Materials & Techniques: black ink and brown ink - YCBA Collections Search Search Results

1. The Valley of Vision

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Gouache, brush and brown and black ink, brown and black wash, over graphite on moderately thick, slightly textured, cream wove paper (wrapper for Creswick crayon paper)
Dimensions:: Sheet: 11 1/8 x 17 1/2 inches (28.3 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Grotesque Male Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 x 1 3/4 inches (5.1 x 4.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Grotesque Male Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 7/8 x 1 5/8 inches (4.8 x 4.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Grotesque Male Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 3/4 x 2 inches (4.4 x 5.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Grotesque Male Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 3/4 x 1 3/4 inches (4.4 x 4.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Grotesque Male Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 5/8 x 1 1/2 inches (4.1 x 3.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Grotesque Male Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 x 1 1/2 inches (5.1 x 3.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Grotesque Male Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 1 3/4 x 2 inches (4.4 x 5.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Grotesque Female Head

Creator:: attributed to William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 1/8 x 1 7/8 inches (5.4 x 4.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Lake Geneva and Mount Blanc

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1802 to 1805
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink and scraping out on slightly textured, cream wove paper
Dimensions:: Sheet: 28 7/8 x 44 5/8 inches (73.3 x 113.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Catania

Creator:: Edward Lear, 1812–1888
Date:: 1847
Materials & Techniques:: Pen and brown ink, pen and black ink, and graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 7 5/8 × 14 1/2 inches (19.4 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Dead Sea, 16 and 17 April 1858

Creator:: Edward Lear, 1812–1888
Date:: April 16 and 17, 1858
Materials & Techniques:: Pen and brown ink with watercolor over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 14 1/2 x 21 3/4 inches (36.8 x 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Near Daboad

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink, and black ink on thick, moderately textured, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 2 x 9 15/16 inches (5.1 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

14. Bavella, Corsica

Creator:: Edward Lear, 1812–1888
Date:: ca. 1868
Materials & Techniques:: Pen and brown ink, pen and black ink, brown wash, and graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 9 × 14 1/2 inches (22.9 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Abu Simbel, 11-11:30 am, 8 February 1867 (374)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink, pen and black ink and graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 13 3/4 × 20 1/8 inches (34.9 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Strongyli

Creator:: Edward Lear, 1812–1888
Date:: May 4, 1864
Materials & Techniques:: Brown and black ink and graphite on medium, moderately textured, brown wove paper
Dimensions:: Frame: 22 x 29 x 1 inches (55.9 x 73.7 x 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Peter R. Spokes, Yale BA 1948, in memory of C.C. and C.B. Hogan, Yale BA 1928

17. Borghese Gladiator

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown ink over graphite, verso: graphite, black ink and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 16 1/2 x 15 1/4 inches (41.9 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

18. Manuscript Notes

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

19. Manuscript Notes

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

20. Manuscript Notes

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

21. Manuscript Notes

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

22. Manuscript Notes

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

23. Manuscript Notes

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

24. Manuscript Notes

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

25. Manuscript Notes

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

26. Manuscript Notes

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

27. Manuscript Notes

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

28. Manuscript Notes

Creator:: George Romney, 1734–1802
Date:: 1773
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 1/2 inches (16.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

29. Headfort House, Ireland: Detail of the Lady's Room Ceiling

Creator:: Robert Adam, 1728–1792
Date:: 1772
Materials & Techniques:: Pen and brown ink, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 x 21 1/4 inches (33.7 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Langford House, Dublin, Ireland: Elevations of Room Facing the Garden

Creator:: Robert Adam, 1728–1792
Date:: 1765
Materials & Techniques:: Pen and black ink with gray wash over graphite on moderately thick, moderately textured, cream laid paper mounted on linen
Dimensions:: Sheet: 28 7/16 x 20 9/16 inches (72.3 x 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. View Near Arundel Castle

Creator:: Thomas Shotter Boys, 1803–1874
Date:: 1823 and 1874
Materials & Techniques:: Watercolor, with pen and brown ink, over graphite with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 5/8 × 5 inches (9.2 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Headfort House, Ireland: Lady's Room Ceiling

Creator:: Robert Adam, 1728–1792
Date:: 1772
Materials & Techniques:: Graphic, watercolor with pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/8 x 22 3/16 inches (44.1 x 56.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Album of Landscape and Figure Studies: Profile of a Man with an Umbrella

Creator:: Thomas Bradshaw, Born 1767
Materials & Techniques:: Graphite, watercolor, and pen and black ink; verso: pen and brown ink
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. View at Swiss Cottage, London

Creator:: Thomas Shotter Boys, 1803–1874
Date:: 1836
Materials & Techniques:: Watercolor, pen, brown ink, black ink, graphite, gouache and gum arabic on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 15/16 x 10 5/16 inches (17.6 x 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. On the Cimaronero River

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and brown ink, black ink, brown wash, graphite and scratching out on medium, slightly texturer, beige wove paper
Dimensions:: Sheet: 7 1/8 × 9 7/8 inches (18.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Market Place, Tanta, Egypt

Creator:: William Paton Burton, 1828–1883
Date:: 1874
Materials & Techniques:: Watercolor, pen and ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 7/16 × 20 1/2 inches (36.7 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Hogarth Declaring His Love to Miss Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Street Scene at Stratford by Bow

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 8 1/4 inches (12.1 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 9/16 inches (33 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Temple of Venus and Rome from the Colosseum

Creator:: William Pars, 1742–1782
Date:: 1781
Materials & Techniques:: Watercolor with pen and brown and black ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/16 x 16 3/8 inches (30.6 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Perspective View: the New Houses of Parliament

Creator:: Sir Charles Barry, 1795–1860
Date:: ca. 1840-1849
Materials & Techniques:: Watercolor over traces of graphite, with gouache, pen and black and brown ink on medium, smooth, weige wove paper
Dimensions:: Sheet: 15 7/8 x 30 1/8 inches (40.3 x 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Torrs

Creator:: unknown artist
Date:: 1808
Materials & Techniques:: Graphite, watercolor, pen and brown and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 38 3/8 × 25 1/4 inches (97.5 × 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Culdoch

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 13 11/16 inches (50.2 × 34.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Brouckleugh; Mickle Sypeland

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 9 1/2 inches (33 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Bishopton

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 9 3/8 inches (33 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Whinny Liggate; Balgredan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, gray wash, pen and black and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 9 1/2 inches (33 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Christ Preaching to the Elders in the Temple

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Conversion of Saul

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Christ with Three Figures

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Christ Healing the Palsied Man

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. An Elderly Man Petitioning Christ

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Christ Healing a Blind Man

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Raising of Lazarus

Creator:: attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Landing of William of Orange at Tor Bay

Creator:: Peter Monamy, 1681–1749
Date:: 1688
Materials & Techniques:: Gray wash, pen and black ink, and pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 3/8 x 14 3/8in. (23.8 x 36.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. London Bridge and The Monument

Creator:: Francis Nicholson, 1753–1844
Date:: ca. 1795
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 16 3/8 inches (29.5 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Tomb: Cherub Weeping by an Urn

Creator:: Joseph Nollekens, 1737–1823
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 3 7/16 inches (16.8 × 8.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Lambeth from York House

Creator:: Francis Place, 1647–1728
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink; verso: graphite with pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 13/16 × 9 11/16 inches (9.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. East Side of Sheriff Hutton Castle

Creator:: Francis Place, 1647–1728
Date:: undated
Materials & Techniques:: Gray wash and blue wash with pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 × 8 7/8 inches (10.2 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. St. Paul's First Stone Laid June 21, 1675 by Sir Christopher Wren / Finished 35 years after 1710

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gouache, graphite, pen and brown ink and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/16 × 7 7/8 inches (16 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Pursuit (Probably a Design for The Tyburn Chronicle)

Creator:: Samuel Wale, 1721–1786
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink and pen and brown ink on medium, slightly textured cream laid paper
Dimensions:: Sheet: 6 3/8 × 4 1/8 inches (16.2 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire

Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire

Creator:: George Shepheard, ca. 1770–1842
Date:: undated
Materials & Techniques:: Black ink, brown ink, graphite, and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 6 1/4 inches (17.5 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Study of a Woman in a Wide-Brimmed Hat

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black iron gall ink, brown ink and black wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/4 × 8 1/2 inches (31.1 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Spanish Pointer

Creator:: John Buckler FSA, 1770–1851
Date:: ca. 1799
Materials & Techniques:: Watercolor, pen and gray ink, black ink, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 9/16 × 21 inches (39.5 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Plan of upright of the Tabernacle above the Niche of Temple at Baalbec

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink on moderately thick, slightly textured,cream laid paper
Dimensions:: Sheet: 17 1/2 × 12 1/8 inches (44.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Plan of upright of the semi circular Exedra of Temple at Baalbec

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 9 7/8 inches (39.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Order of the two courts of the Temple at Baalbec

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 10 inches (38.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Measured drawing of section of pediments of temple Baalbec

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 5/8 × 15 1/4 inches (54.9 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Order of the Great Temple at Baalbec with descriptive notes attached

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink, gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 30 1/8 × 21 5/8 inches (76.5 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Plan of the most entire temple at Baalbec

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 14 7/8 inches (54.6 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Caernarvon (Castle) Eagle Tower

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1809
Materials & Techniques:: Pen and black ink, brown ink, brown wash, graphite, and gum arabic on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/8 × 20 3/4 inches (38.4 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Le Havre and Le Manche: A Map of Le Havre

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, red ink, gray wash and graphite on medium, moderately textured, beige laid paper
Dimensions:: Mount: 15 × 20 15/16 inches (38.1 × 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

84. L'Orient 1776: Map of the Port of Orient

Creator:: unknown artist
Date:: 1776
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink, red ink, yellow ink, gray wash and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Mount: 15 7/8 × 20 3/8 inches (40.3 × 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

85. Letter to Rev. Richard Burney with drawing of Colossal Head from British Museum Courtyard

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Watercolor, pen and black and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 8 1/4 inches (16.5 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905

86. Salvator Mundi

Creator:: Edward Burne-Jones, 1833–1898
Date:: 1882
Materials & Techniques:: Black chalk, charcoal, white chalk, pen and black ink, pen and brown ink, watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 53 5/8 x 19 3/4 inches (136.2 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Robert Schoelkopf, B.A. 1951

87. My Father Feeding Ducks, Drawn by His Father

Creator:: Thomas Baxter, 1782–1821
Date:: ca. 1805
Materials & Techniques:: Watercolor, pen and brown ink, black ink, graphite, gum arabic, and scratching out on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 1/8 × 16 1/8 inches (30.8 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Barlborough Hall, near Chesterfield, Derbyshire: the Main Front of the Hall

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: undated
Materials & Techniques:: Pen and black ink, pen and brown ink, watercolor and gouache on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 x 19 1/2 inches (30.5 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. An Egyptian Vulture

Creator:: unknown artist
Date:: Undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, moderately textured, cream wove paper mounted on board
Dimensions:: Mount: 20 9/16 × 26 7/16 inches (52.2 × 67.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. View of Port Orotava, Tenerife, from El Limpio de Las Calaveras

Creator:: Alfred Diston, active 1818–1829
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and gray ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 1/2 × 19 1/16 inches (36.8 × 48.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Westminster Bridge from Lambeth Walk

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 13 7/8 × 20 3/16 inches (35.2 × 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. View From the Courtyard of Lambeth Palace Towards Westminster Bridge and the Abbey

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 × 16 11/16 inches (30.5 × 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Monument and the Pool of London from Southwark

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 13 15/16 × 20 1/16 inches (35.4 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Village of Kirkstall, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: 1801
Materials & Techniques:: Watercolor with pen and black and brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 12 7/16 x 19 1/4 inches (31.6 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Levens, Westmoreland, The Small Drawing Room

Creator:: Joseph Nash, 1808–1878
Date:: 1873
Materials & Techniques:: Watercolor, gouache, and pen, with black, ink, brown ink and red ink, with traces of graphite on thick, moderately textured, beige wove paper
Dimensions:: Mount: 16 × 22 inches (40.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Design for Little Frogmore: Elevation

Creator:: James Wyatt, 1746–1813
Date:: 1791
Materials & Techniques:: Watercolor, gray wash, pen and black and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 23 1/2 x 18 inches (59.7 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. A Bridge over the Thames, with sailing barges in the foreground

Creator:: Dominic Serres, 1722–1793
Date:: 1758-1793
Materials & Techniques:: Watercolor with black ink, brown ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 18 3/4 inches (33.7 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Haymakers

Creator:: Peter La Cave, active 1769–1810
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, blue ink, brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 5/8 × 19 9/16 inches (37.1 × 49.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Preparatory drawing for The Waltz

Creator:: Edward Francis Burney, 1760–1848
Date:: 1820s
Materials & Techniques:: Pen and brown ink, red chalk, pen and black ink, brown wash, and graphite, squared for transfer on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/4 × 17 1/2 inches (28.6 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. The Valley of Vision

2. Grotesque Male Head

3. Grotesque Male Head

4. Grotesque Male Head

5. Grotesque Male Head

6. Grotesque Male Head

7. Grotesque Male Head

8. Grotesque Male Head

9. Grotesque Female Head

10. Lake Geneva and Mount Blanc

11. Catania

12. The Dead Sea, 16 and 17 April 1858

13. Near Daboad

14. Bavella, Corsica

15. Abu Simbel, 11-11:30 am, 8 February 1867 (374)

16. Strongyli

17. Borghese Gladiator

18. Manuscript Notes

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20. Manuscript Notes

21. Manuscript Notes

22. Manuscript Notes

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24. Manuscript Notes

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28. Manuscript Notes

29. Headfort House, Ireland: Detail of the Lady's Room Ceiling

30. Langford House, Dublin, Ireland: Elevations of Room Facing the Garden

31. View Near Arundel Castle

32. Headfort House, Ireland: Lady's Room Ceiling

33. Album of Landscape and Figure Studies: Profile of a Man with an Umbrella

34. View at Swiss Cottage, London

35. On the Cimaronero River

36. The Market Place, Tanta, Egypt

37. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

38. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

39. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

40. Hogarth Declaring His Love to Miss Thornhill

41. Street Scene at Stratford by Bow

42. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

43. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

44. Hogarth Drawing Sarah Malcolm

45. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

46. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

47. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

48. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

49. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

50. Hogarth Sitting to Roubiliac for His Bust

51. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

52. Temple of Venus and Rome from the Colosseum

53. Perspective View: the New Houses of Parliament

54. Torrs

55. Culdoch

56. Brouckleugh; Mickle Sypeland

57. Bishopton

58. Whinny Liggate; Balgredan

59. Christ Preaching to the Elders in the Temple

60. The Conversion of Saul

61. Christ with Three Figures

62. Christ Healing the Palsied Man

63. An Elderly Man Petitioning Christ

64. Christ Healing a Blind Man

65. The Raising of Lazarus

66. Landing of William of Orange at Tor Bay

67. London Bridge and The Monument

68. Tomb: Cherub Weeping by an Urn

69. Lambeth from York House

70. East Side of Sheriff Hutton Castle

71. St. Paul's First Stone Laid June 21, 1675 by Sir Christopher Wren / Finished 35 years after 1710

72. The Pursuit (Probably a Design for The Tyburn Chronicle)

73. Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire

74. Study of a Woman in a Wide-Brimmed Hat