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Date 1827

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unknown artist Greater Sulphur Crested Cockatoo
unknown artist
Greater Sulphur Crested Cockatoo
ca. 1832
Lady Mary Leighton Isola Bella and Lago Maggiore
Lady Mary Leighton, active 1832–1864
Isola Bella and Lago Maggiore
1827
George Cooke Demolition of Swallow Street
George Cooke, 1781–1834
Demolition of Swallow Street
1827
George Cooke Shoreditch
George Cooke, 1781–1834
Shoreditch
1827
George Cooke Carton House in the Almonry, Westminster
George Cooke, 1781–1834
Carton House in the Almonry, Westminster
1827
George Cooke Westminster from Vauxhall
George Cooke, 1781–1834
Westminster from Vauxhall
1827
John Phillipps Emslie Ben Johnson's Lock
John Phillipps Emslie, 1839–1913
Ben Johnson's Lock
1827
George Cooke The Tower of London from the Excavations for St. Katherine's Dock
George Cooke, 1781–1834
The Tower of London from the Excavations for St. Katherine's Dock
1827
George Cooke Tottenham High-Cross
George Cooke, 1781–1834
Tottenham High-Cross
1827
Edward Goodall Rievaulx Abbey, Yorkshire
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827
Robert Wallis Lancaster, from the Aqueduct Bridge
Print made by Robert Wallis, 1794–1878
Lancaster, from the Aqueduct Bridge
1827
J. C. Varrall Launceston, Cornwall
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
J. C. Varrall Launceston, Cornwall
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
Robert Wallis Barnard Castle, Durham
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827
Robert Wallis Barnard Castle, Durham
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827
W. R. Smith Saltash, Cornwall
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827
Edward Goodall Fall of the Trees, Yorkshire
Print made by Edward Goodall, 1795–1870
Fall of the Trees, Yorkshire
1827
Edward Goodall Rievaulx Abbey, Yorkshire
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827
Edward Goodall Florence
Print made by Edward Goodall, 1795–1870
Florence
1827
Welby Sherman The Shepherd
Engraved by Welby Sherman, active 1827
The Shepherd
between 1827 and 1836
Alfred Gomersal Vickers Kremlin from the Quay
Alfred Gomersal Vickers, 1810–1837
Kremlin from the Quay
1827
Alfred Gomersal Vickers Red Square, Moscow
Alfred Gomersal Vickers, 1810–1837
Red Square, Moscow
1827
Alfred Gomersal Vickers Moscow from the Esplanade of the Kremlin
Alfred Gomersal Vickers, 1810–1837
Moscow from the Esplanade of the Kremlin
1827
Capt. Thomas Hastings At Shanklin, Isle of Wight
Capt. Thomas Hastings, 1778–1854
At Shanklin, Isle of Wight
1827
Charles Picart William Shakspeare
Charles Picart, c.1780–1837
William Shakspeare
1827
Shakspeare
Shakspeare
1827
Benjamin Holl Shakspeare
Benjamin Holl, 1808–1884
Shakspeare
1827
Benjamin Holl Shakspeare
Benjamin Holl, 1808–1884
Shakspeare
1827
William Holl II Shakspeare
William Holl II, 1807–1871
Shakspeare
1827
Robert Cooper Shakspeare
after Robert Cooper, ca. 1800–1836
Shakspeare
1827
Abraham Wivell Will. Shakespere
after Abraham Wivell, 1786–1899
Will. Shakespere
1827
Shakspeare
Shakspeare
1827
Charles James Richardson Sections of Room under Painted Chamber
Charles James Richardson, 1806–1871
Sections of Room under Painted Chamber
1827
George Birch View of Guy Fawkes' Tower
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
George Birch Plan and View of Room under the Painted Chamber
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
George Birch Sections of Room under Painted Chamber
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
Alfred Gomersal Vickers Crakow
Alfred Gomersal Vickers, 1810–1837
Crakow
1827
William Holl II Guglielm Shakspeare
William Holl II, 1807–1871
Guglielm Shakspeare
1827
Frontispiece and Title Page, Beauties of the British Poets
Frontispiece and Title Page, Beauties of the British Poets
1827
Shakspeare
Shakspeare
1827
Shakspeare
Shakspeare
1827
Shakspeare
Shakspeare
1827
Abraham Wivell Shakspeare
Abraham Wivell, 1786–1899
Shakspeare
1827
Abraham Wivell Shakspeare
after Abraham Wivell, 1786–1899
Shakspeare
1827
William Holl II Will. Shakespere
William Holl II, 1807–1871
Will. Shakespere
1827
Charles Turner John Flaxman
Charles Turner, 1774–1857
John Flaxman
1827
Charles Fox John Burnet, Author of "Practical Hints on Painting"
Charles Fox, 1749–1809
John Burnet, Author of "Practical Hints on Painting"
1827
Frederick Rosenberg The Mail Coach in a Flood
Print made by Frederick Rosenberg, active 1816–1832
The Mail Coach in a Flood
1827
R.C. Roffe A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
Print made by R.C. Roffe, active in London 1806–1835
A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
1827
R.C. Roffe Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c.
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c
1827
R.C. Roffe Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
1827
William Camden Edwards Nicholas Revett
William Camden Edwards, 1777–1855
Nicholas Revett
1827
Richard Parkes Bonington The Use of Tears
Richard Parkes Bonington, 1802–1828
The Use of Tears
1827
Samuel Laurence Anastasia Gliddon Laurence
Samuel Laurence, 1812–1884
Anastasia Gliddon Laurence
undated
George Cooke The Remaining Tower of Cardinal Wolsey's Palace at Esher in the Domain of John Spicer. Esq.
Print made by George Cooke, 1781–1834
The Remaining Tower of Cardinal Wolsey's Palace at Esher in the Domain of John Spicer. Esq
1827
Henry Dawe Duke of Clarence
Print made by Henry Dawe, 1790–1848
Duke of Clarence
1827
unknown artist Mr. Matthews in America
Print made by unknown artist
Mr. Matthews in America
ca. 1832
Fisher, Son & Co. The Duke of York Forcing His Way through the Enemy near Roubiax
Published by Fisher, Son & Co., active 1821–1848
The Duke of York Forcing His Way through the Enemy near Roubiax
1827
Frederick James Havell The Limehouse Dock, Regent's Canal
Print made by Frederick James Havell, 1801–1840
The Limehouse Dock, Regent's Canal
1827
unknown artist Perridge House:The Seat of Henry Limbrey Toll, Esq.
Print made by unknown artist
Perridge House:The Seat of Henry Limbrey Toll, Esq
1827
Thomas Landseer Hookey Walker
Print made by Thomas Landseer, 1795–1880
Hookey Walker
1827
Henry Dawe Duke of Clarence
Print made by Henry Dawe, 1790–1848
Duke of Clarence
1827
Christopher Hewetson Westdean House, the Seat of Lord Selsey
Print made by Christopher Hewetson, 1737/38–1798
Westdean House, the Seat of Lord Selsey
1827
George Cooke Canonbury House, Islington
Print made by George Cooke, 1781–1834
Canonbury House, Islington
1827
George Cooke Hanover Terrace, Regent's Park
Print made by George Cooke, 1781–1834
Hanover Terrace, Regent's Park
1827
George Cooke Hanover Terrace, Regent's Park
Print made by George Cooke, 1781–1834
Hanover Terrace, Regent's Park
1827
William Westall St. Vincent's Rocks, and the Hotwells, from the Ashton Fields, Clifton
William Westall, 1781–1850
St. Vincent's Rocks, and the Hotwells, from the Ashton Fields, Clifton
1827 or 1828
John Cochran Sir William Jones
Print made by John Cochran, active 1825–1854
Sir William Jones
ca. 1832
James Pattison Cockburn Trotting Past
James Pattison Cockburn, 1779–1847
Trotting Past
ca. 1832
James Pattison Cockburn Group of Figures Round a Distant Bonfire in a Wood
James Pattison Cockburn, 1779–1847
Group of Figures Round a Distant Bonfire in a Wood
ca. 1832
James Pattison Cockburn Italianate Landscape
James Pattison Cockburn, 1779–1847
Italianate Landscape
ca. 1832
Henry Heath A Complete Turn-Out among the Cabinet-Makers
Print made by Henry Heath, active 1824–1835
A Complete Turn-Out among the Cabinet-Makers
1827
Henry Heath Out of Court. Auspicium Melioris Devi
Print made by Henry Heath, active 1824–1835
Out of Court. Auspicium Melioris Devi
1827
Henry Heath A Parti Carré for a Crown
Print made by Henry Heath, active 1824–1835
A Parti Carré for a Crown
1827
James Pattison Cockburn Hussars
James Pattison Cockburn, 1779–1847
Hussars
ca. 1832
James Pattison Cockburn Cuirassiers
James Pattison Cockburn, 1779–1847
Cuirassiers
ca. 1832
James Pattison Cockburn Hall in a Gothic Mansion
James Pattison Cockburn, 1779–1847
Hall in a Gothic Mansion
ca. 1832
Henry Heath The Buck-Basket. A scene from the Merry Wives of Windsor
Print made by Henry Heath, active 1824–1835
The Buck-Basket. A scene from the Merry Wives of Windsor
1827
Henry Heath Diogenes in Search of an Honest Ministry
Print made by Henry Heath, active 1824–1835
Diogenes in Search of an Honest Ministry
1827
George Chinnery Chinese Father and Child with Dog
George Chinnery, 1774–1852
Chinese Father and Child with Dog
1827
Thomas Cundy Design for Grosvenor House, London: Plan
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
Thomas Cundy Design for Grosvenor House, London: Plan
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
Thomas Cundy Design for Grosvenor House, London: Plan
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
Thomas Cundy Design for Grosvenor House, London: Plan
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
Thomas Cundy Design for Grosvenor House, London: Chamber Floor Plan
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Chamber Floor Plan
1827
Thomas Cundy Design for Grosvenor House, London: Plan
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1827
John Sell Cotman A Summer Day
John Sell Cotman, 1782–1842
A Summer Day
1827 to 1837
Thomas Cundy Design for Grosvenor House, London
Thomas Cundy, 1790–1867
Design for Grosvenor House, London
1827
David Cox On the Wye
David Cox, 1783–1859
On the Wye
ca. 1832
William Daniell Windsor Castle from near Brocas Meadows
William Daniell, 1769–1837
Windsor Castle from near Brocas Meadows
1827
Robert Hills In the Vaux, Jersey
Robert Hills, 1769–1844
In the Vaux, Jersey
ca. 1832
Robert Hills Farm Buildings in the Vaux, Jersey
Robert Hills, 1769–1844
Farm Buildings in the Vaux, Jersey
ca. 1832
William Blake Illustrations to Dante's Divine Comedy
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Illustrations to Dante's "Divine Comedy"
William Blake, 1757–1827
Illustrations to Dante's "Divine Comedy"
1827