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Collection Prints and Drawings

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Subject Terms religious and mythological subject

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Search Results

George Romney David Playing the Harp
George Romney, 1734–1802
David Playing the Harp
undated
George Romney Charity
George Romney, 1734–1802
Charity
undated
George Romney David and Saul
George Romney, 1734–1802
David and Saul
undated
George Romney David Playing the Harp
George Romney, 1734–1802
David Playing the Harp
undated
George Romney The Accusation of Susanna by the Elders
George Romney, 1734–1802
The Accusation of Susanna by the Elders
undated
George Romney The Bath of Bath-sheba
George Romney, 1734–1802
The Bath of Bath-sheba
undated
George Romney Sibyl
George Romney, 1734–1802
Sibyl
undated
George Romney Satan Surprised at the Ear of Eve
George Romney, 1734–1802
Satan Surprised at the Ear of Eve
undated
George Romney Possibly Lapland Witches
George Romney, 1734–1802
Possibly Lapland Witches
undated
George Romney The Temptation of Christ
George Romney, 1734–1802
The Temptation of Christ
ca. 1796
George Romney The Three Graces and Fiends Deriding Christ for "The Temptation of Christ"
George Romney, 1734–1802
The Three Graces and Fiends Deriding Christ for "The Temptation of Christ"
undated
George Romney Head of Apollo
George Romney, 1734–1802
Head of Apollo
undated
George Romney Laocoon
George Romney, 1734–1802
Laocoon
undated
George Romney River God
George Romney, 1734–1802
River God
undated
George Romney Borghese Gladiator
George Romney, 1734–1802
Borghese Gladiator
undated
George Romney Devils for the Temptation of Christ
George Romney, 1734–1802
Devils for the Temptation of Christ
undated
George Romney The Temptation of Christ
George Romney, 1734–1802
The Temptation of Christ
undated
George Romney Two studies for a male portrait
George Romney, 1734–1802
Two studies for a male portrait
undated
George Romney Bacchanalian Scene (Possibly Antediluvian)
George Romney, 1734–1802
Bacchanalian Scene (Possibly Antediluvian)
undated
George Romney Noah's Children Rejoicing
George Romney, 1734–1802
Noah's Children Rejoicing
undated
George Romney Temptation of Christ
George Romney, 1734–1802
Temptation of Christ
undated
George Romney Pharmarus Raises the Phantom before Kunaza
George Romney, 1734–1802
Pharmarus Raises the Phantom before Kunaza
undated
George Romney Initiation of a Rustic Nymph
George Romney, 1734–1802
Initiation of a Rustic Nymph
undated
George Romney Viscountess Bulkeley as Hebe
George Romney, 1734–1802
Viscountess Bulkeley as Hebe
undated
George Romney The Accusation of Susanna
George Romney, 1734–1802
The Accusation of Susanna
ca. 1773
George Romney Sketches for "The Accusation of Susanna"
George Romney, 1734–1802
Sketches for "The Accusation of Susanna"
undated
George Romney The Destruction of Niobe's Children
George Romney, 1734–1802
The Destruction of Niobe's Children
undated
George Romney Devils for the Temptation of Christ
George Romney, 1734–1802
Devils for the Temptation of Christ
undated
George Romney The Temptation of Christ
George Romney, 1734–1802
The Temptation of Christ
undated
George Romney Devils for the Temptation of Christ
George Romney, 1734–1802
Devils for the Temptation of Christ
undated
George Romney The Temptation of Christ
George Romney, 1734–1802
The Temptation of Christ
undated
George Romney The Temptation of Christ
George Romney, 1734–1802
The Temptation of Christ
undated
George Romney Devils for the Temptation of Christ
George Romney, 1734–1802
Devils for the Temptation of Christ
undated
George Romney The Temptation of Christ
George Romney, 1734–1802
The Temptation of Christ
undated
George Romney The Temptation of Christ
George Romney, 1734–1802
The Temptation of Christ
undated
George Romney Temptation of Christ
George Romney, 1734–1802
Temptation of Christ
undated
George Romney Hell
George Romney, 1734–1802
Hell
undated
William Blake Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
1804 to 1820
William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
William Blake America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
1793
William Blake America. A Prophecy, Plate 14, "So Cried He...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 14, "So Cried He...."
1793
William Blake America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
1793
William Blake America. A Prophecy, Plate 18, "Over the Hills...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 18, "Over the Hills...."
1793
William Blake America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
1793
William Blake America. A Prophecy, Plate 6, "Appear to the Americans...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
William Blake The Book of Thel, Plate 2, Title Page
Print made by William Blake, 1757–1827
The Book of Thel, Plate 2, Title Page
1789
William Blake The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
William Blake The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
William Blake Europe. A Prophecy, Plate 1, Frontispiece
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 1, Frontispiece
1794
William Blake Europe. A Prophecy, Plate 3, "Preludium"
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 3, "Preludium"
1794
William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
William Blake Europe. A Prophecy, Plate 13 (Bentley 10)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 13 (Bentley 10)
1794
William Blake Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
1794
William Blake Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
1794
William Blake Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
William Blake Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
William Blake The First Book of Urizen, Plate 11 (Bentley 17)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11 (Bentley 17)
1794
William Blake The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)
1794
William Blake The First Book of Urizen, Plate 15 (Bentley 14)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 15 (Bentley 14)
1794
William Blake The First Book of Urizen, Plate 18 (Bentley 21)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 18 (Bentley 21)
1794
William Blake The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)
1794
William Blake The First Book of Urizen, Plate 21 (Bentley 16)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 21 (Bentley 16)
1794
William Blake The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)
1794
William Blake The First Book of Urizen, Plate 23 (Bentley 9)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23 (Bentley 9)
1794
William Blake The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)
1794
William Blake The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)
1794
William Blake The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)
1794
William Blake For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
1826
William Blake Songs of Innocence and of Experience
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
William Blake Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
1789
William Blake Jerusalem, Plate 86, "I see thy Form...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 86, "I see thy Form...."
1804 to 1820
William Blake Jerusalem, Plate 89, "Tho divided by the Cross...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 89, "Tho divided by the Cross...."
1804 to 1820
William Blake Jerusalem, Plate 9, "Condens'd his Emanations...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 9, "Condens'd his Emanations...."
1804 to 1820
William Blake Jerusalem, Plate 90, "The Feminine separates...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 90, "The Feminine separates...."
1804 to 1820
William Blake Jerusalem, Plate 91, "It is easier to forgive an enemy...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 91, "It is easier to forgive an enemy...."
1804 to 1820
William Blake Jerusalem, Plate 94, "Albion cold lays on his Rock...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 94, "Albion cold lays on his Rock...."
1804 to 1820
William Blake Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
1804 to 1820
William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
William Blake Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
1797
William Blake Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
1797
William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
1797
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 39, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 39, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798