Thomas Sackvill Earl of Dorset, Baron of Buckhurst
ca. 1740
6
Jacobus Houbraken, 1698–1780
Benjamin Johnson
1738
7
Print made by Jacobus Houbraken, 1698–1780
James Graham, Marquess of Montrose
1740
8
Print made by unknown artist
William Cavendish Marquis of Newcastle
undated
9
Charles Knight, 1743–c.1826
Edmond Malone, Esqr
undated
10
James Watson, 1740–1790
Mary Hale (née Chaloner) as Euphrosyne in 'L'Allegro'
1762-1764
11
William Sharp, 1749–1824
John Philip Kemble
undated
12
Print made by John Spilsbury, 1730–1795
Catherine Macaulay (née Sawbridge)
1764
13
Valentine Green, 1739–1813
David Garrick Leaning on a bust of William Shakespeare
1769
14
Print made by Valentine Green, 1739–1813
Mrs. Yates, in the Character of the Tragic-Muse
1772
15
John Keyse Sherwin, c.1751–1790
James Macpherson
1775
16
Thomas Watson, 1743–1781
The Right Reverend Thomas Newton, D.D. Lord Bishop of Bristol, and Dean of St. Paul's
1775
17
George Keating, 1762–1842
John Philip Kemble, as Richard III
undated
18
Print made by Valentine Green, 1739–1813
The Bedford Family
1778
19
Print made by Mathieu Liart, 1736–1782
Cephalus lamenting the Death of Procris
1783
20
Print made by Mathieu Liart, 1736–1782
Venus Lamenting the Death of Adonis
1783
21
Print made by Thomas Cook, 1744–1818
Samuel Johnson
1787
22
Francesco Bartolozzi, 1728–1815
Edmond Malone, Esqr
1787
23
Print made by Joseph Strutt, 1749–1802
John Bunyan. " Pilgrim's Progress ", illustrated by Thomas Stothard
1788 to 1791
24
James Gillray, 1756–1815
King Henry The Fourth's Last Scene
1788
25
James Heath, 1757–1834
Samuel Johnson
1791
26
Francesco Bartolozzi, 1728–1815
Pospero Disarming Ferdinand from The Tempest, Act I, Scene II
1793
27
Print made by Robert Thew, 1758–1802
First Part of King Henry the sixth: Keep, My Lord ... (Act II, Scene 5)
1793
28
Text by John Gay, 1685–1732
Fables by John Gay, with a Life of the Author and Embellished with Seventy Plates, Volume 1
1793
29
Published by John Stockdale, ca. 1749–1814
Fables by John Gay, with a Life of the Author and Embellished with Seventy Plates, Volume 2
1793
30
unknown artist
Malvoleo
undated
31
Robert Cooper, ca. 1800–1836
Reverend William Mason
undated
32
Print made by William Blake, 1757–1827
The Peasants' Nest: Cowper's tame Hares
1802
33
Print made by William Blake, 1757–1827
William Cowper, Author of "The Task"
1802
34
Print made by Henry Fuseli, 1741–1825
A Woman Sitting by the Window (Evening thou Bringest All)
1802
35
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 2)
1803-1804
36
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper, (volume 1)
1803-1804
37
Print made by William Blake, 1757–1827
Mrs Cowper Mother of the Poet
1803-1804
38
Print made by William Blake, 1757–1827
William Cowper
1803-1804
39
James Ward, 1769–1859
Mrs. Elizabeth Billington as St. Cecilia
1803
40
Peter Simon, 1750–1810
Tempest, Act I, Scene II. The Enchanted Island
1803
41
Print made by John Greig, active 1803–1853
The Wilderness
1803-1804
42
Print made by James S. Storer, 1771–1853
The Shrubbery
1803-1804
43
Print made by John Greig, active 1803–1853
The Temple in the Wilderness
1803-1804
44
Print made by James S. Storer, 1771–1853
The Alcove from the Avenue
1803-1804
45
Print made by John Greig, active 1803–1853
The Elms
1803-1804
46
Print made by James S. Storer, 1771–1853
Olney Bridge
1803-1804
47
Print made by John Greig, active 1803–1853
Weston House
1803-1804
48
Print made by James S. Storer, 1771–1853
The Rustic Bridge
1803-1804
49
Print made by John Greig, active 1803–1853
Olney Church
1803-1804
50
Print made by John Greig, active 1803–1853
The Peasant's Nest
1803-1804
51
Print made by James S. Storer, 1771–1853
Weston Lodge
1803-1804
52
Print made by James S. Storer, 1771–1853
Cowper's Summer House
1803-1804
53
Print made by James S. Storer, 1771–1853
Views from the Alcove
1803-1804
54
Print made by Henry Fuseli, 1741–1825
Heavenly Ganymede
1804, published 1807
55
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
56
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
57
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808
58
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
59
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
60
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
61
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
62
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
63
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
64
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
65
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
66
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
67
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
68
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
69
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
70
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
71
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
72
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808
73
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
74
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
75
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
76
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
77
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
78
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
79
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
80
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
81
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
82
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
83
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
84
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808
85
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
86
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
87
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
88
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
89
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
90
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
91
Prints made by Luigi Schiavonetti, 1765–1810
The Grave, A Poem, by Robert Blair
1808
92
Prints made by Luigi Schiavonetti, 1765–1810
The Grave, A Poem, by Robert Blair
1808
93
Prints made by Luigi Schiavonetti, 1765–1810
The Grave, A Poem, by Robert Blair
1808
94
Niccoló Schiavonetti, 1771–1813
Samuel Johnson
1809
95
Print made by Ralph Hudson, active ca. 1820
The Pilgrim's Progress Illustrated, Uncut Panorama
ca. 1820
96
Print made by Ralph Hudson, active ca. 1820
Pilgrim's Progress Illustrated, Uncut Panorama
ca. 1820
97
Thomas Uwins, 1782–1857
Gil Blas Practicing Medicine Under Dr. Sangrado
between 1820 and 1822
98
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
99
Samuel William Reynolds, 1773–1835
Garrick in the Character of Richard, third
1825
100
David Scott, 1806–1849
Six Designs for Coleridge's Rime of the Ancient Mariner: The Spirit of the South Sends Forth the Albatross as a Sign of Peace to the Ship