Study of the Human Figure, Anterior View (Outline Drawing for Table VI)
1795 to 1806
3
George Stubbs, 1724–1806
Human Figure, Anterior View (Intended for a Plate That was Never Published)
1795 to 1806
4
George Stubbs, 1724–1806
Human Figure, Anterior View (Largely in outline)
1795 to 1806
5
George Stubbs, 1724–1806
Human Figure, Posterior View (Finished Study for an Unpublished Plate)
1795 to 1806
6
George Stubbs, 1724–1806
Human Figure, Posterior View
1795 to 1806
7
George Stubbs, 1724–1806
Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
1795 to 1806
8
George Stubbs, 1724–1806
Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
1795 to 1806
9
George Stubbs, 1724–1806
Tiger Body, Lateral View (Shows the third stage in dissection)
1795 to 1806
10
George Stubbs, 1724–1806
Tiger Body, Lateral View (Probably made as the basis for a key figure)
1795 to 1806
11
George Stubbs, 1724–1806
Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
1795 to 1806
12
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)
1795 to 1806
13
George Stubbs, 1724–1806
Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection)
1795 to 1806
14
George Stubbs, 1724–1806
Tiger, Recumbent, Viewed Ventrally
1795 to 1806
15
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
16
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
17
George Stubbs, 1724–1806
Fowl Body, Lateral View (Study for the Key Figure to Table XV)
1795 to 1806
18
George Stubbs, 1724–1806
Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving the Key Figure to Table X)
1795 to 1806
19
George Stubbs, 1724–1806
Fowl Body, Lateral View (Study for key figure to Table X)
1795 to 1806
20
George Stubbs, 1724–1806
Study of the Human Figure, Anterior View (Probably related to Table XI)
1795 to 1806
21
George Stubbs, 1724–1806
Human Skeleton, Anterior View
1795 to 1806
22
George Stubbs, 1724–1806
Human Body, Posterior View (Outline Drawing for Table VII)
1795 to 1806
23
George Stubbs, 1724–1806
Human Figure, Posterior View (Almost Identical to Finished Drawing for Table XII)
1795 to 1806
24
George Stubbs, 1724–1806
Human Figure, Posterior View (Outline Drawing for Key Figure to Table XII)
1795 to 1806
25
George Stubbs, 1724–1806
Human Figure, Posterior View (Further Study for Table XII)
1795 to 1806
26
George Stubbs, 1724–1806
Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)
1795 to 1806
27
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
28
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
29
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
30
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
31
George Stubbs, 1724–1806
Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
between 1795 and 1806
32
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
33
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
34
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
35
George Stubbs, 1724–1806
Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)
1795 to 1806
36
George Stubbs, 1724–1806
Owl Standing, Anterior View
1795 to 1806
37
George Stubbs, 1724–1806
Dorking Hen, Lateral View
1795 to 1806
38
George Stubbs, 1724–1806
A Prancing Horse, Facing Right
ca. 1790
39
George Stubbs, 1724–1806
Study of a Racehorse in Action: Galloping to Left, a Semi-Anatomical Study, with Skin Flayed to Show Action of Muscles
undated
40
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
41
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
42
William Hogarth, 1697–1764
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
undated
43
unknown artist
Two Sleeping Dogs
undated
44
unknown artist
Woman with Square Hat
undated
45
George Knapton, 1698–1778
Portrait of a Young Man
undated
46
unknown artist
Head of a Young Man
undated
47
Attributed to Sir Godfrey Kneller, 1646–1723
Head of a Man
1732
48
Ozias Humphry, 1742–1810
Countess Poulett
undated
49
Giles Hussey, 1710–1788
Head of a Man with Stubble Beard, Facing Right
undated
50
Attributed to Domenico Mondo, 1723– c.1808
Study for Ceiling: Apollo and other Figures
undated
51
George Morland, 1763–1804
A Man Lifting a Trunk, Two studies on one sheet
1792
52
unknown artist
Study of a Woman Sewing and a Girl Reading
ca. 1785
53
Jonathan Richardson the Elder, 1667–1745
Self-Portrait
ca. 1733
54
Mauritius Lowe, 1746–1793
Allegorical Subject
undated
55
John Singleton Copley, 1738–1815
Study for Captain William George Fairfax for the Painting "The Victory of Lord Duncan"
ca. 1798
56
Paul Sandby, 1731–1809
Lady in a Bonnet
between 1760 and 1765
57
Edward Francis Burney, 1760–1848
Preparatory drawing for The Waltz
1820s
58
Samuel De Wilde, 1748–1832
An Actress
1806
59
Samuel De Wilde, 1748–1832
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
60
Johan Joseph Zoffany, 1733–1810
A Dying Hindu Brought to the River Ganges
1788
61
Attributed to George Vertue, 1684–1756
Portrait of John Dixon, Facing Right
undated
62
Samuel De Wilde, 1748–1832
A Boy with a Basket
1808
63
Sir David Wilkie, 1785–1841
A Priest with Two Children
between 1825 and 1828
64
Jonathan Richardson the Elder, 1667–1745
Portrait of Jonathan Richardson the Younger
1733
65
James Ward, 1769–1859
Study from Nature, One of the Children of Charity for the Large Picture of the Waterloo Allegory
undated
66
Sir David Wilkie, 1785–1841
Garden of Gethsemane
1841
67
Jonathan Richardson the Elder, 1667–1745
Self-Portrait
ca. 1730
68
Augustus Edwin John, 1878–1961
Portrait of Dr. Hubert Noel
1952
69
Attributed to William Hamilton, 1751–1801
Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
undated
70
John Hoppner, 1758–1810
Study of a Seated Woman
undated
71
Francis Hayman, 1707/8–1776
Scene from a Play, possibly Benjamin Hoadley's "The Suspicious Husband"
undated
72
John Hayter, 1800–1895
Portrait of a Gentleman
1832
73
Giles Hussey, 1710–1788
Three studies of heads from classical figures
between 1730 and 1768
74
attributed to Paul Sandby, 1731–1809
Arthur Gore, first Earl of Arran
undated
75
William Ward, 1766–1826
Portrait Study of Mrs. George Morland
undated
76
John Russell, 1745–1806
Head of a Lady
ca. 1780
77
George Shepheard, ca. 1770–1842
Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire
undated
78
Samuel Scott, 1701/2–1772
Westminster Abbey and Bridge from Somerset Garden
1759
79
James Ward, 1769–1859
Study of the Head of a Ram
undated
80
unknown artist
Head of a Young Woman Looking Left
undated
81
Allan Ramsay, 1713–1784
Head of a Woman
undated
82
unknown artist
An Ornamental Pool and Fountain
ca. 1700
83
Allan Ramsay, 1713–1784
Head of a Young Woman or Man
undated
84
Alexander Runciman, 1736–1785
A Temple Perched on a Rocky Outcrop Seen Across a Lake
ca. 1767
85
James Ward, 1769–1859
Sleeping Pig
undated
86
Edward Francis Burney, 1760–1848
Designs for Illustrations to Mozart's Operas
undated
87
George Frederic Watts, 1817–1904
Study for a Head of a Child
ca. 1860
88
John Downman, 1750–1824
Mrs. Ives of Catton
1780
89
Edward Francis Burney, 1760–1848
Wm. Lock, Esq
undated
90
David Scott, 1806–1849
SixDesigns for Nichol's - Architecture of the Heavens - Man Seeking and Sought and Raised by Thought
1848
91
Frederick Sandys, 1829–1904
Study of two girls, with a study of a hand to the right