Date: 1824 / Image Use: Free to Use - YCBA Collections Search Search Results

Print made by Charles Turner, 1774–1857

More Park, near Watford, on the River Colne

1824

Print made by Charles Turner, 1774–1857

More Park, near Watford, on the River Colne

1824

Print made by Charles Turner, 1774–1857

Norham Castle, on the River Tweed

1824

Print made by Thomas Goff Lupton, 1791–1873

Rochester, on the River Medway

1824

Print made by Charles Turner, 1774–1857

Norham Castle, on the River Tweed

1824

Print made by Charles Turner, 1774–1857

Norham Castle, on the River Tweed

1824

Print made by Charles Turner, 1774–1857

Norham Castle, on the River Tweed

1824

Print made by Charles Turner, 1774–1857

Norham Castle, on the River Tweed

1824

Print made by Thomas Goff Lupton, 1791–1873

Dartmouth Castle, on the River Dart

1824

Print made by Richard Parkes Bonington, 1802–1828

Bergues - La Tour du Marché

1824

Print made by James Clark, 19th century

Cowdray Ruins

1824

Print made by John Sell Cotman, 1782–1842

Cader Idris

between 1824 and 1830

Print made by Charles Turner, 1774–1857

Norham Castle, on the River Tweed

1824

Print made by William Bernard Cooke, 1778–1855

Neptune's Trident (vignette on wrapper)

1824 to 1825

Print made by Thomas Goff Lupton, 1791–1873

The Eddystone Lighthouse

1824-1825

Print made by Thomas Goff Lupton, 1791–1873

The Eddystone Lighthouse

1824

Print made by Thomas Goff Lupton, 1791–1873

Sunrise, Whiting Fishing at Margate

1824 to 1825

Richard Sawyer, active 1820–1830

Members of a Society of Artists that Existed About 1730

ca. 1829

Joseph Stannard, 1797–1830

Whitlingham

1824

Print made by George Baxter, 1804–1867

George Pritchard, Her Britannic Majesty's Consul

1845

Print made by Richard Parkes Bonington, 1802–1828

Rue du Gros Horloge

1824

Joseph Stannard, 1797–1830

Boats in a Dock

between 1824 and 1827

Joseph Stannard, 1797–1830

Landscape with Bridge

1824 to 1827

Peter Pasquin, active 1824–1826

One of a set of 6: A Day's Journal of a Sponge

1824

Daniel Thomas Egerton, c.1800–1842

Fashionable Bores, or Coolers in High Life

1824

Daniel Thomas Egerton, c.1800–1842

Fashionable Bores, or Coolers in High Life

1824

William Heath, 1795–1840

Dust O

1824

Daniel Thomas Egerton, c.1800–1842

Fashionable Bores, or Coolers in High Life

1824

Charles Heath, 1785–1848

Stratford-on-Avon

1824

unknown artist

Wilson Lowry

1824

William Turner of Oxford, 1789–1862

The Exeter College Eight on the Isis, Oxford

1824

Frederick Christian Lewis the Elder, 1779–1856

James Northcote

1824

Print made by James Thompson, 1790–1850

W. Sharp

1824

Henry Thomson, 1773–1843

Martin Archer Shee

1824

George Hunt, active 1820–1840

The Toast

1824

Frederick Christian Lewis the Elder, 1779–1856

H. Bone, Esqr., R.A

1824

Thomas Hartley Cromek, 1809–1873

Turk on a Horse

undated

Print made by unknown artist

Elevations and Plans of the Court of Kings Bench

ca. 1827

Henry Heath, active 1824–1835

An Irish Tilting Match, or the Poissardes against the Poignards

1824

Emily Calmady, 19th century

Sir Thomas Lawrence's Painting Room in 1824

1824

Anne Rushout, ca. 1768–1849

Collection of Drawings Volume 1

1824 to 1832

Edward Radclyffe, 1809–1863

Deepdene near Dorking

undated

Julia Swinburne, ca. 1795–1893

A Sandwich Islands Group

June 5, 1824

Henry William Burgess, active 1809–1860

Interior of a Coppersmith's, Shoe Lane

undated

George Richmond, 1809–1896

Effigy of a Crusader, Stisted Church

1824-1896

Print made by Henry Heath, active 1824–1835

Miss-Ann-Thropy

undated

Print made by Henry Thomas Alken, 1785–1851

The Infant

1824

Print made by Henry Thomas Alken, 1785–1851

The School-Boy

1824

Print made by Henry Thomas Alken, 1785–1851

The Lover

1824

Print made by Henry Thomas Alken, 1785–1851

The Justice

1824

Print made by William Miller, 1796–1882

Clovelly Bay and Lundy Island

1824

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

John Linnell, 1792–1882

Mrs. William Wilberforce and Child

1824

Print made by James C. Allen, active 1821–1831

Dunbar

1824

Print made by James C. Allen, active 1821–1831

Dunbar

1824

Print made by John Horsburgh, 1791–1869

Bell Rock Lighthouse

1824

Print made by John Horsburgh, 1791–1869

Bell Rock Lighthouse

1824

William Henry Bartlett, 1809–1854

Richmond

undated

Henry Heath, active 1824–1835

No Shoe's!

1824

Print made by James C. Allen, active 1821–1831

Dunbar

1824

Robert Isaac Cruikshank, 1789–1856

Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy

1824

James Fahey, 1804–1885

Shakspeare's Desk

1824

Robert Isaac Cruikshank, 1789–1856

Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle

1824

Robert Isaac Cruikshank, 1789–1856

Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher

1824

Robert Isaac Cruikshank, 1789–1856

Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms

1824

Robert Isaac Cruikshank, 1789–1856

Wash proofs to accompany Westmacott's "The English Spy": The Royal Saloon Piccadilly

1824

Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig

Robert Isaac Cruikshank, 1789–1856

Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig

1824

Robert Isaac Cruikshank, 1789–1856

Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences

1824

Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities

Robert Isaac Cruikshank, 1789–1856

Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities

1824

Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": Town and Gown or the Battle of the Togate and the Town Raff in the High Street Oxford

Robert Isaac Cruikshank, 1789–1856

Wash proofs to accompany Westmacott's "The English Spy": Town and Gown or the Battle of the Togate and the Town Raff in the High Street Oxford

1824

Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]

Robert Isaac Cruikshank, 1789–1856

Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]

1824

Robert Isaac Cruikshank, 1789–1856

Wash proofs to accompany Westmacott's "The English Spy": Black Matins, or the Effect of Late Drinking upon Early Risers

1824

Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall

Robert Isaac Cruikshank, 1789–1856

Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall

1824

Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall

Robert Isaac Cruikshank, 1789–1856

Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall

1824

Robert Isaac Cruikshank, 1789–1856

Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate

1824

Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points

Robert Isaac Cruikshank, 1789–1856

Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points

1824

Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords

Robert Isaac Cruikshank, 1789–1856

Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords

1824

J. W. Wageman Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane

J. W. Wageman, active 1824

Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane

1824

Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre

Robert Isaac Cruikshank, 1789–1856

Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre

1824