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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionGenre literary theme
Remove constraint Genre: literary themeSearch Results
1
- Opening the Fold
- 1880
2
- The Homeward Star
- begun ca. 1880
3
- The Sleeping Shepherd
- 1857
4
- The Sepulchre
- etching begun ca. 1800; impression printed in 1924
5
- The Lonely Tower
- 1879
6
- The Bellman
- 1879
7
- The Cypress Grove
- plate etched between ca. 1880 and 1883; impression printed in 1924
8
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
9
- Moeris and Galatea
- plate etched between 1880 and 1883; impression printed in 1924
10
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
11
- The Bellman
- 1879
12
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
13
- The Farmer's Wife and the Raven
- 1788
14
- Apuleia in Search of Apuleius
- between 1813 and 1823
15
- Aesacus and Hesperie
- 1819
16
- Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
- ca. 1832
17
- Apuleia in Search of Apuleius
- between 1813 and 1823
18
- The Deluge
- between 1813 and 1823
19
- Aesacus and Hesperie
- 1819
20
- From Spenser's Fairy Queen
- 1811
21
- Procris and Cephalus
- 1812
22
- From Spenser's Fairy Queen
- 1811
23
- The Fifth Plague of Egypt
- 1808
24
- Aeneas Relating His Adventures to Dido
25
- Night the First. On Life, Death and Immortality; Title Page
- ca. 1797
26
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
27
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
28
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
29
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
30
- 'This King of Terrors is the Prince of Peace' (Page 63)
- ca. 1797
31
- The Christian Triumph; Title Page
- ca. 1797
32
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
33
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
34
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
35
- Night the Second. On Time, Death and Friendship; Title Page
- ca. 1797
36
- 'Emblem of that which shall awake the dead' (Page 19)
- ca. 1797
37
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
38
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- ca. 1797
39
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
40
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
41
- My Son! My Son!; Plate 10
- 1793
42
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
43
- III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
- 1789
44
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
45
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
46
- Night the Third. Narcissa; Title Page
- ca. 1797
47
- 'Where sense runs savage broke from reason's chain' (Page 46)
- ca. 1797
48
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
49
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
50
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
51
- Visions, Frontispiece (Plate 1)
- 1793
52
- Title Page, Visions of the Daughters of Albion (Plate 2)
- 1793
53
- Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
- 1793
54
- IV. "None could have other than natural or organic thoughts..." (Plate 6)
- ca. 1788
55
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
56
- "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
- 1793
57
- Title Page, The Book of Thel (Plate 2)
- 1789
58
- I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
- 1789
59
- IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
- 1789
60
- "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
- 1804 to 1820
61
- "And Rahab Babylon the Great..." (Plate 75)
- 1804 to 1820
62
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
63
- "My tents are fall'n! my pillars are in ruins!..." (Plate 79)
- 1804 to 1820
64
- "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
- between 1797 and 1798
65
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
66
- The Three Fatal Sisters (Design 67)
- between 1797 and 1798
67
- Sigtryg with the Silken Beard (Design 69)
- between 1797 and 1798
68
- The Bard Weaving Edwards Fate (Design 55)
- between 1797 and 1798
69
- "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
- between 1797 and 1798
70
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
71
- "O'er thy country hangs The scourge of Heav'n..." (Design 59)
- between 1797 and 1798
72
- II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
- 1789
73
- III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
- 1789
74
- "Rose up against me thundering..." (Plate 8)
- 1804 to 1820
75
- 'Till death, that mighty hunter, earths them all' (Page 70)
- 1797
76
- 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
- 1797
77
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
78
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
79
- 'Is lost in love! thou great Philanthropist' (Page 87)
- 1797
80
- 'But for the blessing wrestle not with heaven' (Page 88)
- 1797
81
- 'That touch, with charm celestial heals the soul' (Page 90)
- 1797
82
- 'If angels tremble, 'tis at such a sight' (Page 93)
- 1797
83
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
84
- "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
- between 1797 and 1798
85
- "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
- between 1797 and 1798
86
- "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
- between 1797 and 1798
87
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
88
- "We the reins to slaughter give..." (Design 73)
- between 1797 and 1798
89
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
90
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
91
- A Dream (Plate 4)
- 1789
92
- The Little Girl Found (Plate 6)
- 1789
93
- "Midst the tide, Two angel forms were seen to glide..." (Design 7)
- between 1797 and 1798
94
- The Prophetess Rising from Her Grave (Design 81)
- between 1797 and 1798
95
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
96
- "Hie thee hence, and boast at home..." (Design 85)
- between 1797 and 1798
97
- A Standard Bearer Fainting in the Routed Battle (Design 87)
- between 1797 and 1798
98
- "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
- between 1797 and 1798
99
- A Cradle Song (Plate 18)
- 1789
100
- "Encompass'd by the frozen Net..." (Plate 80)
- 1804 to 1820