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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSubject Terms men
Remove constraint Subject Terms: menSearch Results
1
- The Ferry
- ca. 1840
2
- Arab Horsemen, Two Grey Horses
- 1965
3
- Crocks
- ca. 1924
4
- Sale at Ward's Repository, No. 2
- ca. 1918
5
- Timber Hauling
- ca. 1917
6
- A Morning at Tattersalls (with further sketches in left margin folded over)
- undated
7
- Under the Hammer
- between 1912 and 1913
8
- The Bayhorse, Tattersall’s
- 1921
9
- Ploughing the Hillside
- ca. 1905
10
- The Horse Mart (with further sketches in the margin)
- ca. 1918
11
- Over the Bank, Exmoor
- ca. 1895
12
- The Meet
- 1898-1899
13
- The Flying Pack
- 1898-1899
14
- Found!
- 1898-1899
15
- Who-o-p!
- 1898-1899
16
- The Homeward Star
- begun ca. 1880
17
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
18
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
19
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
20
- Human Figure, Lateral View
- 1795 to 1806
21
- Labourers
- 1789
22
- Grotesque Male Head
- undated
23
- Grotesque Male Head
- undated
24
- Grotesque Male Head
- undated
25
- Grotesque Male Head
- undated
26
- Grotesque Male Head
- undated
27
- Grotesque Male Head
- undated
28
- Grotesque Male Head
- undated
29
- Grotesque Male Head
- undated
30
- The First Stage of Cruelty
- ca. 1750
31
- Grotesque Male Head
- undated
32
- Gabriel Hunt
- undated
33
- Christ and the Woman of Samaria
- 1819
34
- The Deluge
- between 1813 and 1823
35
- Lake of Thun, Switzerland
- 1808
36
- Rome from Monte Mario
- ca. 1818
37
- Teignmouth, Devonshire
- ca. 1813
38
- Folkestone Harbour and Coast to Dover
- ca. 1829
39
- Night the First. On Life, Death and Immortality; Title Page
- ca. 1797
40
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
41
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
42
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
43
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
44
- 'This King of Terrors is the Prince of Peace' (Page 63)
- ca. 1797
45
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
46
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
47
- Night the Second. On Time, Death and Friendship; Title Page
- ca. 1797
48
- 'Emblem of that which shall awake the dead' (Page 19)
- ca. 1797
49
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
50
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- ca. 1797
51
- My Son! My Son!; Plate 10
- 1793
52
- Fire; Plate 7
- 1793
53
- Does Thy God O Priest Take such Vengeance as This?; Plate 14
- 1793
54
- Fear & Hope Are -- Vision; Plate 15
- 1793
55
- The Traveller Hasteth in the Evening; Plate 16
- 1793
56
- Death's Door; Plate 17
- 1793
57
- The Shepherd (Plate 4)
- 1789
58
- Laughing Song (Plate 14)
- 1789
59
- The Little Girl Lost (Plate 20)
- 1789
60
- Nurses Song (Plate 37)
- 1794
61
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
62
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
63
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
64
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
65
- Aged Ignorance; Plate 13
- 1793
66
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
67
- The Little Girl Found (Plate 22)
- 1789
68
- The Divine Image (Plate 24)
- 1789
69
- Songs of Experience, Title Page (Plate 33)
- 1794
70
- A Poison Tree (Plate 41)
- 1794
71
- London (Plate 39)
- 1794
72
- The Human Abstract (Plate 46)
- 1794
73
- Visions, Frontispiece (Plate 1)
- 1793
74
- Title Page, Visions of the Daughters of Albion (Plate 2)
- 1793
75
- Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
- 1793
76
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
77
- "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
- 1793
78
- "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
- 1793
79
- "What time the thirteen Governors that England sent convene..." (Plate 15)
- 1793
80
- Title Page. America, A Prophecy (Plate 2)
- 1793
81
- "Appear to the Americans upon the cloudy night..." (Plate 6)
- 1793
82
- "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
- 1793
83
- "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
- 1793
84
- Title Page, The Book of Thel (Plate 2)
- 1789
85
- "And Rahab Babylon the Great..." (Plate 75)
- 1804 to 1820
86
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
87
- "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
- between 1797 and 1798
88
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
89
- Sigtryg with the Silken Beard (Design 69)
- between 1797 and 1798
90
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
91
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
92
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
93
- "O'er thy country hangs The scourge of Heav'n..." (Design 59)
- between 1797 and 1798
94
- "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
- 1793
95
- Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
- 1793
96
- "Silent as despairing love, and strong as jealousy..." (Plate 4)
- 1793
97
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
98
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
99
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
100
- 'Is lost in love! thou great Philanthropist' (Page 87)
- 1797