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Benjamin Wilson David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii
Benjamin Wilson, 1721–1788
David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii
1753
Not on view
Francis Wheatley Evening
Francis Wheatley, 1747–1801
Evening
1799
Not on view
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake The Chimney Sweeper (Plate 10)
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 10)
1789
William Blake Songs of Innocence, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
William Blake The Divine Image (Plate 24)
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
William Blake The Ecchoing Green (Plate 8)
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 8)
1789
William Blake Introduction (Plate 3)
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
ca. 1788
William Blake There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
ca. 1788
William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
William Blake Fame (Design 93)
William Blake, 1757–1827
Fame (Design 93)
between 1797 and 1798
William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake The Ecchoing Green (Plate 10)
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 10)
1789
William Blake The Divine Image (Plate 12)
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
William Blake Songs of Innocence, Title Page (Plate 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
William Blake Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
Printed by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
Francis Wheatley Country Scene: Figures by a Cottage Door and Cattle in a Stream
Francis Wheatley, 1747–1801
Country Scene: Figures by a Cottage Door and Cattle in a Stream
1795
Wallerant Vaillant Jonah Escaping from the Mouth of the Whale
Print made by Wallerant Vaillant, 1623–1677
Jonah Escaping from the Mouth of the Whale
undated
Sir Francis Seymour Haden The Terrace, Cintra
Sir Francis Seymour Haden, 1818–1910
The Terrace, Cintra
1877
Henry J. Townsend Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
Print made by Henry J. Townsend, 1810–1890
Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
1853
Robert Sargent Austin Four Friends
Print made by Robert Sargent Austin, 1895–1973
Four Friends
1947
Robert Sargent Austin Four Friends
Print made by Robert Sargent Austin, 1895–1973
Four Friends
1946
Graham Vivian Sutherland Lammas
Print made by Graham Vivian Sutherland, 1903–1980
Lammas
1926
George Richmond The Shepherd
Print made by George Richmond, 1809–1896
The Shepherd
1827
Bill Jay Colin Jacobson
Bill Jay, 1940–2009
Colin Jacobson
2004
Bernard Lens II The Judgement of Paris
Print made by Bernard Lens II, 1659–1725
The Judgement of Paris
1680s to 1690s
Bernard Lens II Children's Bacchanal
Print made by Bernard Lens II, 1659–1725
Children's Bacchanal
1680-1690s
James Tibbits Willmore The Golden Bough
Print made by James Tibbits Willmore, 1800–1863
The Golden Bough
1856
James Tibbits Willmore The Golden Bough
Print made by James Tibbits Willmore, 1800–1863
The Golden Bough
1856
John Raphael Smith Bacchus
John Raphael Smith, 1752–1812
Bacchus
1776
George Clint Robert Haldane, Esq.
George Clint, 1770–1854
Robert Haldane, Esq
1805
Mrs. P. D. H. Page Grape-vine, After the original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 74]
Mrs. P. D. H. Page, 20th century
Grape-vine, After the original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 74]
undated
Eliot Hodgkin Study for Forest of Kale
Eliot Hodgkin, 1905–1987
Study for Forest of Kale
ca. 1940
Eliot Hodgkin Study for Forest of Kale with Figure
Eliot Hodgkin, 1905–1987
Study for Forest of Kale with Figure
ca. 1940
Eliot Hodgkin Sketchbook Study for Forest of Kale
Eliot Hodgkin, 1905–1987
Sketchbook Study for Forest of Kale
ca. 1940