Date: 1820 / Genre: architectural subject - YCBA Collections Search Search Results

1. Malvern Hall, Warwickshire

Creator:: John Constable, 1776–1837
Date:: 1820 to 1821
Materials & Techniques:: Oil on canvas
Dimensions:: 21 1/2 x 30 3/4 inches (54.6 x 78.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Street in Patna

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: ca. 1825
Materials & Techniques:: Oil on canvas
Dimensions:: 9 3/8 x 12 9/16 inches (23.8 x 31.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. The Monument and London Bridge

Creator:: Frederick Nash, 1782–1856
Date:: ca. 1825
Materials & Techniques:: Oil on artist's board
Dimensions:: 5 5/8 × 8 1/2 inches (14.3 × 21.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Somerset House, London

Creator:: Frederick Nash, 1782–1856
Date:: ca. 1825
Materials & Techniques:: Oil on artist's board
Dimensions:: 5 5/8 × 8 1/2 inches (14.3 × 21.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. A Barn with a Mossy Roof, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, white gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 14 7/8 inches (27.6 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Study of Old Buildings

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Brown ink, brown wash, and graphite, with scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 x 10 5/8 inches (19.4 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Ivy Cottage, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor, gouache, and pen and brown ink ; verso: graphite and white chalk on thick, slightly textured, blue wove paper
Dimensions:: Frame: 23 1/4 x 30 x 1in. (59.1 x 76.2 x 2.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Streets of the Tombs, Pompeii

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Graphite with pen and brown ink on moderately thick, slightly textured, beige wove paper mounted on thick, smooth, beige board
Dimensions:: Mount: 5 1/8 × 6 3/8 inches (13 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

9. Shields Lighthouse

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1826
Materials & Techniques:: Mezzotint; engraver's proof b
Dimensions:: Sheet: 5 15/16 x 8 3/8in. (15.1 x 21.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Bridge and Monument

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1825
Materials & Techniques:: Mezzotint (Engraver's proof b)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Gloucester Cathedral

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1825
Materials & Techniques:: Mezzotint, with graphite and white chalk; engraver's proof (a)
Dimensions:: Plate: 6 x 8 7/8in. (15.2 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Bridge and Monument

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1825
Materials & Techniques:: Mezzotint (Engraver's proof a)
Dimensions:: Sheet: 6 x 8 1/2in. (15.2 x 21.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Shields Lighthouse

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1826
Materials & Techniques:: Mezzotint; trial proof a on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 x 8 1/4 inches (14.6 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Barnard Castle

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Watercolor, pen and black ink, gouache and scratching out on medium, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 5/8 x 16 1/4 inches (29.5 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Paestum

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1820 and 1826
Materials & Techniques:: Mezzotint; artist's proof (d) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 12 5/8 inches (21.6 × 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

16. Gloucester Cathedral

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1820 and 1826
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/8 × 16 inches (31.4 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

17. Shields Lighthouse

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1820 and 1826
Materials & Techniques:: Mezzotint; artist's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

18. Elevation for the West Front of the New Quadrangle of Corpus Christi College, Cambridge

Creator:: William Wilkins, 1778–1839
Date:: ca. 1825
Materials & Techniques:: Watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 18 5/8 × 36 5/8 inches (47.3 × 93 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Llanrumny Estate, St. Mary's, Jamaica

Creator:: James Hakewill, 1778–1843
Date:: between 1820 and 1821
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 16 1/2 inches (31.1 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Holland Estate, St. Thomas in the East, Jamaica

Creator:: James Hakewill, 1778–1843
Date:: between 1820 and 1821
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 16 1/2in. (30.5 x 41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Mill Yard, Holland Estate, St. Thomas in the East

Creator:: James Hakewill, 1778–1843
Date:: between 1820 and 1821
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 16 5/8 inches (31.1 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Hastings Beach, 7 October 1820

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1820
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 5 1/2 inches (10.2 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Sketch of Stone Cottages in a Village

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1820
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 5 1/4 inches (10.2 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Old Dick's Cabin

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1820
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 5 1/4 inches (10.2 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Sketch of a Woman near a Cottage

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1820
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 5 1/4 inches (10.2 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Part of Balliol College Quadrangle

Creator:: Print made by Joseph Skelton, active 1820–1850
Date:: 1820
Materials & Techniques:: Line engraving, published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Holland Estate, St. Thomas in the East, View from the Change of Air House

Creator:: James Hakewill, 1778–1843
Date:: between 1820 and 1821
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 16 1/2 inches (31.1 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. St. Mary le Strand

Creator:: Joseph Skelton, active 1820–1850
Date:: undated
Materials & Techniques:: Engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 9 1/8 × 6 5/8 inches (23.2 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Bermondsey Abby

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 11 3/16 inches (35.6 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. A General View of the Remains of Bermondsey Abbey, Surrey

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1820
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 14 1/16 × 18 1/2 inches (35.7 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Hall, Bermondsey Abby

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 14 3/4 × 10 9/16 inches (37.5 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. East View of the Gateway of Bermondsey Abby

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 10 1/16 × 12 inches (25.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/8 × 19 inches (35.9 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Richmond Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Etching and line engraving on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Richmondshire Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Etching and line engraving; engraver's proof (touched) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Richmond Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Etching and line engraving, engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 19 1/2 inches (32.7 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1820
Materials & Techniques:: Line engraving and etching, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 5/8 inches (29.8 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Turin from the Portico of the Superga Church

Creator:: Print made by James Mitan, 1776–1822
Date:: 1820
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 × 14 3/8 inches (25.4 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Design for Grosvenor Bridge, Chester

Creator:: Thomas Harrison, 1744–1829
Date:: ca. 1825
Materials & Techniques:: Pen and black ink, gray wash, and gouache on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 13 5/8 x 24 inches (34.6 x 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Christ Church Cathedral and Part of Corpus Christi College

Creator:: Print made by Joseph Skelton, active 1820–1850
Date:: 1820
Materials & Techniques:: Line engraving, published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 3/4 × 16 3/8 inches (29.8 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Jedburgh Parish Church

Creator:: Thomas Henry Wyatt, 1807–1880
Date:: undated
Materials & Techniques:: Graphite with pen and black ink on smooth, thin, brown wove paper
Dimensions:: Sheet: 17 × 13 1/8 inches (43.2 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. St. Jacques, Dieppe

Creator:: Henry William Burgess, active 1809–1860
Date:: 1820
Materials & Techniques:: Watercolor, pen and brown ink, black ink, green ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Valle Crucis Abbey, Denbighshire

Creator:: Cornelius Varley, 1781–1873
Date:: 1820
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 20 5/8 inches (37.1 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Remains of Purton Hall, Staffordshire

Creator:: Cornelius Varley, 1781–1873
Date:: 1820
Materials & Techniques:: Watercolor, graphite, and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 21 3/8 inches (37.8 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Haughton Court, Hanover, Jamaica

Creator:: James Hakewill, 1778–1843
Date:: between 1820 and 1821
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 16 5/8 inches (31.1 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The County Fire and Provident Life Office, Regent Street, Piccadilly (published for the European Magazine - Frontispiece, Volune 77, by J. Asperne); page 71 (Volume One)

The County Fire and Provident Life Office, Regent Street, Piccadilly (published for the European Magazine - Frontispiece, Volune 77, by J. Asperne); page 71 (Volume One)

Creator:: Samuel Rawle, 1771–1860
Date:: 1820
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Erlestoke House and Park

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor with pen and brown ink and graphite on medium, slightly textured, cream wove paper, mounted on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 5/16 × 7 inches (11 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Erlestoke House and Park

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor, with pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 7 inches (10.8 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Erlestoke House and Park

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor with pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 13 5/16 inches (24.8 × 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Elevation of a Proposed Design for King's College, Cambridge

Creator:: William Wilkins, 1778–1839
Date:: ca. 1825
Materials & Techniques:: Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 16 × 39 inches (40.6 × 99.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Elevation of a Proposed Design for King's College, Cambridge

Creator:: William Wilkins, 1778–1839
Date:: ca. 1825
Materials & Techniques:: watercolor, pen and black ink on slightly textured, thick, brown wove paper
Dimensions:: Sheet: 11 7/8 × 24 1/8 inches (30.2 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Design for Hyde Park and St. James' Park Entrance

Creator:: Sir John Soane, 1753–1837
Date:: ca. 1826
Materials & Techniques:: Watercolor and graphite on three joined sheets of moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 50 1/4 inches (40 × 127.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Rome, from the Farnesean Gardens

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1820
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 × 14 7/8 inches (26.5 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Richmond Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 9/16 × 17 3/4 inches (29.4 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Rialto, Venice

Creator:: Print made by John Pye, 1782–1874
Date:: 1820
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 15 3/16 inches (27.1 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Forum Romanum

Creator:: Print made by James Mitan, 1776–1822
Date:: 1820
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 15 1/8 inches (26.7 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Turin from the Portico of the Superga Church

Creator:: Print made by James Mitan, 1776–1822
Date:: 1820
Materials & Techniques:: Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 9/16 × 14 3/4 inches (26.8 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. South West View of Cobham hall Kent, the Seat of the Right Honourable the Earl of Darnley

Creator:: John Buckler FSA, 1770–1851
Date:: 1820
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. North East View of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield

Creator:: John Buckler FSA, 1770–1851
Date:: 1820
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Staircase at Blickling, Norfolk; the Seat of the Right honourable Lord Suffield

Creator:: John Buckler FSA, 1770–1851
Date:: 1820
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. South Front of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield

Creator:: John Buckler FSA, 1770–1851
Date:: 1820
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Principal Entrance of Westwood house, Worcestershire; the Seat of Sir John Packington Bart.

Creator:: John Buckler FSA, 1770–1851
Date:: 1820
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Westwood Park near Droitwich, Worcestershire, the Seat of Sir John Packington Bart.

Creator:: John Buckler FSA, 1770–1851
Date:: 1820
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Seran Raja's Palace

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1820
Materials & Techniques:: Aquatint with hand coloring on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 29 inches (54 x 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953

65. Godalming, Surrey

Creator:: John Greig, active 1803–1853
Date:: 1820
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 x 8 3/4 inches (14.5 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Saint Lo

Creator:: David Roberts, 1796–1864
Date:: ca. 1825
Materials & Techniques:: Watercolor with some gouache over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 x 13 1/2in. (25.4 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. North West View of Cobham hall, Kent, the Seat of the Right honourable the Earl of Darnley

Creator:: John Buckler FSA, 1770–1851
Date:: 1820
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Church of L'Ery, near Pont-de-l'Arche

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 19 15/16 inches (35.6 x 50.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Russell

69. View of the Coronation Procession of George IV

Creator:: unknown artist
Date:: ca. 1821
Materials & Techniques:: Etching and aquatint, proof before letters on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 7/16 × 22 7/16 inches (34.2 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Plan of the Old Parliament Houses, Westminster

Creator:: unknown artist
Date:: 1820
Materials & Techniques:: Pen and black ink, gray wash, pen and brown ink and graphite on smooth, thin, cream wove paper
Dimensions:: Sheet: 16 5/16 × 20 3/16 inches (41.5 × 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Rome, from Monte Testaccio

Creator:: Print made by John Byrne, 1786–1847
Date:: 1820
Materials & Techniques:: Engraving and etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 × 15 inches (26.4 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The New Square, Crescent & Terrace, Intended to Be Built at Warrior's Gate, in the Valley of Gensing, Hastings

Creator:: Print made by Alfred Adlard, 1803–1869
Date:: 1820
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 19 3/4 inches (26.7 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

73. Albany Street, Regents Park

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor, pen and black ink, brown ink, green ink, graphite, and gouache on very thick, slightly textured, beige card
Dimensions:: Sheet: 14 1/8 × 18 inches (35.9 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Douvres Church, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 x 9 3/8 inches (36.8 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Notre Dame sur l'Eau, Domfront, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Graphite and brown wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 16 1/4 inches (26 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Barons' Hall, Mont Saint Michel

Creator:: John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 16 1/4 inches (23.8 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. View of Lambeth Palace on Thames

Creator:: David Cox, 1783–1859
Date:: between 1820 and 1829
Materials & Techniques:: Watercolor, gouache, and graphite, with scratching out on thick, slightly textured, white wove paper
Dimensions:: Sheet: 9 5/8 x 13 inches (24.4 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. West Front of the Church of Oyestraham [Ouistreham], near Caen, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 1/8 x 10 3/8 inches (33.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Upnor Lodge

Creator:: Mary Smirke, 1779–1853
Date:: 1820
Materials & Techniques:: Watercolor, ink, and graphite on medium, slightly textured, cream wove paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 9 5/8 inches (16.5 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Fort Candelaria, Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: 1820
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 6 1/8 inches (13.3 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Convent and Part of the Town of Candelaria, on the south side of Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: 1820
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper mounted to thick, slightly textured, gray wove paper
Dimensions:: Sheet: 4 3/4 × 7 7/8 inches (12.1 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Ruin of a Norman Church

Creator:: after John Sell Cotman, 1782–1842
Date:: ca. 1825
Materials & Techniques:: Watercolor, brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 x 8 7/8 inches (32.1 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. St. Nicholas Church, Newcastle Upon Tyne

Creator:: Thomas Miles Richardson Sr., 1784–1848
Date:: ca. 1825
Materials & Techniques:: Watercolor on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 8 3/4 inches (29.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Edington Church

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor, Pen and brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Erlestoke, Wiltshire, England

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor, with pen and brown ink, graphite, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 13 9/16 inches (18.3 × 34.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Edington Church, Wiltshire, England

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Edington Church, Wiltshire, England

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Erlestoke Looking West

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 10 3/4 inches (18.3 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Architectural Plans for Edington Church, Wiltshire

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Pen and black ink, brown wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 13/16 × 10 1/16 inches (17.3 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Interior of Edington Church

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Pen and brown ink, brown wash and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 8 1/2 inches (16.5 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Chancel of Edington Church

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Pen and brown ink, brown wash and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 15/16 × 6 1/2 inches (20.2 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Nauroure Rocks at the Division of the Waters of the Canal du Midi from the North

Creator:: Charles Hamilton Smith, 1776–1859
Date:: 1820
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Avignon from the Island, Mont Ventoux in the Distance.

Creator:: Charles Hamilton Smith, 1776–1859
Date:: 1820
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Design for Alterations in Ice House

Creator:: Captain Wyndham R.N., active ca. 1825
Date:: ca. 1825
Materials & Techniques:: Watercolor, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 10 7/8 inches (33.7 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

YCBA Collections Search

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Date 1820

Genre architectural subject

Search Results

1. Malvern Hall, Warwickshire

2. Street in Patna

3. The Monument and London Bridge

4. Somerset House, London

5. A Barn with a Mossy Roof, Shoreham

6. Study of Old Buildings

7. Ivy Cottage, Shoreham

8. Streets of the Tombs, Pompeii

9. Shields Lighthouse

10. Bridge and Monument

11. Gloucester Cathedral

12. Bridge and Monument

13. Shields Lighthouse

14. Barnard Castle

15. Paestum

16. Gloucester Cathedral

17. Shields Lighthouse

18. Elevation for the West Front of the New Quadrangle of Corpus Christi College, Cambridge

19. Llanrumny Estate, St. Mary's, Jamaica

20. Holland Estate, St. Thomas in the East, Jamaica

21. Mill Yard, Holland Estate, St. Thomas in the East

22. Hastings Beach, 7 October 1820

23. Sketch of Stone Cottages in a Village

24. Old Dick's Cabin

25. Sketch of a Woman near a Cottage

26. Part of Balliol College Quadrangle

27. Holland Estate, St. Thomas in the East, View from the Change of Air House

28. St. Mary le Strand

29. Bermondsey Abby

30. A General View of the Remains of Bermondsey Abbey, Surrey

31. The Hall, Bermondsey Abby

32. East View of the Gateway of Bermondsey Abby

33. Florence, from the Chiesa al Monte

34. Richmond Castle and Town

35. Richmondshire Castle and Town

36. Richmond Castle and Town

37. The Rialto, Venice

38. Turin from the Portico of the Superga Church

39. Design for Grosvenor Bridge, Chester

40. Christ Church Cathedral and Part of Corpus Christi College

41. Jedburgh Parish Church

42. St. Jacques, Dieppe

43. Valle Crucis Abbey, Denbighshire

44. Remains of Purton Hall, Staffordshire

45. Haughton Court, Hanover, Jamaica

46. The County Fire and Provident Life Office, Regent Street, Piccadilly (published for the European Magazine - Frontispiece, Volune 77, by J. Asperne); page 71 (Volume One)

47. Erlestoke House and Park

48. Erlestoke House and Park

49. Erlestoke House and Park

50. Elevation of a Proposed Design for King's College, Cambridge

51. Elevation of a Proposed Design for King's College, Cambridge

52. Design for Hyde Park and St. James' Park Entrance

53. Rome, from the Farnesean Gardens

54. Richmond Castle and Town

55. The Rialto, Venice

56. The Forum Romanum

57. Turin from the Portico of the Superga Church

58. South West View of Cobham hall Kent, the Seat of the Right Honourable the Earl of Darnley

59. North East View of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield

60. The Staircase at Blickling, Norfolk; the Seat of the Right honourable Lord Suffield

61. South Front of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield

62. Principal Entrance of Westwood house, Worcestershire; the Seat of Sir John Packington Bart.

63. Westwood Park near Droitwich, Worcestershire, the Seat of Sir John Packington Bart.

64. Seran Raja's Palace

65. Godalming, Surrey

66. Saint Lo

67. North West View of Cobham hall, Kent, the Seat of the Right honourable the Earl of Darnley

68. Church of L'Ery, near Pont-de-l'Arche

69. View of the Coronation Procession of George IV

70. Plan of the Old Parliament Houses, Westminster

71. Rome, from Monte Testaccio

72. The New Square, Crescent & Terrace, Intended to Be Built at Warrior's Gate, in the Valley of Gensing, Hastings

73. Albany Street, Regents Park

74. Douvres Church, Normandy