"...esq. of Nottinghamshire (B)rown Mare Almost Black"
ca. 1749
3
Pierre Charles Canot, ca. 1710–1777
"A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana
1758-1760
4
James Bruce, 1730–1794
"Arch of Marcus Aurelius at Tripoli "
ca. 1766
5
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
6
James Seymour, 1702–1752
"Fearnought Going to Run Against The D: of Devon: Smart"
undated
7
Francis Legat, 1755–1809
"King Lear", Act V, Scene III
1792
8
George Romney, 1734–1802
"Lear in the Storm," King Lear, Act III, Scene II
undated
9
William Woollett, 1735–1785
"Maid of the Mill"
ca. 1765
10
Garnet Terry, active 1780–1796
"Mr. John Farley" Cook at the London Tavern
undated
11
James Seymour, 1702–1752
"Panton's Doctor": With Jockey Up, Walking to Left
undated
12
John Hamilton Mortimer, 1740–1779
"Richard II", Act III, Scene II
1775
13
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
14
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
15
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
16
John Vanderbank, 1694–1739
"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
1729
17
Robert Dodd, 1748–1816
"The Indian Emperor" or "The Conquest of Mexico"
1792
18
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
19
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
20
William Blake, 1757–1827
"There is No Natural Religion", London, by William Blake
ca. 1788
21
James Gillray, 1756–1815
"Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
1798
22
William Blake, 1757–1827
"Visions of the Daughters of Albion", London, by William Blake
1793
23
Isaac Cruikshank, 1764–1811
"Westminster Races:" - ( A Political Heat, Run In Convent Garden, Between Old Veteran A Famous Horse The Property Of His M-----y, Dutchess A Filly, The Property Of The Duke Of D-----e, And Judas An Obstinate Ass, Who Was Clearly Distanced )
1784
24
John Kay, 1742–1826
"Why, Sir John, my face does you no harm..."
1789
25
George Townly Stubbs, 1748–1815
'Anvil'
1794
26
George Vertue, 1684–1756
'At the High Court of Justice for the trying and inditing of Charles Steuart King of England January Anno Dom. 1648'
1750
27
George Townly Stubbs, 1748–1815
'Baronet'
1794
28
George Townly Stubbs, 1748–1815
'Baronet'
1794
29
George Townly Stubbs, 1748–1815
'Dungannon'
1794
30
William Pether, ca. 1738–1821
'Gimcrack'
1766
31
George Townly Stubbs, 1748–1815
'Mambrino'
1794
32
John Hamilton Mortimer, 1740–1779
'Poet, from A Midsummer Night's Dream, Act V, Scene i'
1775
33
George Townly Stubbs, 1748–1815
'Protector'
1794
34
George Townly Stubbs, 1748–1815
'Pumpkin'
1794
35
George Townly Stubbs, 1748–1815
'Sweetbrier'
1794
36
George Townly Stubbs, 1748–1815
'Sweetwilliam'
1796
37
James Seymour, 1702–1752
'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
undated
38
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
39
Thomas Rowlandson, 1756–1827
'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'
undated
40
William Artaud, 1763–1823
'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
1788 to 1790
Not on view
41
Charles Reuben Ryley, 1752–1798
'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
1786
Not on view
42
Charles Reuben Ryley, 1752–1798
'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
1786
Not on view
43
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
44
George Townly Stubbs, 1748–1815
'Volunteer'
1794
45
Attributed to Thomas Rowlandson, 1756–1827
(The) A Grand Battle between the Famous English Cock and Russian Hen!
1791
46
Thomas Rowlandson, 1756–1827
(The) This Irish Ambassadors Extraordinary a Gallante(e) Show
1789
47
James Gillray, 1756–1815
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
1798
48
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX
1778
49
John Rocque, 1704?–1762
...Plan of Windsor Park
1738
50
Francesco Bartolozzi, 1728–1815
...Scuote, il Lembo Pieno; e Nella Torbida Onda..
1773
51
James Bruce, 1730–1794
1 of 2 finished drawings of Arch at Hydra and a double page of details
undated
52
James Bruce, 1730–1794
1 of 2 finished drawings of Arch at Hydra and a double page of details
undated
53
Charles Loraine Smith, 1751–1835
1. ... The Men Methods & Machines chiefly employed for the Reformation & Improvement of Farriery & the / treatment of Cattle in General ..
1792
54
Pierre Charles Canot, ca. 1710–1777
1. Going Out / Depart de Chasse
1770
55
Charles Catton the elder RA, 1728–1798
1. Partridge Shooting
1789
56
Luigi Balugani, 1737–1770
2 birds "Aroust el Bahar"
ca. 1768
57
James Bruce, 1730–1794
2 drawings on 1 sheet of interior of amphitheatre at El Djem showing arches, stairs and tiers of seats
undated
58
T. Simpson, active 1790–1814
2. Hare Shooting
1790
59
Pierre Charles Canot, ca. 1710–1777
2. Two Hunters / Deux Chevaux de Chasse
1770
60
Charles Loraine Smith, 1751–1835
2nd. Lecture upon the newly approv'd / Method of Casting and [Fireing]
1792
61
T. Simpson, active 1790–1814
3. Duck Shooting
1790
62
Charles Loraine Smith, 1751–1835
3. Lecture, / Upon the most Novel safe & sure method of Popping a Horse-Ball
1792
63
Pierre Charles Canot, ca. 1710–1777
3. The Whipper-In Trown Out / Piqueur qui a Perdu la Piste
1770
64
Charles Loraine Smith, 1751–1835
4. Lecture / Philosophical remarks upon the Nature & effects of Amputation
1792
65
J. Wells, active 1780–1791
4. Snipe Shooting
1789
66
Pierre Charles Canot, ca. 1710–1777
4. The Earthing of the Fox / Renard dans son Terrier
1770
67
Pierre Charles Canot, ca. 1710–1777
5. Coming at the Death / Halte de Chasse
1770
68
Pierre Charles Canot, ca. 1710–1777
6. The Death of the Fox / Mort du Renard
1770
69
Pierre Charles Canot, ca. 1710–1777
7. Returning from the Chase / Retour de Chasse
1770
70
Luigi Balugani, 1737–1770
?Chloris (Rhodes Grass): finished drawing of flowering grass
undated
71
James Gillray, 1756–1815
[ untitled ]
1800
72
Engraved by Richard Earlom, 1743–1822
[A Soft Tumble after a Hard Ride]
ca. 1790
73
Print made by John Murphy, ca. 1748–1820
[Animals: an eagle with a dead pheasant, watched by a fox]
1799
74
George Morland, 1763–1804
[Animals] Seven studies on hound on one sheet. 'Jno. Harris' on collar of hound at lower left
1794
75
William Ward, 1766–1826
[Fox-hunting] Outside of a Country Alehouse
1797
76
George Townly Stubbs, 1748–1815
[Fox-hunting] Two Hunters / Belonging to Henry U. Reay of Burn Hall in the County of Durham ...
1792
77
William Elliot, active 1774, died 1792
[Horse-racing] Set of six: 1.The Cullen Arabian &c
1758
78
William Elliot, active 1774, died 1792
[Horse-racing] Set of six: 2. Brood Mares with their Foles
1758
79
William Elliot, active 1774, died 1792
[Horse-racing] Set of six: 3. Catching the Colts
1758
80
William Elliot, active 1774, died 1792
[Horse-racing] Set of six: 4. Subduing Shoeing, the Cavison and Pillar
1758
81
William Elliot, active 1774, died 1792
[Horse-racing] Set of six: 5. Bridling, Sadling, Breaking, & Training
1758
82
William Elliot, active 1774, died 1792
[Horse-racing] Set of six: 6. 'Finish'd Horses / Match'em & Trajan Runing at New-market'
1758
83
William Ward, 1766–1826
[No. 5] Prints / of the / Improved British Cattle: Holderness Cow / Taken from His Majesty's Stock at Windsor