Print made by William Richardson, active 1842–1877
Ashestiel
1835
104
Print made by Henry Thomas Alken, 1785–1851
The School-Boy
1824
105
Print made by John Doyle ('H.B.'), 1797–1868
A Great Actor between Tragedy and Comedy
1834
106
Print made by Cornelis Apostool, 1762–1844
Here Nature List'ning Stood
1795
107
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
108
Print made by William Faithorne the Younger, ca. 1669–1703
Sylvio and Dorinda
between 1752 and 1768
109
Print made by William Faithorne the Younger, ca. 1669–1703
Sylvio and Dorinda
between 1680 and 1703
110
Print made by Bernard Lens II, 1659–1725
The Judgement of Paris
undated
111
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
112
Robert Smirke, 1752–1845
The Death of Ophelia
ca. 1810
113
Print made by imitator of George Baxter, 1804–1867
Little Red Riding Hood
after 1856
114
Print made by Thomas Bewick, 1753–1828
Dog and the Shadow
1909
115
William Woollett, 1735–1785
Dido and Aeneas
1787
116
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1779
117
Print made by Francesco Bartolozzi, 1728–1815
Tom Jones Assisting Molly Seagrim
1782
118
Valentine Green, 1739–1813
Rinaldo and Armida
1775
119
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
120
unknown artist
Shakespeare Illustration: "Measure for Measure"
undated
121
Richard Earlom, 1743–1822
Thomas King and Sophia Baddely in "The Clandestine Marriage"
1772
122
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
ca. 1783
123
Print made by Francesco Bartolozzi, 1728–1815
Tancred and Clorinda
1785
124
Print made by Francesco Bartolozzi, 1728–1815
Celadon and Amelia
1782
125
Print made by John Doyle ('H.B.'), 1797–1868
Tancred Entering the Enchanted Forest, Vide "Jerusalem Delivered"--Canto XIII
1847
126
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
127
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
128
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
undated
129
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
130
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
131
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
1783
132
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
133
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
134
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
135
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
136
unknown artist
Awakening of Titania
undated
137
William Marshall Craig, 1763 or 1764–1829
Hamlet and the Ghost
ca. 1820
138
Richard Dadd, 1817–1886
Sketch for the Passions: Love
1853
139
George Cruikshank, 1792–1878
Macbeth and the Witch
undated
140
Mary Hoare, 1744–1820
Ophelia's Death
ca. 1781
141
David Allan, 1744–1796
Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd
1788
142
Joseph Farington, 1747–1821
Shakespearean Scene (?): A Pilgrim
1796
143
Richard Westall, 1765–1836
Alcibiades and Timon
ca. 1805
144
Mary Hoare, 1744–1820
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
1780
145
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920
146
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926
147
William John Chamberlayne, 1821–1910
Mauritius - a scene with figures wearing classical costume standing by a pool flanked by palms; in the background is the Pieter Both Mountain