Jerusalem, Plate 49, "The secret coverts of Albion...."
1804 to 1820
402
Print made by William Blake, 1757–1827
Jerusalem, Plate 5, "The banks of the Thames...."
1804 to 1820
403
Print made by William Blake, 1757–1827
Jerusalem, Plate 50, "The Atlantic Mountains...."
1804 to 1820
404
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
405
William Blake, 1757–1827
The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
between 1797 and 1798
406
William Blake, 1757–1827
The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
407
William Blake, 1757–1827
The Poems of Thomas Gray, Design 93, "Ode for Music."
between 1797 and 1798
408
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
409
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 2, Title Page (Bentley 3)
1789
410
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
411
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)
1794
412
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
1794
413
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)
1794
414
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 12 (Bentley 22)
1794
415
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)
1794
416
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
1794
417
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)
1794
418
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
ca. 1797
419
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
1794
420
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
1794
421
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 5 (Bentley 12)
1794
422
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)
1794
423
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 8 (Bentley 9)
1794
424
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)
1794
425
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
426
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 24 (Bentley 26)
1794
427
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)
1794
428
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)
1794
429
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 16 (Bentley 17)
1794
430
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 14 (Bentley 14)
1794
431
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)
1794
432
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 18 (Bentley 21)
1794
433
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)
1794
434
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)
1794
435
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 21 (Bentley 27)
1794
436
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
ca. 1797
437
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
ca. 1797
438
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
439
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
ca. 1797
440
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
ca. 1797
441
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
ca. 1797
442
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
443
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
ca. 1797
444
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
ca. 1797
445
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
446
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
ca. 1797
447
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
ca. 1797
448
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 22 (Bentley 24)
1794
449
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
1794
450
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
451
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
452
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
453
Print made by William Blake, 1757–1827
Pity
ca. 1795
454
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
455
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
456
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
457
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
458
William Blake, 1757–1827
Albion Compelling the Four Zoas to Their Proper Tasks
1804 to 1810
459
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
460
William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
461
unknown artist
Illustration to Tonson's Ovid Metamorphosis (one of four)
ca. 1710
462
unknown artist
Illustration to Tonson's Ovid Metamorphosis (three of four)
ca. 1710
463
unknown artist
Illustration to Tonson's Ovid Metamorphosis (two of four)
ca. 1710
464
Thomas Stothard, 1755–1834
The Tenth Day of the Decameron
ca. 1825
465
unknown artist
The Death of Cordelia
undated
466
unknown artist
Lear in the Storm
undated
467
Henry Pierce Bone, 1779–1855
The Sleepwalking Scene in Macbeth
undated
468
Henry William Bunbury, 1750–1811
Launce Teaching His Dog Crab
undated
469
Henry William Bunbury, 1750–1811
The Duel: 'Twelfth Night,' Act III, Scene IV
ca. 1790
470
Alfred Edward Chalon, 1780–1860
Cleopatra on the Cydnus to Meet Antony
ca. 1821
471
Henry William Bunbury, 1750–1811
Falstaff Carrying Dead Hotspur
undated
472
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
473
Edward Francis Burney, 1760–1848
MacBeth: The Banquet Scene - MacBeth, Act II, Scene IV
undated
474
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
475
John Boyne, ca. 1750–1810
Malvolio: Possibly a Self-Portrait in the Role
undated
476
Henry Fuseli, 1741–1825
Study for 'Finding of the Body of Bassanio'
1804
477
Sir David Wilkie, 1785–1841
Scene from Quentin Durward
1833
478
Sir John Gilbert, 1817–1897
Enter Malvolio, Crossgartered..
1863
479
unknown artist
Alcibiades and Timon
undated
480
William Hamilton, 1751–1801
Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
undated
481
Francis Hayman, 1707/8–1776
Falstaff Inspecting the Recruits
between 1761 and 1765
482
Julius Caesar Ibbetson, 1759–1817
Title page for "The Guardian"
undated
483
Thomas Carwitham, active 1723
Ceres and Abas: Ovid, Metamorphoses, Book 5
ca. 1723
484
George Jones, 1786–1869
Portentous Things
undated
485
Richard Wilson, 1713/4–1782
Gulliver Bound by the Lilliputians
undated
486
George Fennell Robson, 1788–1833
The Murder of Banquo
ca. 1830
487
Alexander Runciman, 1736–1785
Celadon and Amelia from Thomson's 'The Seasons'
undated
488
Richard Westall, 1765–1836
Greatheart's Battle with Grim
undated
489
George Henry Harlow, 1787–1819
Hecate
1815
490
Sir John Gilbert, 1817–1897
Apotheosis of Shakespeare's Characters
1871
491
Theodor von Holst, 1810–1844
Sheet of Sketches
undated
492
Theodor von Holst, 1810–1844
Prospero Watching Ferdinand and Miranda
ca. 1840
493
Theodor von Holst, 1810–1844
Faust and Margaret
undated
494
Theodor von Holst, 1810–1844
Ferdinand Riding the Waves
ca. 1830
495
George Henry Harlow, 1787–1819
Queen Katherine's Dream
1807
496
Thomas Grieve, 1799–1882
Design for Midsummer Night's Dream
undated
497
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
498
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
499
William Henry Pyne, 1769–1843
An Illustration to Rob Roy: Interior with a Party Drinking