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Creator Gender male

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Period 19th century

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Associated People Shakespeare, William (1564–1616), playwright and poet

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Georg Goldberg "Antony and Cleopatra," Act III, Scene XI
Georg Goldberg, 1830–1894
"Antony and Cleopatra," Act III, Scene XI
undated
James Heath "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
James Heath, 1757–1834
"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
1802
James Heath "Hubert, let me not be bound!"
James Heath, 1757–1834
"Hubert, let me not be bound!"
1802
James Heath "Mark your divorce young sir, whom son I dare not call"
James Heath, 1757–1834
"Mark your divorce young sir, whom son I dare not call"
1804
Benjamin Smith "Tempest", Act I, Scene I
Benjamin Smith, 1775–1833
"Tempest", Act I, Scene I
1797
James Heath "Then go, bid the huntsmen wake them with their horns"
James Heath, 1757–1834
"Then go, bid the huntsmen wake them with their horns"
1802
James Heath "This is fairy gold, boy, and will prove so"
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804
James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
Henry Thomas Alken A Character (? Macbeth) in Renaissance Dress...
Henry Thomas Alken, 1785–1851
A Character (? Macbeth) in Renaissance Dress..
undated
John Doyle ('H.B.') A Great Actor between Tragedy and Comedy
Print made by John Doyle ('H.B.'), 1797–1868
A Great Actor between Tragedy and Comedy
1834
Joseph Michael Gandy A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
Joseph Michael Gandy, 1771–1843
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
George Cruikshank A Scene in the New Farce - as Performed at the Royalty Theatre!
Print made by George Cruikshank, 1792–1878
A Scene in the New Farce - as Performed at the Royalty Theatre!
1821
William Wise A South View of the Falcon Tavern, on the Bankside, Southwark; as it appeared in 1805: celebrated for the daily resort of Shakspeare, and his Dramatic Companions with a Plan of the site and its vicinity.
William Wise, Active 1823–1876
A South View of the Falcon Tavern, on the Bankside, Southwark; as it appeared in 1805: celebrated for the daily resort of Shakspeare, and his Dramatic Companions with a Plan of the site and its vicinity
1811
Richard Westall Alcibiades and Timon
Richard Westall, 1765–1836
Alcibiades and Timon
ca. 1805
Robert Smirke Anne Page and Slender
Robert Smirke, 1752–1845
Anne Page and Slender
1821
Charles Burt Anne Page, Slender and Shallow - "The Merry Wives of Windsor," Act III, Scene IV
Charles Burt, 1822–1894
Anne Page, Slender and Shallow - "The Merry Wives of Windsor," Act III, Scene IV
1850
George Cruikshank Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
Print made by George Cruikshank, 1792–1878
Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
after 1857
Abraham Raimbach Antony and Cleopatra Act IV Sc. 8
Print made by Abraham Raimbach, 1784–1868
Antony and Cleopatra Act IV Sc. 8
1805
Johann G. Facius Antony and Cleopatra, Act III, Scene IX, The Palace in Alexandria . . .
And Johann G. Facius, 1750–after 1802
Antony and Cleopatra, Act III, Scene IX, The Palace in Alexandria . .
1803
Sir John Gilbert Apotheosis of Shakespeare's Characters
Sir John Gilbert, 1817–1897
Apotheosis of Shakespeare's Characters
1871
Samuel Middiman As You Like It: Act II, Scene I: Forest of Arden
Samuel Middiman, ca. 1750–1831
As You Like It: Act II, Scene I: Forest of Arden
1803
Peter Simon As You Like It: Act II, Scene VII: The Seven Ages Man (fifth age)
Peter Simon, 1750–1810
As You Like It: Act II, Scene VII: The Seven Ages Man (fifth age)
1801
John Ogborne the Elder As You Like It: Act II, Scene VII: The Seven Ages Man (fourth age)
John Ogborne the Elder, 1755–1795
As You Like It: Act II, Scene VII: The Seven Ages Man (fourth age)
1801
John Ogborne the Elder As You Like It: Act II, Scene VII: The Seven Ages Man (second age)
John Ogborne the Elder, 1755–1795
As You Like It: Act II, Scene VII: The Seven Ages Man (second age)
1801-1803
Peter Simon As You Like It: Act II, Scene VII: The Seven Ages Man (seventh age)
Peter Simon, 1750–1810
As You Like It: Act II, Scene VII: The Seven Ages Man (seventh age)
1801
William S. Leney As You Like It: Act II, Scene VII: The Seven Ages Man (sixth age)
William S. Leney, 1769–1831
As You Like It: Act II, Scene VII: The Seven Ages Man (sixth age)
1801
Robert Thew As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
Peltro W. Tomkins As You Like It: Act II, Scene VII: The Seven Ages of Man (First Age)
Peltro W. Tomkins, 1760–1840
As You Like It: Act II, Scene VII: The Seven Ages of Man (First Age)
1801
Thomas Webster Autolycus' Song - A Winter's Tale, Act 4, Scene 2 and 3 songs
Thomas Webster, 1800–1886
Autolycus' Song - A Winter's Tale, Act 4, Scene 2 and 3 songs
1853
James Gillray Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
John S. Clifton Buck Washing on Datchet Mead from 'The Merry Wives of Windsor,' III, v
John S. Clifton, active 1852–1869
Buck Washing on Datchet Mead from 'The Merry Wives of Windsor,' III, v
1849
Not on view
Robert Smirke Bust of Shakespeare
Robert Smirke, 1752–1845
Bust of Shakespeare
1825
Robert Smirke Capulet Railing at his Daughter, Juliet
Robert Smirke, 1752–1845
Capulet Railing at his Daughter, Juliet
1825
Charles John Smith Cassolette made from Shakspeare's Mulberry Tree
Charles John Smith, 1803–1838
Cassolette made from Shakspeare's Mulberry Tree
Charles John Smith Cassolette made from Shakspeare's Mulberry Tree
Charles John Smith, 1803–1838
Cassolette made from Shakspeare's Mulberry Tree
Charles John Smith Cassolette made from Shakspeare's Mulberry Tree.
Charles John Smith, 1803–1838
Cassolette made from Shakspeare's Mulberry Tree
Karl Friedrich Reichert Charles Kean in the Character of Hamlet
Karl Friedrich Reichert, active 1860–died 1881
Charles Kean in the Character of Hamlet
1838
Charles Hunt Children Acting the 'Play Scene' from "Hamlet," Act II, Scene ii
Charles Hunt, 1803–1877
Children Acting the 'Play Scene' from "Hamlet," Act II, Scene ii
1863
Not on view
Robert Smirke Christopher Sly and the Page, as His Wife
Robert Smirke, 1752–1845
Christopher Sly and the Page, as His Wife
1821
Robert Smirke Claudio and Isabella
Robert Smirke, 1752–1845
Claudio and Isabella
1823
Alfred Edward Chalon Cleopatra on the Cydnus to Meet Antony
Alfred Edward Chalon, 1780–1860
Cleopatra on the Cydnus to Meet Antony
ca. 1821
James H. Baker Come Gentle Night: "Romeo and Juliet," Act III, Scene II
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
Charles Warren Comedy of Errors, Act II Sc. 2
Charles Warren, 1767–1823
Comedy of Errors, Act II Sc. 2
1804
John Neagle Comedy of Errors, Act II, Scene II
John Neagle, 1796–1865
Comedy of Errors, Act II, Scene II
James Caldwall Coriolanus, Act IV, Scene III, Coriolanus, etc.
James Caldwall, 1739–1819
Coriolanus, Act IV, Scene III, Coriolanus, etc
1803
William Bromley David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
Print made by William Bromley, 1769–1842
David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
1811
Samuel Freeman David Garrick Esq.
Samuel Freeman, 1773–1857
David Garrick Esq
1807
Thomas Grieve Design for A Winter's Tale
Thomas Grieve, 1799–1882
Design for A Winter's Tale
undated
Thomas Grieve Design for Midsummer Night's Dream
Thomas Grieve, 1799–1882
Design for Midsummer Night's Dream
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
George Cressal Ellis Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
George Cressal Ellis, ca. 1810–1875
Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
undated
George Cooke Dover from Shakespeare's Cliff
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
George Cooke Dover from Shakespeare's Cliff
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
George Cooke Dover from Shakespeare's Cliff
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
George Cooke Dover from Shakespeare's Cliff
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
George Cooke Dover from Shakespeare's Cliff
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
James Charles Armytage Eastnor Castle
Print made by James Charles Armytage, 1802–1897
Eastnor Castle
ca. 1835
Henry Hobson Eastnor Castle, Herefordshire
Print made by Henry Hobson, born 1814
Eastnor Castle, Herefordshire
between 1812 and 1825
Robert Bremmel Schnebbelie End View of Cassolette made from the Mulberry Tree planted by Shakspeare in the possession of George Daniel, Esqr.
Robert Bremmel Schnebbelie, active 1803–1849
End View of Cassolette made from the Mulberry Tree planted by Shakspeare in the possession of George Daniel, Esqr
Robert Bremmel Schnebbelie End View of Cassolette made from the Mulberry Tree planted by Shakspeare in the posssession of George Daniel, Esqr.
Robert Bremmel Schnebbelie, active 1803–1849
End View of Cassolette made from the Mulberry Tree planted by Shakspeare in the posssession of George Daniel, Esqr
Sir John Gilbert Enter Malvolio, Crossgartered...
Sir John Gilbert, 1817–1897
Enter Malvolio, Crossgartered..
1863
William Greatbach Falstaff and his Friends
William Greatbach, Born 1802
Falstaff and his Friends
ca. 1868
John Cawse Falstaff and the recruits, from "Henry IV, Part II"
John Cawse, 1779–1862
Falstaff and the recruits, from "Henry IV, Part II"
ca. 1818
Not on view
Robert Smirke Falstaff at Herne's Oak
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1807
Robert Smirke Falstaff at Herne's Oak
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1821
James Stephanoff Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v
James Stephanoff, 1787–1874
Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v
1832
Not on view
Robert Smirke Falstaff Dragging the Body of Hotspur
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
Robert Smirke Falstaff in the Boar's Head
Robert Smirke, 1752–1845
Falstaff in the Boar's Head
1807
Robert Smirke Falstaff Instructing Bardolph
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
Robert Smirke Falstaff with Mistress Quickly and Bardolph
Robert Smirke, 1752–1845
Falstaff with Mistress Quickly and Bardolph
1825
Robert Smirke Ferdinand Reunited with his Father
Robert Smirke, 1752–1845
Ferdinand Reunited with his Father
1821
Theodor von Holst Ferdinand Riding the Waves
Theodor von Holst, 1810–1844
Ferdinand Riding the Waves
ca. 1830
Robert Smirke Feste, as Sir Topas, addressing Malvolio
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
Lumb Stocks Florizel and Perdita
Print made by Lumb Stocks, 1812–1892
Florizel and Perdita
1867
Robert Smirke Ford in a Rage After Seeing Falstaff
Robert Smirke, 1752–1845
Ford in a Rage After Seeing Falstaff
1821
Charles John Smith Front and Back View of Cassolette made from the Mulberry Tree planted by Shakespeare.
Charles John Smith, 1803–1838
Front and Back View of Cassolette made from the Mulberry Tree planted by Shakespeare
1837
John Thomas Smith Funeral of Lord Nelson. From the Bankside near Shakespeare's Theatre
John Thomas Smith, 1766–1833
Funeral of Lord Nelson. From the Bankside near Shakespeare's Theatre
1806
Samuel William Reynolds Garrick in the Character of Richard III
Samuel William Reynolds, 1773–1835
Garrick in the Character of Richard III
1825
William Ward Garrick in the Green Room
William Ward, 1766–1826
Garrick in the Green Room
1829
William Bernard Cooke Garrick's House at Hampton
William Bernard Cooke, 1778–1855
Garrick's House at Hampton
1819
George Cruikshank Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II
Print made by George Cruikshank, 1792–1878
Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II
after 1857
William Holl II Guglielm Shakspeare
William Holl II, 1807–1871
Guglielm Shakspeare
1827
Charles Ansell Hamlet
Print made by Charles Ansell, ca.1752–active 1790
Hamlet
1809
Charles W. Sharpe Hamlet - The Play Scene
Charles W. Sharpe, active 1858–1883
Hamlet - The Play Scene
1868
Richard Dadd Hamlet and his Mother; The Closet Scene
Richard Dadd, 1817–1886
Hamlet and his Mother; The Closet Scene
1846
Not on view
William Marshall Craig Hamlet and the Ghost
William Marshall Craig, 1763 or 1764–1829
Hamlet and the Ghost
ca. 1820
George Cruikshank Hamlet and the Ghost
George Cruikshank, 1792–1878
Hamlet and the Ghost
ca. 1825
Francis Legat Hamlet, Act IV, Scene v, Elsinore --King, Queen, Laertes, Ophelia, etc.
Print made by Francis Legat, 1755–1809
Hamlet, Act IV, Scene v, Elsinore --King, Queen, Laertes, Ophelia, etc
1803
Robert Thew Hamlet, Prince of Denmark: Act I, Scene iv, Platform before the Palace of Elsineur--Hamlet, Horatio, Marcellus and the Ghost
Robert Thew, 1758–1802
Hamlet, Prince of Denmark: Act I, Scene iv, Platform before the Palace of Elsineur--Hamlet, Horatio, Marcellus and the Ghost
1803
Francis Legat Hamlet: Act IV, Scene V, Elsinore -- King, Queen, Laertes, Ophelia, etc.
Print made by Francis Legat, 1755–1809
Hamlet: Act IV, Scene V, Elsinore -- King, Queen, Laertes, Ophelia, etc
1803
George Henry Harlow Hecate
George Henry Harlow, 1787–1819
Hecate
1815
Samuel Middiman Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
Samuel Middiman, ca. 1750–1831
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803