Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
2
Print made by Francesco Bartolozzi, 1728–1815
The Cottagers
1794
3
Print made by John Ogborne the Elder, 1755–1795
Mrs. Jordan in the Character of the Romp
1788
4
Print made by Thomas Watson, 1743–1781
Miss Elizabeth Beauclerc as 'Una'
1782
5
Print made by Francis Haward, 1759–1797
Cymon and Iphigenia
1797
6
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
1797
7
Francesco Bartolozzi, 1728–1815
The Death of Arcite
1790
8
Print made by Francis Haward, 1759–1797
Mrs. Siddons, in the Character of the Tragic Muse
1787
9
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
10
Print made by Charles Gauthier Playter, died 1809
Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
1793
11
Francesco Bartolozzi, 1728–1815
Prospero Disarming Ferdinand, Act I, Scene II
1793
12
Print made by Francesco Bartolozzi, 1728–1815
Tom Jones Assisting Molly Seagrim
1782
13
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
14
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
15
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
16
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
17
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
1783
18
Francesco Bartolozzi, 1728–1815
Adelaide
1798
19
Francesco Bartolozzi, 1728–1815
Concert Ticket For The Benefit of Madame Banti
1795
20
Francesco Bartolozzi, 1728–1815
Fonrose
1798
21
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
22
Francesco Bartolozzi, 1728–1815
Cecilia
1783
23
Francesco Bartolozzi, 1728–1815
I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
ca.1785
24
Francesco Bartolozzi, 1728–1815
May
1793
25
Francesco Bartolozzi, 1728–1815
June
1789
26
Francesco Bartolozzi, 1728–1815
August
1793
27
Francesco Bartolozzi, 1728–1815
July
1789
28
Francesco Bartolozzi, 1728–1815
April
1790
29
Print made by Francesco Bartolozzi, 1728–1815
Si Giacerebbe Inutile Per Terra Deserta Senza Frutto, E Senza Onore
1774
30
Francesco Bartolozzi, 1728–1815
Poetry And History, Presenting Painting, With Subjects For Her Pencil
1794
31
Francesco Bartolozzi, 1728–1815
Palamon and Arcite
1790
32
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
ca. 1783
33
Print made by Francesco Bartolozzi, 1728–1815
The Death of Cora
1788
34
Francesco Bartolozzi, 1728–1815
Fonrose
1798
35
Francesco Bartolozzi, 1728–1815
Maria of Moulines
1784
36
Francesco Bartolozzi, 1728–1815
Adelaide
1798
37
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There's Rue for You, and Here's Some for Me
1784
38
Francesco Bartolozzi, 1728–1815
Ticket: For The Benefit Of Mad' Banti
1795
39
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Madame Banti
1797
40
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
41
Francesco Bartolozzi, 1728–1815
Joseph Andrews
1781
42
Francesco Bartolozzi, 1728–1815
Cordelia
1784
43
Francesco Bartolozzi, 1728–1815
The Dead Ass, Nampont
1799
44
Francesco Bartolozzi, 1728–1815
Lodona
1792
45
Francesco Bartolozzi, 1728–1815
The Hours
1788
46
Francesco Bartolozzi, 1728–1815
The Freeing of Amoret
1792
47
Francesco Bartolozzi, 1728–1815
The Deserted Village
1795
48
Francesco Bartolozzi, 1728–1815
Orlando Rescues Olympia From The Orca In The Island Ebuda
1768
49
Francesco Bartolozzi, 1728–1815
Vortigern And Rowena
1788
50
Francesco Bartolozzi, 1728–1815
Shakespeare's Tomb
1782
51
Francesco Bartolozzi, 1728–1815
Sappho Embracing Love
1783
52
Francesco Bartolozzi, 1728–1815
Angelica And Medora
1787
53
Francesco Bartolozzi, 1728–1815
Morte de Clorinda
1785
54
Francesco Bartolozzi, 1728–1815
Rinaldo et Armida
1785
55
Francesco Bartolozzi, 1728–1815
Alexander and Nerina
1784
56
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
57
Francesco Bartolozzi, 1728–1815
Hercules and Omphale
58
Francesco Bartolozzi, 1728–1815
Lauretta
1776
59
Francesco Bartolozzi, 1728–1815
The Snuff Box, Calais
1799
60
Francesco Bartolozzi, 1728–1815
The Shepherdess of the Alps
1776
61
Francesco Bartolozzi, 1728–1815
Selim of the Shepherd's Moral
1788
62
Print made by Francesco Bartolozzi, 1728–1815
Miss Anna Brunton
1785
63
Francesco Bartolozzi, 1728–1815
Jane Shore
1790
64
Francesco Bartolozzi, 1728–1815
Alcander and Nerina
1784
65
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Madame Banti
1797
66
Peter Simon, 1750–1810
The Interview of Tom Jones and Sophia, After the Reconciliation
1789
67
Gabriel Scorodomoff, 1748–1792
Reflections on Clarissa Harlow
1785
68
Francesco Bartolozzi, 1728–1815
The Cottagers
1794
69
Print made by Peltro W. Tomkins, 1760–1840
Sylvia
1786
70
John Keyse Sherwin, c.1751–1790
Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"
1791
71
George Vertue, 1684–1756
Edmund Spenser
1727
72
George Vertue, 1684–1756
Sir Philip Sidney
1741
73
George Vertue, 1684–1756
Sir John Suckling
1744
74
Simon François Ravenet, 1706–1774
Isaac Watts
undated
75
unknown artist
Thomas Percy, Bishop of Dromore
undated
76
Peltro W. Tomkins, 1760–1840
Mrs Seaforth as, Tuccia - The Vestal Virgin
1798
77
Print made by William Birch, 1755–1834
Mrs. Robinson
1792
78
Thomas Watson, 1743–1781
Elizabeth Ann Sheridan (née Linley) as St. Cecilia
1779
79
Francesco Bartolozzi, 1728–1815
Lady Elizabeth Cavendish (née Hervey), Duchess of Devonshire
1787
80
Francesco Bartolozzi, 1728–1815
Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
1789
81
Print made by Francesco Bartolozzi, 1728–1815
Ophelia: There Is Rue for You and Here's Some for Me
1784
82
Francesco Bartolozzi, 1728–1815
Queen Katherine's Dream - "Henry VIII"
1788
83
Print made by Robert Dighton, 1752–1814
Hamlet in Scotland
1794
84
Print made by Thomas Macklin, active 1779–1793
Fallstaff Playing the Prince, The Prince Playing the King
1796
85
William S. Leney, 1769–1831
Taming the Shrew, Act III, Scene II
1793
86
Robert Mitchell Meadows, Died before 1812
Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
1794
87
William Nutter, 1754–1802
Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
1789
88
Peter Simon, 1750–1810
Taming Of The Shrew, Act III, Scene II
1795
89
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
90
Peltro W. Tomkins, 1760–1840
The Three Witches
1786
91
George Vertue, 1684–1756
Ralph Cudworth
undated
92
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
1797
93
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
1797
94
Francesco Bartolozzi, 1728–1815
Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
1789
95
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
96
Print made by James Parker, 1750–1805
The Fall of Agandecca
1783
97
Francesco Bartolozzi, 1728–1815
Queen Katherine's Dream
1788
98
Peter Simon, 1750–1810
Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
1789
99
Francesco Bartolozzi, 1728–1815
Jane Shore
1790
100
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire