Adrian Hope's House II: Corner Bedrooom on Chamber Floor - Elevations and Ceiling Plan
undated
302
unknown artist
View of Bedgebury Park - Entrance Front
undated
303
unknown artist
Principal Front of Bedgebury House - Elevation
undated
304
unknown artist
Design for Table - Elevation, View of Top, View of base
ca. 1835
305
Henry Phillip Hope, active 1799–1818
Bedgebury: Alternative design for Pavilion Window
undated
306
Henry Phillip Hope, active 1799–1818
Bedgeway: View of Interior of Pavilion... (4 of 4)
undated
307
unknown artist
Sketch I - Elevation of Pavilion Wall
undated
308
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
undated
309
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Gallery - Plan and Elevations
undated
310
unknown artist
Badgebury House, South East Front - Elevation
1841
311
unknown artist
Design for Table Top or Ceiling, with fringed flap on corner suggesting alterntive border pattern
undated
312
unknown artist
Sketch for Ceiling or Bed Canopy
undated
313
Henry Phillip Hope, active 1799–1818
Bedgebury: View of Interior of Pavilion (3 of 4)
undated
314
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
undated
315
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
undated
316
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Projet de la Decoration du petit Salon de Verdure Hotel de Monsieur Rape quai d'Orsay
undated
317
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
undated
318
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
undated
319
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Rez-de-Chaussee - Plan
undated
320
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan
undated
321
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Premiere Etage - Plan
undated
322
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
323
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine
undated
324
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
undated
325
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
326
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
undated
327
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete
undated
328
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan and Elevations
undated
329
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
undated
330
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
undated
331
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
undated
332
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)
undated
333
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours
undated
334
Edward W. Fitch, active 1839–1867
Back Water of the Bratford
1864
335
John Howe, active 1838
The Great Fair in Hyde Park on the 28th of June 1838 to Celebrate the Coronation of her most gracious Majesty Queen Victoria the First
1838
336
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
337
Stephen Riou, 1720–1780
Design for a villa: `The Ground Plan and Elevations of a Villa'
1770
338
Richard Banks Harraden, 1778–1862
Jesus College from the Meadows, Cambridge
ca. 1830
339
Richard Banks Harraden, 1778–1862
Pembroke College, Cambridge
undated
340
Richard Banks Harraden, 1778–1862
Christ's College, Cambridge
ca. 1836
341
Richard Banks Harraden, 1778–1862
Warwick Vase, Public Library, Cambridge
1842
342
Richard Banks Harraden, 1778–1862
Corpus Christi College, Cambridge
1836
343
Stephen Riou, 1720–1780
Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan
1763
344
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
345
Engraved by Henry Pyall, 1795–1833
Mail Coach Behind Time
1827
346
Print made by Anthony Cardon, 1772–1813
A New Love Song, Only ha'Penny a Piece
1796
347
Print made by Theodore Henry Adolphus Fielding, 1781–1851
A Shipwreck
1825
348
Print made by unknown artist
The Bay of Baiae - Apollo and the Sibyl
between 1852 and 1856
349
Print made by unknown artist
Italy - Childe Harold's Pilgrimage
between 1852 and 1856
350
unknown artist
Where There's a Will, There's a Way
ca. 1860
351
unknown artist
Young Northamptonshire
ca. 1860
352
unknown artist
Our National Defences
ca. 1860
353
Sir Howard Hodgkin, 1932–2017
Cardo's Bar (Red)
1979
354
Mrs. P. D. H. Page, 20th century
Iris, after the Original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 4]
undated
355
Mrs. P. D. H. Page, 20th century
Corn Poppy, After the Original by Jacques Le Moune de Morgues in the Victoria & Albert Museum [No. 15r]
undated
356
Mrs. P. D. H. Page, 20th century
Millet, After the Original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 16r]
undated
357
Mrs. P. D. H. Page, 20th century
Mayflower and Meadow Brown Butterfly, After the original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 45]
undated
358
Mrs. P. D. H. Page, 20th century
Cabbage Rose, After the original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 58]
undated
359
Mrs. P. D. H. Page, 20th century
Grape-vine, After the original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 74]
undated
360
Mrs. P. D. H. Page, 20th century
Apple, Aafter the Original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 75]
undated
361
Mrs. P. D. H. Page, 20th century
Flamingo, after the original by John White in the British Museum [Caribbean and Oceanic, No. 15]
undated
362
Mrs. P. D. H. Page, 20th century
Grouper, after the original by John White in the British Museum [Caribbean and Oceanic, No. 23 A]
undated
363
Henry Thomas Alken, 1785–1851
The Beaufort Hunt: Crossing the River Avon
undated
364
Henry Thomas Alken, 1785–1851
The Beaufort Hunt: The Death and Treeing
undated
365
Henry Thomas Alken, 1785–1851
The Beaufort Hunt: The Return Home
undated
366
Richard Ansdell, 1815–1885
Rabbit Shooting
undated
367
Walter Parry Hodges, 1760–1845
The Quorn Hunt: Tally-Ho and Away!
1832
368
Edward W. Trendall, active 1816–1848
Grandstand on the Race Ground at Epsom
undated
369
Henry Thomas Alken, 1785–1851
The Quorn Hunt: The Meet at Ashby Pastures
undated
370
Henry Thomas Alken, 1785–1851
The Quorn Hunt: Drawing Cover
undated
371
Henry Thomas Alken, 1785–1851
The Quorn Hunt: Tally-Ho and Away
undated
372
Henry Thomas Alken, 1785–1851
The Quorn Hunt: Full Cry
undated
373
Henry Thomas Alken, 1785–1851
The Quorn Hunt: 'Snob is Beat'
undated
374
Henry Thomas Alken, 1785–1851
The Quorn Hunt: The Death
undated
375
Henry Thomas Alken, 1785–1851
The Quorn Hunt: The Whissendine Appears in View
undated
376
Henry Thomas Alken, 1785–1851
The Beaufort Hunt: Going out of a Kennel
undated
377
Mrs. P. D. H. Page, 20th century
Mammea Apple, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 12 A]
undated
378
Mrs. P. D. H. Page, 20th century
Horn Plantain, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 13 A]
undated
379
unknown artist
Master George Contemplating Jumping a Stream
ca. 1860
380
George Dance, 1741–1825
"Curtius Leaping into the Gulph"
undated
381
Gilbert Joseph Holiday, 1879 –1937
Racehorses at Exercise Watched by Ploughmen
undated
382
Charles Johnson Payne "Snaffles", 1884–1967
A Point-to-Point
undated
383
Henry Thomas Alken, 1785–1851
The Quorn Hunt: The Pace Begins to Tell
undated
384
Henry Thomas Alken, 1785–1851
The Beaufort Hunt: Finding (in a Bog)
undated
385
unknown artist
Boy with a Donkey and a Horse and a Rider
ca. 1860
386
unknown artist
A Farmer who has Come out to Protect his Fields from Riders
ca. 1860
387
unknown artist
The Contented Mind
ca. 1860
388
Myles Birket Foster, 1825–1899
Illustration to 'The Traveller'
1859
389
Myles Birket Foster, 1825–1899
Illustration to 'The Traveller'
1859
390
Myles Birket Foster, 1825–1899
Illustration to 'The Traveller'
1859
391
John Adey Repton, 1775–1860
London: Houses of Parliament
undated
392
John Adey Repton, 1775–1860
London: Houses of Parliament
undated
393
Monro School
Album of Monro School Drawings
ca. 1795
394
Luigi Balugani, 1737–1770
Album of Thirty-four Drawings of Animals and Birds from The Bruce Archive