Adrian Hope's House I: View of Entrance Hall Towards Staircase
undated
206
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan of Ceiling and Elevations of Walls Showing Details
undated
207
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library and Mr. Coevelt' s Bedroom - Plan and Wall Elevations of Library
undated
208
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet - Detail of Concice
undated
209
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Plan and Elevations of Walls
undated
210
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Mr. Coesvelt's Bedroom
undated
211
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet
undated
212
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library - Plan of Ceiling and Elevations of Walls.
undated
213
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Elevations and Ceiling Plan
undated
214
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Elevations and Ceiling Plan
undated
215
unknown artist
View of Bedgebury Park - Entrance Front
undated
216
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Furniture Designs
undated
217
unknown artist
Design for Table Top or Ceiling, with fringed flap on corner suggesting alterntive border pattern
undated
218
unknown artist
Design for Table - Elevation, View of Top, View of base
ca. 1835
219
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
undated
220
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
undated
221
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Occidentale du Chateau de Wildenstein, Dedie a son Exell le Lieutenent General, Compt Rapp, par son tres Humble Serviteur 1
undated
222
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)
undated
223
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours
undated
224
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
225
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
undated
226
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
undated
227
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
undated
228
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
undated
229
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
230
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Facade du Petit Chateau de Brucourt, du Cote du Nord, avec l'Agrandissement Projete
undated
231
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Tombeau de General Rapp a Colmar
1825
232
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
233
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
234
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
235
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
236
Thomas Miles Richardson Sr., 1784–1848
The Great Market, Newcastle Upon Tyne, with view of Spire of St. Nicholas
undated
237
Thomas Miles Richardson Sr., 1784–1848
Monk Bar, York
undated
238
Thomas Miles Richardson Sr., 1784–1848
St. Nicholas Church, Newcastle Upon Tyne
ca. 1825
239
Thomas Miles Richardson Sr., 1784–1848
Dunstanborough Castle
undated
240
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Room
ca. 1790
241
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of House with Alternative Design for Pediment
ca. 1790
242
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of the Office
ca. 1790
243
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Courtyard
ca. 1790
244
Humphry Repton, 1752–1818
Cobham Hall, Kent: Landscape drawing for Cobham Hall
ca. 1790
245
unknown artist
Herstmonceux Castle
undated
246
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Rez-de-Chaussee - Plan
undated
247
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
248
James Wyatt, 1746–1813
Cobham Hall, Kent: Side Elevation
ca. 1790
249
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
250
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
251
Thomas Allen, active 1767–1772
Old Vauxhall Gardens, Ancient Manor House
undated
252
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
253
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
254
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
255
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
256
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
257
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
258
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
259
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
260
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
261
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
262
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
263
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
264
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
265
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
266
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
267
John Robert Cozens, 1752–1797
Temple Ruins
undated
268
Giovanni Piranesi, 1720–1778
Obelisco Egizio
undated
269
Giovanni Piranesi, 1720–1778
Veduta del Castello dell Acqua Paolo sul Monte Aureo
undated
270
Giovanni Piranesi, 1720–1778
Veduta del Tempio delle Camene..
undated
271
Print made by James Basire the younger, 1769–1822
PLATE XV. Elevation of a Window Bay &c
1805
272
unknown artist
View Leading from St Stephen's Chapel to Speaker's Room &c
1834
273
unknown artist
St Stephen's Chapel
1834
274
unknown artist
St Stephen's Cloisters
1834
275
unknown artist
Ruins at Westminster
1834
276
Giovanni Piranesi, 1720–1778
Decoration Du Teatre Royal
undated
277
unknown artist
Ornament in Hollow, above Angular and Clerestory Windows
1826
278
unknown artist
Gateway Leading into Dean's Yard
undated
279
unknown artist
The Plan of the Stable Yard, Westminster
1811
280
Richard Banks Harraden, 1778–1862
Chapel Front, Emanuel College, Cambridge
ca. 1833
281
Richard Banks Harraden, 1778–1862
Pembroke College, Cambridge
undated
282
Richard Banks Harraden, 1778–1862
St. Peter's College, Cambridge
ca. 1830
283
Richard Banks Harraden, 1778–1862
New Building of St. John's from the Gardens, Cambridge
ca. 1830
284
Richard Banks Harraden, 1778–1862
Jesus College, Cambridge
ca. 1830
285
Edward Walhouse Mark, 1817–1895
The Doric Order
undated
286
Edward Walhouse Mark, 1817–1895
The Composite Order
undated
287
Edward Walhouse Mark, 1817–1895
The Ionic Order
undated
288
David Simson, 1803–1874
At Stirling (view of sloped street)
1861
289
Richard Banks Harraden, 1778–1862
Emanuel College from St. Andrews Street, Cambridge
ca. 1830
290
Richard Banks Harraden, 1778–1862
Jesus College from the Meadows, Cambridge
ca. 1830
291
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
292
Stephen Riou, 1720–1780
Design for a villa: `The Ground Plan and Elevations of a Villa'
1770
293
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
294
Stephen Riou, 1720–1780
Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan
1763
295
Henry Holland, 1745–1806
Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation