Etched by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
2
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
3
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
4
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
undated
5
George Romney, 1734–1802
Daphnis and Chloe
undated
6
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
7
George Romney, 1734–1802
The Banquet Scene
ca. 1792
8
George Romney, 1734–1802
MacBeth at the Witches' Cave: Second Visit, or Canidia and the Youth, or The Opening of the Ark
undated
9
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
10
George Romney, 1734–1802
Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
undated
11
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
12
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
13
George Romney, 1734–1802
MacBeth at the Witches' Cave: Second Visit
undated
14
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
15
George Romney, 1734–1802
Titania's Attendants Chasing Bats
undated
16
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
17
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
18
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
19
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
20
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
21
George Romney, 1734–1802
Unidentified Subjects
undated
22
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
23
George Romney, 1734–1802
Tempest, Version A
undated
24
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
25
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
26
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
27
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
28
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
29
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
30
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
31
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
32
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
33
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
34
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
35
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
36
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
37
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
38
George Romney, 1734–1802
Standing Figure, Probably for Lady Macbeth
undated
39
George Romney, 1734–1802
Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
undated
40
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
41
George Romney, 1734–1802
Three Studies of a Standing Woman, Possibly Lady MacBeth
undated
42
George Romney, 1734–1802
Birth of Man
undated
43
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
44
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
45
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
46
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
47
George Romney, 1734–1802
Sketch for Canidia and the Youth
undated
48
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
49
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
50
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
51
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
52
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
53
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
54
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
55
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
56
Print made by Prince Rupert, 1619–1682
The Little Executioner
ca. 1662
57
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
58
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
59
Robert Smirke, 1752–1845
Anne Page and Slender
1821
60
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
61
Richard Parkes Bonington, 1802–1828
Studies for Shylock
1825
62
Robert Smirke, 1752–1845
Prospero and Ariel
1821
63
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
64
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
65
Edward Francis Burney, 1760–1848
Study for the Figures of Demitrius and Two Workmen
undated
66
George Augustus Sala, 1828–1895
Mefistofile II
1880
67
Print made by Pieter Schenck I, 1660–1719
Two Seated Women Reading a Letter
undated
68
Print made by Nathaniel Hone, 1718–1784
Monachum Non Facit Cucullus - The Cowl Does Not Make the Monk
1772
69
unknown artist
The Death of Cordelia
undated
70
Theodor von Holst, 1810–1844
Faust and Margaret
undated
71
Theodor von Holst, 1810–1844
Prospero Watching Ferdinand and Miranda
ca. 1840
72
Henry Fuseli, 1741–1825
Study for 'Finding of the Body of Bassanio'
1804
73
Theodor von Holst, 1810–1844
Sheet of Sketches
undated
74
Benjamin Robert Haydon, 1786–1846
Sketches for a Scene from 'Macbeth'
ca. 1811
75
John Hamilton Mortimer, 1740–1779
Literary Characters Assembled Around the Medallion of Shakespeare
1776
76
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
77
Robert Smirke, 1752–1845
Isabella and Mariana Kneeling Before the Duke
1822
78
Robert Smirke, 1752–1845
Katherina and Grumio
1821
79
Robert Smirke, 1752–1845
Lady Mortimer's Welsh Song
1825
80
Robert Smirke, 1752–1845
Juliet About to Take her Sleeping Draught
1825
81
Robert Smirke, 1752–1845
Launce with his Dog Crab
ca. 1821
82
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1821
83
Robert Smirke, 1752–1845
Study of a Woman, Imploring for the Return of Her Captive Child
undated
84
Robert Smirke, 1752–1845
The Death of Ophelia
ca. 1810
85
Print made by William Strang, 1859–1921
The Penance
1896
86
Alfred Thompson, ca. 1833–1895
Costume Design for two Morris Dancers
undated
87
John Massey Wright, 1777–1866
The Rustics Perform from "A Midsummer Night's Dream"
undated
88
Thomas Rowlandson, 1756–1827
Henderson in the Character of Falstaff
undated
89
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
90
Robert Smirke, 1752–1845
Claudio and Isabella
1823
91
Robert Smirke, 1752–1845
Ferdinand Reunited with his Father
1821
92
Robert Smirke, 1752–1845
Prospero Conjuring a Masque for Ferdinand and Miranda
ca. 1810
93
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
94
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
95
Robert Smirke, 1752–1845
Capulet Railing at his Daughter, Juliet
1825
96
Robert Smirke, 1752–1845
Christopher Sly and the Page, as His Wife
1821
97
Robert Smirke, 1752–1845
Falstaff with Mistress Quickly and Bardolph
1825
98
Robert Smirke, 1752–1845
Hotspur and the Plotters at Bangor
1825
99
Francesco Bartolozzi, 1728–1815
Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"