal Vickers, 1810–1837
Kremlin from the Quay
1827
Alfred Gomersal Vickers Moscow from the Esplanade of the Kremlin
Alfred Gomersal Vickers, 1810–1837
Moscow from the Esplanade of the Kremlin
1827
Augustus Welby Northmore Pugin Five Sketches of: A Gothic Church, Spires, a Fortification and Decorative Objects
Print made by Augustus Welby Northmore Pugin, 1812–1852
Five Sketches of: A Gothic Church, Spires, a Fortification and Decorative Objects
undated
Augustus Welby Northmore Pugin Design for a Town Hall
Print made by Augustus Welby Northmore Pugin, 1812–1852
Design for a Town Hall
undated
Augustus Welby Northmore Pugin The Annunciation
Print made by Augustus Welby Northmore Pugin, 1812–1852
The Annunciation
undated
Thomas Goff Lupton Dover
Print made by Thomas Goff Lupton, 1791–1873
Dover
1827
Thomas Goff Lupton Ramsgate
Print made by Thomas Goff Lupton, 1791–1873
Ramsgate
1827
Augustus Welby Northmore Pugin Eight Groups of Designs for Gothic holy Objects
Print made by Augustus Welby Northmore Pugin, 1812–1852
Eight Groups of Designs for Gothic holy Objects
undated
Augustus Welby Northmore Pugin Three Sketches of: a House, A Gothic Spires and Ornamentation
Print made by Augustus Welby Northmore Pugin, 1812–1852
Three Sketches of: a House, A Gothic Spires and Ornamentation
undated
Augustus Welby Northmore Pugin Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4.
Print made by Augustus Welby Northmore Pugin, 1812–1852
Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4
undated
Augustus Welby Northmore Pugin Sketch of a Portion of a Gothic Wall
Print made by Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Portion of a Gothic Wall
undated
Augustus Welby Northmore Pugin Designs for Architectural Ornamentation: Columns, Capitals and Pilasters
Print made by Augustus Welby Northmore Pugin, 1812–1852
Designs for Architectural Ornamentation: Columns, Capitals and Pilasters
undated
unknown artist Designs for Architectural Ornamentation: Doorways, Windows and a Lion's Head
Print made by unknown artist
Designs for Architectural Ornamentation: Doorways, Windows and a Lion's Head
undated
Thomas Goff Lupton Stangate Creek, on the River Medway
Print made by Thomas Goff Lupton, 1791–1873
Stangate Creek, on the River Medway
1827
George Vincent Landscape with Men Carrying Stick Across Shoulder (formerly Group of Trees with a Figure in the Roadway)
George Vincent, 1796–1832
Landscape with Men Carrying Stick Across Shoulder (formerly Group of Trees with a Figure in the Roadway)
1827
Charles H. Jeens William Blake
Charles H. Jeens, 1827–1879
William Blake
1827
James Thomson Abraham Cooper, R.A.
James Thomson, 1789–1850
Abraham Cooper, R.A
1827
Charles Fox John Burnet, Author of "Practical Hints on Painting"
Charles Fox, 1749–1809
John Burnet, Author of "Practical Hints on Painting"
1827
Charles Turner John Flaxman
Charles Turner, 1774–1857
John Flaxman
1827
George Cooke Tooting Church
Print made by George Cooke, 1781–1834
Tooting Church
1827
John Cleghorn Plan of the Regent's Park
Print made by John Cleghorn, active 1840–1881
Plan of the Regent's Park
1827
Richard Gilson Reeve Coaching: The Mail Coach in a Thunder on Newmarket Heath
Richard Gilson Reeve, 1803–1889
Coaching: The Mail Coach in a Thunder on Newmarket Heath
1827
Thomas Jeavons Devonport and Dockyard, Devonshire
Print made by Thomas Jeavons, ca. 1800–1867
Devonport and Dockyard, Devonshire
1827-1838
Henry Thomas Alken Going at a Rank of Hurdles with Temper and Resolution
Henry Thomas Alken, 1785–1851
Going at a Rank of Hurdles with Temper and Resolution
1827
Henry Pyall Riding - A pair: 1. Go along Bob
Henry Pyall, 1795–1833
Riding - A pair: 1. Go along Bob
1827
Theodore Henry Adolphus Fielding Fox Hunting: Leicestershire - The Meeting
Theodore Henry Adolphus Fielding, 1781–1851
Fox Hunting: Leicestershire - The Meeting
1827
Theodore Henry Adolphus Fielding Fox Hunting: Leicestershire - The Death
Theodore Henry Adolphus Fielding, 1781–1851
Fox Hunting: Leicestershire - The Death
1827
Theodore Henry Adolphus Fielding Fox Hunting: Leicestershire - Full Cry
Theodore Henry Adolphus Fielding, 1781–1851
Fox Hunting: Leicestershire - Full Cry
1827
Theodore Henry Adolphus Fielding Fox Hunting: Leicestershire - Getting Away
Theodore Henry Adolphus Fielding, 1781–1851
Fox Hunting: Leicestershire - Getting Away
1827
George Gladwin York House: Plan of the Ground Floor
George Gladwin, active 1820s–1830s
York House: Plan of the Ground Floor
1827
George Gladwin York House: Plan of Principle Floor
George Gladwin, active 1820s–1830s
York House: Plan of Principle Floor
1827
John Roffe York House. Plan of the Basement Story
John Roffe, 1769–1850
York House. Plan of the Basement Story
1827
John Le Keux York House. The South and West Fronts as seen from the Garden
John Le Keux, 1783–1846
York House. The South and West Fronts as seen from the Garden
1827
Samuel Freeman Statue of Achilles in Hyde Park
Print made by Samuel Freeman, 1773–1857
Statue of Achilles in Hyde Park
1827
John Le Keux York House. The North and East Fronts as seen from the Stableyard
John Le Keux, 1783–1846
York House. The North and East Fronts as seen from the Stableyard
1827
George Gladwin York House: Longitudinal Section from North to South
George Gladwin, active 1820s–1830s
York House: Longitudinal Section from North to South
1827
Augustus Welby Northmore Pugin Design for a Gothic Table
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Table
undated
Augustus Welby Northmore Pugin Design for a Gothic Staff
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Staff
undated
Augustus Welby Northmore Pugin Design for an Unidentified House: Elevations and Plans
Augustus Welby Northmore Pugin, 1812–1852
Design for an Unidentified House: Elevations and Plans
undated
Augustus Welby Northmore Pugin Designs for a Baptismal Font and a Tabernacle
Augustus Welby Northmore Pugin, 1812–1852
Designs for a Baptismal Font and a Tabernacle
undated
Augustus Welby Northmore Pugin Designs for Gothic Hinges, Keyplates and Doorstraps
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Hinges, Keyplates and Doorstraps
undated
Augustus Welby Northmore Pugin Design for Inkstand for Westminster No. 1, End Elevation
Augustus Welby Northmore Pugin, 1812–1852
Design for Inkstand for Westminster No. 1, End Elevation
undated