Date: 1828 / Classification: Prints - YCBA Collections Search Search Results

1. High Street, Oxford (small replica)

Creator:: Print made by W. E. Albutt, active 1836–1863
Date:: 1828
Materials & Techniques:: Line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 7/8 × 14 1/4 inches (27.6 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Etching and line engraving; engraver's proof, open etched state on moderately thick, slightly textured, cream wove paper, with beige chine collé
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Ehrenbreitstein

Creator:: Print made by John Pye, 1782–1874
Date:: 1828
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 16 13/16 inches (30.5 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Nantes

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1828-1832
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. St. Germain-en-Laye

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1837
Materials & Techniques:: Line engraving, engraver's proof (touched) on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 8 3/4 × 11 1/16 inches (22.2 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Temple of Jupiter in the Island of Aegina

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1828
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 24 1/8 × 31 inches (61.3 × 78.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Two Durham Oxen

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1828
Materials & Techniques:: Mezzotint with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 24 × 30 inches (61 × 76.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Set of Four: Much Ado About Nothing or Illustrations of Sayings

Creator:: John Phillips, active 1840–1852
Date:: 1828
Materials & Techniques:: Hand colored soft-ground etching
Dimensions:: Sheet: 11 5/8 x 9 1/2in. (29.5 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. One of a set of four: Much Ado About Nothing or Illustrations of Old Savings

Creator:: John Phillips, active 1840–1852
Date:: 1828
Materials & Techniques:: Soft-ground etching, colored by hand
Dimensions:: Sheet: 11 5/8 x 9 1/2in. (29.5 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. St. Germain-en-Laye

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1837
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Fonthill

Creator:: Print made by Thomas Crostick, active ca. 1828
Date:: 1828
Materials & Techniques:: Line engraving, first published state on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. [Fox-hunting] Set of twelve "Turner's / Illustrations / to Nimrod / on the Condition / of Hunters," supplementary to C. J. Apperley's edition of 1834.

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: ca. 1833
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 5 x 8 1/2in. (12.7 x 21.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. One of a Set of Four: Much Ado About Nothing or Illustrations of Old Sayings

Creator:: John Phillips, active 1840–1852
Date:: 1828
Materials & Techniques:: Soft-ground etching, colored by hand
Dimensions:: Sheet: 11 5/8 x 9 1/2in. (29.5 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Set of Four: Much Ado About Nothing or Illustrations of Old Sayings

Creator:: John Phillips, active 1840–1852
Date:: 1828
Materials & Techniques:: Soft-ground etching, colored by hand
Dimensions:: Sheet: 11 5/8 x 9 1/2in. (29.5 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Set of Four: Much Ado About Nothing or Illustrations of Old Sayings

Creator:: John Phillips, active 1840–1852
Date:: 1828
Materials & Techniques:: Soft-ground etching, colored by hand
Dimensions:: Sheet: 11 5/8 x 9 1/2in. (29.5 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Rome, Castle of St. Angelo (vignette)

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828 to 1830
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Mount Blanc

Creator:: Print made by B. R. Davies, active ca. 1833
Date:: 1828
Materials & Techniques:: Etching and engraving, Engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 15/16 × 13 1/4 inches (25.2 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Wreck

Creator:: Print made by Henry Griffiths, 1835–1849
Date:: 1828-1837
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Miss Croker

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1828
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

21. Miss Croker

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1828
Materials & Techniques:: Mezzotint (first published state) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/8 × 15 1/4 inches (48.6 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

22. Lady Georgiana Fane

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1828
Materials & Techniques:: Mezzotint (first published state III) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 1/4 × 15 3/4 inches (59.1 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

23. Miss Fanny Ayton

Creator:: Print made by George H. Phillips, active 1819–1825
Date:: 1828
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 × 10 inches (33 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

24. Furnivals Inn, Holborn; page 5 (Volume Two)

Creator:: Print made by Josiah Henshall, 1806–1869
Date:: 1828
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Bride

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1828
Materials & Techniques:: Engraving and drypoint on thin, slightly textured, cream Asian paper
Dimensions:: Sheet: 4 5/16 x 7 inches (10.9 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Sir Anthony Van Dyke

Creator:: Print made by William Fairland, active 1828–1835
Date:: 1828
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper with beige chine collé
Dimensions:: Sheet: 14 11/16 x 11 1/8 inches (37.3 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Handbill describing the Building and Finances of the Thames Tunnel

Creator:: unknown artist
Date:: 1828
Materials & Techniques:: Letterpress
Dimensions:: Sheet: 12 3/8 x 8 5/8in. (31.4 x 21.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Etching and line engraving, 1st state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 14 1/4 inches (27.9 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Prudoe Castle, Northumberland

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1828
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Mount Blanc

Creator:: Print made by unknown artist
Date:: 1828
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 2 7/8 × 3 7/8 inches (7.3 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Mount Blanc

Creator:: Print made by unknown artist
Date:: 1828
Materials & Techniques:: Etching and engraing on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 15/16 × 6 3/8 inches (10 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Virginia Water. No. I

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Line engraving, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 1/2 inches (28.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828
Materials & Techniques:: Line engraving, 2nd state on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/4 × 16 3/8 inches (28.6 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Ehrenbreitstein

Creator:: Print made by John Pye, 1782–1874
Date:: 1828
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with beige chine collé
Dimensions:: Sheet: 11 1/16 × 16 1/2 inches (28.1 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The High Street, Southampton

Creator:: Print made by William Day, 1764–1807
Date:: 1828
Materials & Techniques:: Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 15/16 x 18 11/16 inches (38 x 47.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Regent Street from the Circus Piccadilly

Creator:: Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Buildings on the East Side of Regent's Street

Creator:: Robert Acon, 1792-1880
Date:: 1828
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Southwark Iron Bridge

Creator:: George Cooke, 1781–1834
Date:: 1828
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 7/8 x 9 3/16in. (17.5 x 23.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Southwark Bridge

Creator:: Charles Bentley, 1806–1854
Date:: 1828
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 9 1/8 x 12 1/4in. (23.2 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Guildhall

Creator:: Robert Acon, 1792-1880
Date:: 1828
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Condemned Criminals Receiving the Sacrament

Creator:: unknown artist
Date:: 1828
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Catwater, Entrance to Plymouth Sound

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828-1856
Materials & Techniques:: Mezzotint, proof before letters on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 1/2 × 14 3/8 inches (29.2 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Sheerness, As Seen From the Nore

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 10 5/8 × 16 5/8 inches (27 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Portsmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Distraining for Rent

Creator:: Abraham Raimbach, 1784–1868
Date:: 1828
Materials & Techniques:: Engraving on thick, moderately textured, cream laid paper with cream chine-collé
Dimensions:: Sheet: 21 5/8 × 27 7/8 inches (54.9 × 70.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Riding - A pair: 2. Now my dear Fanny

Creator:: Henry Pyall, 1795–1833
Date:: 1828
Materials & Techniques:: Hand colored and color printed aquatint
Dimensions:: Sheet: 9 7/8 x 11 3/4in. (25.1 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Billingsgate

Creator:: William Bernard Cooke, 1778–1855
Date:: 1828
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 x 9 1/4in. (15.2 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Billingsgate

Creator:: George Cooke, 1781–1834
Date:: 1828
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 1/2 x 6 5/8in. (24.1 x 16.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Greenwich Hospital

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Temple Church as Restored

Creator:: John Carter, 1748–1817
Date:: 1828
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Greenwich Hospital

Creator:: George Cooke, 1781–1834
Date:: 1828
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. London Horse and Carriage Repository, Gray's Inn Road

Creator:: William Deeble, active 1814–1849
Date:: 1828
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Idealities No. 5 and No. 6/ Ideas of Satisfaction / Ideas of Pioneers

Creator:: Thomas Jones, active 1828
Date:: 1828
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Samuel Johnson

Creator:: William Camden Edwards, 1777–1855
Date:: 1828
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 x 9 1/2in. (30.5 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

55. Sporting Idealities No. 3 and No. 4/A Flattering Idea / Not So Flattering

Creator:: Thomas Jones, active 1828
Date:: 1828
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Sidmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828-1856
Materials & Techniques:: Mezzotint, with graphite and scratching out; touched engraver's proof (a) on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Okehampton

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1828
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Ehrenbreitstein

Creator:: Print made by John Pye, 1782–1874
Date:: 1828
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Ehrenbreitstein

Creator:: Print made by John Pye, 1782–1874
Date:: 1828
Materials & Techniques:: Etching and line engraving, two plates; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 9/16 × 12 1/8 inches (44.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Line engraving, Early proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 × 11 1/2 inches (22.9 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Line engraving, first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 15 3/16 inches (29.8 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 5 1/2 × 7 15/16 inches (14 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828 to 1837
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828
Materials & Techniques:: Open etching on moderately thick, slightly textured, beige wove paper, with beige chine collé
Dimensions:: Sheet: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Virginia Water No. 1

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Open etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828-1837
Materials & Techniques:: Line engraving, first published state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 15/16 × 11 7/8 inches (22.7 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Virginia Water No. 1

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1832
Materials & Techniques:: Line engraving, first published state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Virginia Water No. 11

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1837
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/16 × 17 1/2 inches (30.6 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Virginia Water No. 1

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1832
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Nantes

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1828-1837
Materials & Techniques:: Line engraving, engraver's proof
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Virginia Water No. 11

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Nantes

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1828-1837
Materials & Techniques:: Line engraving, engraver's proof on moderateny thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Nantes

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1828-1837
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/8 × 16 7/8 inches (31.4 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Palace of La Belle Gabrielle

Creator:: Print made by William Miller, 1796–1882
Date:: 1828-1837
Materials & Techniques:: Line engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 5/8 × 13 1/2 inches (21.9 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Palace of La Belle Gabrielle

Creator:: Print made by William Miller, 1796–1882
Date:: 1828-1837
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Temple of Jupiter in the Island of Aegina

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1828
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 22 1/8 × 31 3/8 inches (56.2 × 79.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The Cyder Feast

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1828
Materials & Techniques:: Wood-engraving on thin, smooth, cream Asian paper
Dimensions:: Sheet: 3 7/16 x 5 1/2 inches (8.8 x 13.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Hyde Park Corner

Creator:: unknown artist
Date:: 1828
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Fishmonger's Hall

Creator:: James Sands, active 1813–1846
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Corner of the Palais de Justice, Paris

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: ca. 1833
Materials & Techniques:: Soft-ground etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 5/16 x 9 3/4 inches (33.8 x 24.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Château des Comtes de Flandre, Ghent

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: ca. 1833
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 x 9 15/16 inches (35.3 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Bologna

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1828
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/16 x 7 3/8 inches (26.2 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, A. Conger Goodyear, B.A. 1899, Fund

83. 1. St. Katherine's Hospital, Regents Park. 2. The Master's House

Creator:: Charles John Smith, 1803–1838
Date:: 1828
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Sion House

Creator:: James Baily, active 1815–1834
Date:: 1828
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Suspension Bridge, Hammersmith

Creator:: James Baily, active 1815–1834
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 11/16 x 12 5/8in. (24.6 x 32.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. York House, St. James's Park

Creator:: Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The Quadrant and Part of Regent Street

Creator:: William Wallis, 1794– active 1830
Date:: 1828
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

Creator:: Sir George Hayter, 1792–1871
Date:: 1828
Materials & Techniques:: Etching and stipple engraving on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/4 x 13 15/16 inches (37.4 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Hampton House, the Seat of T. Carr, Esquire

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1828
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Fox Hunting: Going to Cover

Creator:: Charles Bentley, 1806–1854
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 16 5/8in. (26.7 x 42.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Fox Hunting: Full Cry

Creator:: Charles Bentley, 1806–1854
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 16 5/8in. (26.7 x 42.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Fox Hunting: The Leap

Creator:: Charles Bentley, 1806–1854
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 16 5/8in. (26.7 x 42.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Fox Hunters - Gone Away

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 13 3/4in. (26.7 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Fox Hunters - Throwing Off

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 13 3/4in. (26.7 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Fox Hunters - In Full Cry

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 13 3/4in. (26.7 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Fox Hunting: The Death

Creator:: Charles Bentley, 1806–1854
Date:: 1828
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 10 1/2 x 16 5/8in. (26.7 x 42.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The New Corn Exchange, Mark Lane

Creator:: Josiah Henshall, 1806–1869
Date:: 1828
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Cambridge Terrace and the Colliseum Regents Park

Creator:: Robert Acon, 1792-1880
Date:: 1828
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Sheerness, As Seen From the Nore

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828
Materials & Techniques:: Mezzotint, engraver's Proof, before (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 14 5/8 inches (29.2 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Portsmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828
Materials & Techniques:: Mezzotint, engraver's proof (d) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 19 3/8 inches (34 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1828

Classification Prints

Search Results

1. High Street, Oxford (small replica)

2. Lake Albano

3. Ehrenbreitstein

4. Lake Albano

5. Nantes

6. St. Germain-en-Laye

7. The Temple of Jupiter in the Island of Aegina

8. Two Durham Oxen

9. Set of Four: Much Ado About Nothing or Illustrations of Sayings

10. One of a set of four: Much Ado About Nothing or Illustrations of Old Savings

11. St. Germain-en-Laye

12. Fonthill

13. [Fox-hunting] Set of twelve "Turner's / Illustrations / to Nimrod / on the Condition / of Hunters," supplementary to C. J. Apperley's edition of 1834.

14. One of a Set of Four: Much Ado About Nothing or Illustrations of Old Sayings

15. Set of Four: Much Ado About Nothing or Illustrations of Old Sayings

16. Set of Four: Much Ado About Nothing or Illustrations of Old Sayings

17. Rome, Castle of St. Angelo (vignette)

18. Mount Blanc

19. The Wreck

20. Miss Croker

21. Miss Croker

22. Lady Georgiana Fane

23. Miss Fanny Ayton

24. Furnivals Inn, Holborn; page 5 (Volume Two)

25. The Bride

26. Sir Anthony Van Dyke

27. Handbill describing the Building and Finances of the Thames Tunnel

28. Lake Albano

29. Prudoe Castle, Northumberland

30. Mount Blanc

31. Mount Blanc

32. Virginia Water. No. I

33. Lago Maggiore

34. Ehrenbreitstein

35. The High Street, Southampton

36. Regent Street from the Circus Piccadilly

37. Buildings on the East Side of Regent's Street

38. The Southwark Iron Bridge

39. Southwark Bridge

40. The Guildhall

41. Condemned Criminals Receiving the Sacrament

42. Catwater, Entrance to Plymouth Sound

43. Sheerness, As Seen From the Nore

44. Portsmouth

45. Distraining for Rent

46. Riding - A pair: 2. Now my dear Fanny

47. Billingsgate

48. Billingsgate

49. Greenwich Hospital

50. The Temple Church as Restored

51. Greenwich Hospital

52. London Horse and Carriage Repository, Gray's Inn Road

53. Idealities No. 5 and No. 6/ Ideas of Satisfaction / Ideas of Pioneers

54. Samuel Johnson

55. Sporting Idealities No. 3 and No. 4/A Flattering Idea / Not So Flattering

56. Sidmouth

57. Okehampton

58. Ehrenbreitstein

59. Ehrenbreitstein

60. Lake Albano

61. Lake Albano

62. Lake Albano

63. Lago Maggiore

64. Lago Maggiore

65. Virginia Water No. 1

66. Lago Maggiore

67. Virginia Water No. 1

68. Virginia Water No. 11

69. Virginia Water No. 1

70. Nantes

71. Virginia Water No. 11

72. Nantes

73. Nantes

74. Palace of La Belle Gabrielle