Westminster Bridge, with the Lord Mayor's Procession on the Thames
1747
Not on view
4
unknown artist
A Game of Cricket (The Royal Academy Club in Marylebone Fields, now Regent's Park)
between 1790 and 1799
Not on view
5
Richard Wilson, 1713/4–1782
View of the Wilderness in St. James's Park
between 1770 and 1775
Not on view
6
unknown artist
The Interior of Westminster Abbey
ca. 1714
Not on view
7
George Morland, 1763–1804
St. James's Park
between 1788 and 1790
Not on view
8
Joseph Farington, 1747–1821
Westminster Abbey and Bridge
1794
Not on view
9
Samuel Scott, 1701/2–1772
The Building of Westminster Bridge
ca. 1742
Not on view
10
Canaletto, 1697–1768
Westminster from Near the Terrace of Somerset House
ca. 1750
Not on view
11
Samuel Scott, 1701/2–1772
Westminster from Lambeth, with the Ceremonial Barge of the Ironmongers' Company
ca. 1745
Not on view
12
unknown artist
An Imaginary View of Westminster Bridge
mid-18th century
Not on view
13
Edward Edwards, 1738–1806
Interior View of Westminster Abbey on the Commemoration of Handel, Taken from the Manager's Box
ca. 1790
Not on view
14
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
15
unknown artist
A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church
16
Thomas Bowles III, ca. 1712–1767
The Inside of St. Martin's Church in the Fields
17
unknown artist
The Inthronization of their Majesties also a View of the West End of the Choir of St. Peters in Westminster, and of the manner of Placing and Seating the Company in that Part of the Choir
18
John Warwick Smith, 1749–1831
A View of St. James's Park, taken near the Stable Yard
19
unknown artist
A Prospect of the Inside of Westminster, Shewing how the King and Queen with the Nobility and others did sit at Dinner on the Day of the Coronation. Also the manner of tghe Champions performing the Ceremony of Challenge whilst the King & c. were at Dinner
20
unknown artist
A Perspective View of the Magnificent Structure, erected in the Green Park for the Royal Fireworks exhibited the 27 of April 1749, on account of the General Peace
21
Thomas Bowles III, ca. 1712–1767
The Inside of Westminster Abby
22
John Maurer, active 1713–1761
A Perspective View of ye Parade in St. James's Park. The Treasury, The New Buildings for the Horse Guards, And His Majesty going to the House of Lords
23
Thomas Bowles III, ca. 1712–1767
A South View of Westminster Abby & St. Margarets Church
24
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
25
unknown artist
The Royal Palace of St. James's next the Park
26
unknown artist
The Inside View of King Henry VII Chappel, in Westminster Abby
27
John Boydell, 1720–1804
St. Clement Danes
1751
28
John Maurer, active 1713–1761
A Perspective View of Whitehall
29
John Maurer, active 1713–1761
A Perspective of ye Royal Palace of Somerset next ye River
1742
30
Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I
1720
31
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
32
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
33
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
34
Thomas Malton the Younger, 1748–1804
York Water Gate
1795
35
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
36
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
37
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
38
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
39
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
40
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
41
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
42
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
43
Print made by Paul Angier, active 1749
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
44
James Miller, active 1773–1814
The Church of St. John's, Smith Square
1770s
45
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
46
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
47
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
48
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
49
unknown artist
A view of the inside of Westminster Hall
ca. 1700
50
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
51
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
52
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
53
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
54
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
55
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
56
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
57
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
58
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
59
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
60
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
61
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
62
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
63
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
64
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
65
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
66
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
67
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
68
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
69
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
70
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
71
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
72
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
73
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
74
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
75
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
76
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
77
Print made by Charles J. Hullmandel, 1789–1850
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
78
Print made by James Basire the younger, 1769–1822
Plate XI: St Stephen's Chapel
1795
79
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
80
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
81
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
82
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
83
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
84
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
85
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
86
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
87
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
88
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
89
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
90
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
91
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
92
Samuel Scott, 1701/2–1772
The Thames with Montagu House and Westminster Bridge
undated
93
Samuel Scott, 1701/2–1772
Westminster Bridge under Construction
undated
94
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
95
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
96
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
97
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
98
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
99
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
100
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel