Materials & Techniques: 3 selected / Image Available: Available

1. Landscape Sketch

Creator:: attributed to Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Pink wash, brown wash, pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 15 3/4 inches (18.7 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. An Ancient Barn at Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash, brown wash, and graphite on moderately textured, moderately thick, cream wove paper
Dimensions:: Sheet: 6 1/8 × 11 inches (15.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Dawn

Creator:: John Constable, 1776–1837
Date:: between 1831 and 1832
Materials & Techniques:: Pen and brown ink and brown wash on thin, smooth, cream wove paper
Dimensions:: Sheet: 2 1/4 x 4 3/8 inches (5.7 x 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Memphis

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Brown wash, graphite, pen and brown ink on thick, rough, cream wove paper
Dimensions:: Sheet: 3 3/4 x 7 11/16 inches (9.5 x 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

5. Reggio, 26 July 1847

Creator:: Edward Lear, 1812–1888
Date:: 1847
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/4 x 18 7/8 inches (28.6 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

6. S. Pietro Degli Agostiniani. Leonessa.

Creator:: Edward Lear, 1812–1888
Date:: 1844
Materials & Techniques:: Watercolor, graphite, brown wash, pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 7/8 x 9 11/16 inches (25.1 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

7. Bavella, Corsica

Creator:: Edward Lear, 1812–1888
Date:: ca. 1868
Materials & Techniques:: Pen and brown ink, pen and black ink, brown wash, and graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 9 × 14 1/2 inches (22.9 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Turin, Italy

Creator:: Edward Lear, 1812–1888
Date:: after 1872
Materials & Techniques:: Pen in brown ink with brown wash over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/2 x 21 1/2 inches (34.3 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Albania

Creator:: Edward Lear, 1812–1888
Date:: between 1848 and 1849
Materials & Techniques:: Watercolor with pen in brown ink and brown wash over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 5 3/16 x 9 13/16 inches (13.2 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Pontine Marshes above Terracina

Creator:: Edward Lear, 1812–1888
Date:: ca. 1880
Materials & Techniques:: Pen in brown ink with brown wash over graphite on very thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/8 x 12 7/16 inches (23.8 x 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Landscape with Bridge

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, graphite and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 9/16 × 10 7/16 inches (19.2 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Thatched Roof and Tree

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Brown wash, graphite, pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/16 × 10 15/16 inches (38.3 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Shed

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, graphite, and scratching out on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 7/8 × 7 7/8 inches (14.9 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Harbor

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 9 1/4in. (14.6 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Ram and Two Sheep

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, graphite and scratching out on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 6 x 8 1/4in. (15.2 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Nocturnal View of Mountainous Landscape with River

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Brown wash, sponging and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 5 5/8 inches (16.5 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Design for a Ceiling Decoration (with a Parrot)

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink and brown wash over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 3/8 x 8 1/4in. (18.7 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Margate Harbor

Creator:: Samuel Owen, 1768–1857
Date:: ca. 1806
Materials & Techniques:: Brown wash and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 19 1/8 inches (30.8 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Design for a Lunette

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink and brown wash over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 7 3/4 x 13 9/16 inches (19.7 x 34.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. On the Cimaronero River

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and brown ink, black ink, brown wash, graphite and scratching out on medium, slightly texturer, beige wove paper
Dimensions:: Sheet: 7 1/8 × 9 7/8 inches (18.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches

Creator:: Richard Morris, active 1830
Date:: ca. 1831
Materials & Techniques:: Pen in black ink with brown and gray wash on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 9/16 x 20 1/8 inches (16.7 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Hogarth Declaring His Love to Miss Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Totnes from the Seymour Hotel

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: 1838
Materials & Techniques:: Pen and black ink, brown ink, gray wash, brown wash and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 7/16 × 18 3/16 inches (29.1 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Queen Anne's Court, Cheyne Walk, Chelsea

Creator:: Henry Greaves, 1850–1900
Date:: 1874
Materials & Techniques:: Brown wash, gray wash, pen and brown ink, pen and black ink, and graphite on thick, smooth, cream card
Dimensions:: Sheet: 20 × 25 inches (50.8 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Mount Soratte from Civita Castellana

Creator:: William Haygarth, active 1810–1816
Date:: 1816
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 21 1/8 inches (32.7 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Shakespeare House, Aldersgate Street

Creator:: J. Jacobs, active 1816–1864
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, brown wash and white gouache on slightly textured, medium, white wove paper
Dimensions:: Sheet: 8 13/16 × 8 3/8 inches (22.4 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Maya Stela at Copan, Honduras

Creator:: Frederick Catherwood, 1799–1854
Date:: 1843
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, graphite, and scratching out on thick, moderately textured, cream wove paper, mounted on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 15 7/16 × 21 5/8 inches (39.2 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Henry Schnakenberg

32. Design for Stables: Plan and Elevation

Creator:: Henry Holland, 1745–1806
Date:: undated
Materials & Techniques:: Pen and black ink with brown wash on thin, smooth, beige wove paper
Dimensions:: Sheet: 20 15/16 x 12 3/4 inches (53.2 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Fulham Palace, Porter's Lodge

Creator:: John Gendall, 1790–1865
Date:: undated
Materials & Techniques:: Brown wash, pen and brown ink with white gouache over graphite on thick, textured, card
Dimensions:: Sheet: 5 × 5 15/16 inches (12.7 × 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Old Black Lion, Chelsea

Creator:: Walter Greaves, 1846–1930
Date:: undated
Materials & Techniques:: Gray and brown wash with pen and gray and brown ink, over graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 10 1/2 x 8 3/16in. (26.7 x 20.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Old Chelsea Church

Creator:: Walter Greaves, 1846–1930
Date:: undated
Materials & Techniques:: Gray and brown wash with pen and black and brown ink over graphite on Very thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 x 7 1/8in. (27.9 x 18.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Pass of Glyndiffis

Creator:: Amos Green, 1735–1807
Date:: undated
Materials & Techniques:: Gray and brown wash with pen and brown ink over graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 12 1/2 x 17 1/8 inches (31.8 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Scene in a Roman Prison

Creator:: attributed to Angelica Kauffmann, 1741–1807
Date:: undated
Materials & Techniques:: Brown wash with pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 16 13/16in. (29.2 x 42.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Well at Bolonchen, Yucatan

Creator:: Frederick Catherwood, 1799–1854
Date:: 1843
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, graphite, and scratching out on thick, slightly textured, cream wove paper
Dimensions:: Mount: 20 3/16 × 15 5/16 inches (51.3 × 38.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Henry Schnakenberg

39. Jupiter and Callisto: Ovid, Metamorphoses, Book 2

Creator:: Thomas Carwitham, active 1723
Date:: ca. 1723
Materials & Techniques:: Pen and brown ink and brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 4 5/16 x 3 3/4 inches (11 x 9.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

40. Four Galloping Horses

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Pen and brown ink and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 13 1/4 inches (23.5 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Design for a Pavilion in a Deer Park

Creator:: William Kent, ca.1686–1748
Date:: ca. 1735
Materials & Techniques:: Brown wash, graphite, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 11 7/8 inches (18.4 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. A Study of Agostino Cornacchini's Statue of Charlemagne, St. Peter's Basilica, Rome

Creator:: Joseph Wilton, 1722–1803
Date:: Between 1747 and 1755
Materials & Techniques:: Graphite, pen and brown ink and brown wash on medium, moderately textured cream laid paper
Dimensions:: Sheet: 10 × 6 1/8 inches (25.4 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Sheet of Classical Figure Studies

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and brown ink, and brown wash on moderately thick, moderately textured beige laid paper and moderately thick, slightly textured, beige wove paper mount
Dimensions:: Sheet: 8 3/8 x 6 3/4 inches (21.3 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Church and Cottages

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Brown wash, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 10 1/2 inches (19.7 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Interior of a Stable, with Tow Horses Feeding

Creator:: William Burgess, 1749–1812
Date:: undated
Materials & Techniques:: Brown wash, watercolor, pen and brown ink, white gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 13 1/4 inches (23.8 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Margate Hoy

Creator:: Joseph Clarendon Smith, 1778–1810
Date:: 1807
Materials & Techniques:: Graphite, brown wash, and pen and black ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 11 5/8 inches (23.2 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Unique Specimens of Mineralogy

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Brown wash, and pen and gray ink on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 8 1/8 inches (31.8 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. A Study for the Wellington Monument

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 8 inches (25.1 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. A Horse pulling a Drag

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Brown wash, pen and black ink and graphite on medium, slightly textured, cream wove paper mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 9 3/8in. (14.9 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 9/16 inches (33 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Two Men Walking in a Landscape

Creator:: Rev. William Gilpin, 1724–1804
Date:: 1783
Materials & Techniques:: Watercolor, graphite, brown wash, pen and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 15/16 × 16 3/8 inches (27.8 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

62. Horse Dressed in Blanket

Creator:: Sawrey Gilpin, 1733–1807
Date:: 1760
Materials & Techniques:: Graphite, brown wash, pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 10 13/16 × 14 3/8 inches (27.5 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

63. Arch of Trajan, Ancona, Italy

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1804
Materials & Techniques:: Graphite, blue wash, gray wash, brown wash, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 15/16 × 8 15/16 inches (27.8 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Cathedral at Arezzo, Tuscany

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Study of a Prison in Venice

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 5 3/4 inches (14 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. In Vicenza

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite, brown wash, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 11/16 × 6 inches (11.9 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Sketches of Buildings in Vicenza

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 7 13/16 × 4 11/16 inches (19.8 × 11.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. A Villa Near Potsdam

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 4 3/4 × 7 3/8 inches (12.1 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. One of the Entrances to Potsdam

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 4 11/16 × 7 1/2 inches (11.9 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Study of a Stone Mausoleum

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash, Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 5/8 × 6 3/8 inches (11.7 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1814 to 1820
Materials & Techniques:: Pen and brown ink, brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 9/16 × 3 1/2 inches (9 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Study for Napoleon Bonaparte

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink and brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 3/8 × 6 1/16 inches (18.7 × 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Ferdinand Reunited with his Father

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, and gouache on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 15/16 x 4 5/16 inches (15.1 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Bust of Shakespeare

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Graphite, pen and ink, brown wash, and gouache on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 x 5 13/16 inches (22.2 x 14.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Prospero Conjuring a Masque for Ferdinand and Miranda

Creator:: Robert Smirke, 1752–1845
Date:: ca. 1810
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 15/16 x 6 9/16 inches (12.6 x 16.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Isabella and Mariana Kneeling Before the Duke

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 4 inches (13 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Falstaff at Herne's Oak

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/16 x 4 1/2 inches (18.6 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Hotspur and the Plotters at Bangor

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Graphite, pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 5 inches (16.8 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Claudio and Isabella

Creator:: Robert Smirke, 1752–1845
Date:: 1823
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 4 inches (13 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Christopher Sly and the Page, as His Wife

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, beige wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/16 x 4 7/16 inches (16.3 x 11.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Viola and Olivia

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 x 4 3/8 inches (16.7 x 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Malvolio abusing Maria, Fabian and Sir Toby

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil, partly varnished on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 4 5/16 inches (15.5 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Feste, as Sir Topas, addressing Malvolio

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil, partly varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 x 4 5/16 inches (16.7 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Capulet Railing at his Daughter, Juliet

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/16 x 4 1/2 inches (16.1 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Juliet About to Take her Sleeping Draught

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 4 1/2 inches (16.5 x 11.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Katherina and Grumio

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache, oil, and graphite on moderately thick, slightly textured, cream beige paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 x 4 3/8in. (16.2 x 11.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Master William Page and Sir Hugh Evans

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/16 x 4 1/2 inches (18.5 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Ford in a Rage After Seeing Falstaff

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 15/16 x 4 1/2 inches (15.1 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Lady Mortimer's Welsh Song

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 x 4 5/16 inches (17.7 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Death of Ophelia

Creator:: Robert Smirke, 1752–1845
Date:: ca. 1810
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 13/16 x 5 7/8 inches (12.2 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. [One from] Illustrations to Shakespeare

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, white gouache and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 11 5/16 × 8 inches (28.7 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Study of Nude Figures in a Wooded Area

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, white gouache and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/2 × 9 3/16 inches (19.1 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Figure Study of a Bacchanalia Celebration in a Wooded Landscape

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 5/16 × 9 9/16 inches (11 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Figure Study of a Bacchanalia Celebration in a Wooded Landscape

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 3 15/16 × 9 3/8 inches (10 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Figure Studies of a Group of People in a Wooded Clearing

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown inki, brown wash and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 3 1/8 × 5 1/2 inches (7.9 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Figure Study of a Bacchanalia Celebration in a Wooded Landscape

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 3 5/8 × 9 1/2 inches (9.2 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Skech for Timon of Athens

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, gray wash, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Image: 5 1/8 × 9 7/16 inches (13 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Study for a Piece of Furniture

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 8 1/16 inches (16.2 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Temple of Concordia

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 × 11 3/8 inches (22.9 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Architectural Sketch of Building with Doric Columns

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and black ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 7 9/16 × 10 3/4 inches (19.2 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques brown wash

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1. Landscape Sketch

2. An Ancient Barn at Shoreham

3. Dawn

4. Memphis

5. Reggio, 26 July 1847

6. S. Pietro Degli Agostiniani. Leonessa.

7. Bavella, Corsica

8. Turin, Italy

9. Albania

10. The Pontine Marshes above Terracina

11. Landscape with Bridge

12. Thatched Roof and Tree

13. Shed

14. Harbor

15. Ram and Two Sheep

16. Nocturnal View of Mountainous Landscape with River

17. Design for a Ceiling Decoration (with a Parrot)

18. Margate Harbor

19. Design for a Lunette

20. On the Cimaronero River

21. Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches

22. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

23. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

24. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

25. Hogarth Declaring His Love to Miss Thornhill

26. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

27. Totnes from the Seymour Hotel

28. Queen Anne's Court, Cheyne Walk, Chelsea

29. Mount Soratte from Civita Castellana

30. Shakespeare House, Aldersgate Street

31. Maya Stela at Copan, Honduras

32. Design for Stables: Plan and Elevation

33. Fulham Palace, Porter's Lodge

34. The Old Black Lion, Chelsea

35. Old Chelsea Church

36. Pass of Glyndiffis

37. Scene in a Roman Prison

38. Well at Bolonchen, Yucatan

39. Jupiter and Callisto: Ovid, Metamorphoses, Book 2

40. Four Galloping Horses

41. Design for a Pavilion in a Deer Park

42. A Study of Agostino Cornacchini's Statue of Charlemagne, St. Peter's Basilica, Rome

43. Sheet of Classical Figure Studies

44. Church and Cottages

45. Interior of a Stable, with Tow Horses Feeding

46. Margate Hoy

47. Unique Specimens of Mineralogy

48. A Study for the Wellington Monument

49. A Horse pulling a Drag

50. The Reconcilation

51. The Smock Exposed

52. Hogarth Drawing Sarah Malcolm

53. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

54. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

55. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

56. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

57. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

58. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

59. Hogarth Sitting to Roubiliac for His Bust

60. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

61. Two Men Walking in a Landscape

62. Horse Dressed in Blanket

63. Arch of Trajan, Ancona, Italy

64. Cathedral at Arezzo, Tuscany

65. Study of a Prison in Venice

66. In Vicenza

67. Sketches of Buildings in Vicenza

68. A Villa Near Potsdam

69. One of the Entrances to Potsdam

70. Study of a Stone Mausoleum

71. Study For, Christ's Entry into Jerusalem

72. Study for Napoleon Bonaparte